- european election 2019

Bibliografie/Bibliography (updated/Stand: Dec 2016)

This biography is structured in 3 parts/Diese Bibliografie ist in 3 Teile aufgeteilt:

Monographs, catalogues and artist's books/Monografien, Kataloge und Künstlerbücher

Photography, writings, interviews and projects for magazines, catalogues, videos and record covers/Fotografien, Texte, Interviews und Projekte für Zeitschriften und Kataloge, Videos und Plattencover seit 1998

Selected articles on the artist/Artikel über den Künstler (Auswahl) seit 1998

Monographs, catalogues and artist's books/Monografien, Kataloge und Künstlerbücher
Wolfgang Tillmans, Taschen, Cologne, 1995, reissued 2002
Wolfgang Tillmans, Kunsthalle Zurich, Zurich, 1995
Wolfgang Tillmans, Portikus Frankfurt, Frankfurt a.M., 1995
Wer Liebe wagt lebt morgen, Catalogue Kunstmuseum Wolfsburg, Ostfildern-Ruit, 1996
Concorde, Verlag der Buchhandlung Walther König, Cologne, 1997
Burg, Taschen, Cologne, 1998, reissued as 'Wolfgang Tillmans', 2002
Totale Sonnenfinsternis, Galerie Daniel Buchholz, Cologne, 1999
Wako Book 1999, Wako Works of Art, Tokyo, 1999
Soldiers – The Nineties, Verlag der Buchhandlung Walther König, Cologne, 1999
Wako Book 2, Wako Works of Art, Tokyo, 2001
Portraits, Verlag der Buchhandlung Walther König, Cologne, 2001
Aufsicht/View from Above, Hatje Cantz, Ostfildern, 2001
AC: Isa Genzken / Wolfgang Tillmans, Museum Ludwig, Verlag der Buchhandlung Walther König, Cologne, 2001
Wolfgang Tillmans: Still Life, Harvard University Art Museum, 2002
Wolfgang Tillmans, Phaidon Press, London, New York, J. Verwoert/P. Halley/M. Matsui (Ed.), 2002
if one thing matters, everything matters, Tate, London, 2003
Wako Book 3, Wako Works of Art, Tokyo, 2004
Freischwimmer, Tokyo Opera City Gallery, Tokyo, 2004
truth study center, Taschen, Cologne, 2005
Freedom from the Known, New York, 2006
Wolfgang Tillmans, MCA Chicago / Hammer Museum LA (Ed.), Yale Un8iversity Press, New Haven / London, 2006
Sprengel Installation, Sprengel Museum, Hannover, 2007
Why we must provide HIV treatment information. (photography) HIV i-base, London, UK, 2007
Manual, Verlag der Buchhandlung Walther König, Cologne, 2007
Hans Ulrich Obrist: "The Conversation Series Vol. 6 – Wolfgang Tillmans", Verlag der Buchhandlung Walther König, Cologne, 2007
Carciofo – Still Lifes, Oroom Gallery, Seoul, Korea, 2007
Lighter, Hamburger Bahnhof, Museum für Gegenwart, Hatje Cantz, Ostfildern, 2008
Wolfgang Tillmans: Interviews, Wako Works of Art, 2010
Wolfgang Tillmans, K., Serpentine Gallery, Koenig Books London, London, 2010
Abstract Pictures, Hatje Cantz, Ostfildern, 2011
Zacheta Ermutigung, Zacheta Narodowa Galeria Sztuki, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2011
FESPA Digital / FRUIT LOGISTICA, Verlag der Buchhandlung Walther König, Cologne, 2012
Neue Welt, Taschen, Cologne, 2012
Wolfgang Tillmans, Moderna Museet, Stockholm, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2012
Utoquai, TBW Books, Oakland, 2013
Wako Book 5, Wako Works of Art, Tokyo, 2014
Wolfgang Tillmans, BT Books, Tokyo, 2014
Wolfgang Tillmans, Phaidon Press, London, 2014
The Cars, Verlag der Buchhandlung Walther König, 2015
Your Body is Yours, The National Museum of Art Osaka, 2015
What's wrong with redistribution?, Verlag der Buchhandlung Walther König, 2015
On the Verge of Visibility, Fundação de Serralves, Porto, 2016
Conor Donlon, Verlag der Buchhandlung Walther König, Cologne, 2016
Wolfgang Tillmans: 2017, TATE Publishing, 2017
Wolfgang Tillmans, exh. cat. Fondation Beyeler, Hatje Cantz, 2017
Was ist anders?, Jahresring 64, Wolfgang Tillmans, Brigitte Oetker (Ed.), Sternberg Press, 2017
What Is Different? (English) Jahresring 64, Wolfgang Tillmans, Brigitte Oetker (Eds.), Sternberg Press, 2017
DZHK Book 2018, David Zwirner Books, 2018


Photography, writings, interviews and projects for magazines, catalogues, videos and record covers/Fotografien, Texte, Interviews und Projekte für Zeitschriften und Kataloge, Videos und Plattencover seit 1998 top

(photography/portraits) denotes pictures taken for the publication./markiert Fotografien die extra für diese Zeitschrift(o.ä.) entstanden sind.
(project) denotes pages designed by WT using existing pictures./markiert Seiten die von WT mit bereits existierenden Bildern gestaltet wurden.

This chronological list is organized by year. Within each year, entries are listed alphabetically by publication and chronologically by issue./Diese Liste ist chronologisch nach Jahren geordnet. Innerhalb der Jahre sind alle Einträge alphabetisch nach Zeitschriften (u.ä.)geordnet und chronologisch nach Nummer.

Artist's page. Hamburger Rundschau, no. 49, p. 15
"Opera House." i-D, no. 69, p. 8, "Hamburg i-D Night," pp. 12–14
"Lutz Huelle." Prinz (Hamburg) (September), p. 14, "Gaststätte Sparr," p. 16, "Boy George," "Christoph Schafer and Cathy Skene," pp. 24–25, "Hamburg Nightlife,", pp. 30–34
"Nightlife." Tango (March), pp. 146–147
"Martin Kippenberger," "Hendrik Martz," "Trude Unruh," "Gerhard Schroder," "Marius Zmuller-Westernhagen," "Alfred Mechtersheimer," "Uta Ranke-Heinemann,"
"Willy Millowitsch," "Natja Brunkhrse," "Raner Fettig," "Dr. Jürgen Schreiber." Tempo (September), pp. 50–56

"Berlin," (text and photos) The Face, no. 17 (January), p. 109
"Euroclubbing." The Face, no. 24 (August), p. 70
"Peep Show." Prinz (Hamburg, Germany) (March), pp. 10–11, "The Weather Girls,"
p. 24, "Nightlife," pp. 30–34, "Yoko Tawada," p. 38, "Sport Idols + Willi Schulz," pp. 44–48, "Ulich Wildgruber," p. 103
"Adamski." Prinz (Hamburg, Germany) (June), cover and p. 24, "Nightlife," p. 42–46, "Friedrich Kurz," p. 112, "First Fashion Story." Prinz (Hamburg, Germany) (October), pp. 74–78
"Soul II Soul." Spex

"Techno Reportage Gent and Frankfurt." i-D, no. 99, pp. 18–23
"Fashion (Couples)." Prinz (Hamburg, Germany) (October), pp. 76–79
"Electronic." Spex (May), pp. 38–40
"Stephen Duffy." Spex (July), pp. 26–28
"Primal Scream." Spex (August), cover and pp. 3, 26–27, "Rebel MC," pp. 18–20

"Aids Page." (photos and text) i-D, no. 100, p. 50
"Fashion." i-D., no. 102, p. 4, "Florence + Video Stills," p. 12, "Cyberpunk Technology," pp. 36–40, "Straight-up Portraits," pp. 21, 46, 57
"Glam Club." i-D, no. 104, pp. 81–82
"Athens Reportage," "Juan Atkins," "Darren Emmerson." i-D, no. 105, pp. 10–13, 18–22
"Levi's." i-D, no. 106, p. 42
"Public Enemy." i-D, no. 107, pp. 18–21
"Sega." i-D, no. 108, pp. 60–61, "Dexter Wong," p. 75, "Chris O'Reilly," p. 80, "Colin Harvey," p. 82, "Gay Pride London," pp. 86–90, "Love Parade, Berlin," p. 64–69
"General Levy." i-D, no. 110, p. 45, "Chemistry Club," pp. 56–58, "Fashion Like Brother Like Sister Alex & Lutz," pp. 80–87
"Ragga," "Jamaica," "Shabba Ranks," "Lady Patra." i-D, no. 111, pp. 4–10
"Aids Page." i-D Japan, no. 4, p. 43
"Gay Pride London." i-D Japan (December), pp. 86–89
"Suede." i-D now (November supplement), p. 5, "St. Etienne," p. 7, "Velda Lauder," p. 8, "Tomoko Yoneda and Jon Barnbrook," p. 9, "Alan Maughan," p. 13, "Lawler Duffy," p. 20, "Al Berlin," p. 22, "Non-Aligned," p. 23, "Eugene Soulemen," p. 24, "Spiral Tribe," p. 25
"My Bloody Valentine." Spex (March), cover and pp. 26–28, "Joey Negro," pp. 6–7
"Henry Rollins." Spex (April), cover, "Soul II Soul," pp. 3, 6–7, "Adrian Sherwood," pp. 38–41
"Beastie Boys." Spex (May), pp. 3, 46–48
"Stereo MCs." Spex (September), cover and p. 22
"Ten City." Spex (October), pp. 36–38
"Mike D." Spex (December), cover and pp. 36–37
"Ragga Twins." Spex, cover
"Momus." Tempo
"Street Portraits Portfolio." Zeit Magazin, no. 38, pp. 24–20

"Survival Stories." i-D, no. 113, pp. 4–8
"Vic Reeves and Bob Mortimer." i-D, no. 114, pp. 8–10, "Fashion (Sweaters)," pp. 68–70
"Ears." i-D, no. 115, pp. 12–14, "Suede," p. 43, "Roland 303," pp. 58–59, "Dries van Noten Devotees," pp. 70–71
"Abient." i-D, no. 117, p. 3, "Fashion (Brown)," pp. 14–15
"Faslane Peace Camp." i-D, no. 118, pp. 14–17, "Fashion Camouflage," pp. 22–25, "Street Portraits (Lothar Hempel, Alan Belcher, and Others)," pp. 66–67
"Moby." i-D, no. 119, pp. 3, 28–31
"i-D Night Rimini," "Ten City, "Graeme Park," "Tony Humphries," "Simon DK." i-D, no. 120, pp. 67–68, "Fashion Sportswear," pp. 70–73
"Fashion Lars," "Alex and Alex," "Lutz and Others." Ray Gun (November), pp. 5, 75–80
"Shara Nelson." Spex (September), pp. 34–35
"Club Portfolio." Tempo (July), pp. 118–25
"Street Fashion." Time Out Amsterdam, no. 3, p. 7, "Tattoo Museum," "Squats," p. 8, "Amsterdam," pp. 12–13, "Clubs," pp. 23–24, "Gay Nightlife," p. 34, "Restaurants," pp. 43–44
"Amsterdam." Time Out Amsterdam, no. 5, pp. 49–55
"Berlin Portraits." Time Out London, no. 1174 (Feburary 17–24), cover
"Street Portraits." Time Out Student Guide, p. 43

"Oktoberfest." ADAC Special, no. 22, pp. 84–89
"Portishead." i-D, no. 125, pp. 3, 20, "Ewan McGregor," p. 19, "Kaliphz," p. 25
"Victor & Rolf," "Pascale Gatzen," "Marcel Verheijen," "Saskia van Drimmelen," "Lucas Ossendrijver." i-D, no. 126, pp. 38–43
"A Guy called Gerald," "Deep Blue," "LTJ Bukem," "Ray Keith," "DJ Hype," "Kenny Ken," "Jumping Jack Frost," "Goldie." i-D, no. 128, pp. 42–46
"Music Technology." i-D., no. 129, pp. 52–58
"Criminal Justice Bill Demo." i-D, no. 130, p. 9, "Erasure," "Gus van Sant," pp. 24–28
"Madrid i-D Night." i-D, no. 131, pp. 74–75
"Kai Althoff and Justus Koencke." i-D, no. 132, p. 40, "X-Project/Rebel MC," p. 83
"Ray Brady." i-D, no. 133, p. 19
"Richie Hawtin." i-D, no. 134, pp. 32–36
"Richard Pandiscio's 'Ones to Watch.'" Interview (March)
Lutteurs, Swiss Work Wear catalogues
Purple Prose (winter), pp. 74–75
"Portfolio." Switch, no. 7, pp. 130–36
"Fashion Gillian Haratani," "Christopher Moore," "Thuy Phem," "Tom Borghese and Ramon." Tempo (May), pp. 92–94
"Gay Lifestyles." Tempo (August), cover and pp. 20–25
"Fashion Gillian Haratani," "Christopher Moore," "Thuy Phem." Vibe (April), pp. 84–87

"Project." Aktuell, no. 13, pp. 10–35
"Paula, John & Paul Nudes." Brutus, no. 1, pp. 28–37
"Simon Reynolds and Joy Press." i-D, no. 138, p. 13
"Carl Craig." i-D, no. 139, pp. 22–27
"Sam Sever." i-D, no. 141, p. 7
"Fashion Tristan Webber," "Alex Bircken Faridi," "Alexis Panayiotou," "Lutz Huelle." i-D, no. 144, pp. 16–19, "Gay Pride London and New York," "Isa Genzken," "Jochen Klein," "Inga Humpe," pp. 94–97
"Blur." i-D, no. 145, p. 11
"Harmony Korine." i-D, no. 146, pp. 32–36
"Chris Ofili." i-D, no. 147, p. 38, "Georgina Starr," p. 39, "Tracey Emin," p. 42, "Gillian Wearing," p. 43
"Deana," "Sister Bliss," "Smokin' Jo," "Queen Maxine and Vikki Red," "Mrs. Wood," "Anita Sarko," "Princess Julia," "Belinda Becker," "Rachel Auburn." Interview (April), pp. 84–91
"Mistress Formika," "Liv Tyler," "Margaret Wertheim," "Dan Matthews," "Ed Burns," "Morwenna Banks," "Grandmaster Flash," "Michael Bergin," "Gaetano Pesce," "Jill Sobule," "Mariko Mori." Interview (July), pp. 64–71
"Andrew Sullivan." Interview (September), pp. 132–35
"Mizrahi Skirt." Interview (October), p. 98
"Aphex Twin." jetzt, no. 23, p. 14
"Bronx Skaters Reportage." jetzt, no. 44, cover and pp. 3, 8–14
"Chloe Sevigny." jetzt, no. 45, pp. 12–13
"Fake New York Diary." Max (G) (June), p. 170
"News, Cigs, Mags & Teens talk of danger." Permanent Food, no. 1
"Bernadette Corporation," "Gillian Haratani," "Elizabeth Peyton." Purple Fashion, no. 1
"How Much Portfolio." Purple Prose, #9, pp. 22–29
"Ritchie Hawtin/Plastikman." Spex (February), pp. 24–26
"Blur." Spex (September), cover, pp. 28–34, and thirty-two–page insert (Portikus catalogue)
"Boss Hog." Spex (December), pp. 28–31
"Evangelischer Kirchentag Portraits." stern, no. 26, pp. 56–66
"Visual Diary #2." Switch, no. 8, pp. 146–47
"Visual Diary #3." Switch, no. 9, pp. 148–49
"Visual Diary #4." Switch, no. 10, pp. 154–55
"Take That Fans." Tempo no. 9, pp. 62–69

"Manifesta 1 Portfolio Project." Blvd. Amsterdam (June), pp. 39, 46
Château Marmont Hollywood Handbook. inner cover, pp. 2, 48, 149
Series of 20 postcards. Fotofolio, New York
"The KLF." i-D, no. 151, pp. 36–40
"Love Parade '96." i-D, no. 156, pp. 52–57
Fold-out poster. Habitat Broadsheet (autumn) i-D, no. 158, p. 98
"Allison Folland." index (February), cover and pp. 6–9
"Udo Kier." index (April), cover and pp. 6–7
"Mira Nair." index (June), cover and pp. 6–10
"Larry Brown." index (August), cover and pp. 6–9
"Parker Posey." index (November), cover and pp. 6–10
"Twister Fashion." Interview (June), pp. 78–83
"Gay and Lesbian Parents." Out, no. 2, pp. 90–93 Permanent Food, p. 105
"Faridi fashion." Purple Fashion, no. 2
"Chateau Portfolio." Purple Prose (winter), pp. 84–91
"Bruce LaBruce," "Tony Ward," "Rick Castro." Spex, no. 5, pp. 66–69
"Youth and Violence Project." Spex, no. 9, pp. 48–56
"Suede." (photo and interview) Spex, no. 10, pp. 20–21
"Gallon Drunk." Spex, no. 11, pp. 4–5, "J. Saul Kane," p. 12
"Nan Goldin." Spin (November), p. 82
"Fashion Model Gillian Wearing." Süddeutsche Zeitung Magazin, no. 16, cover and pp. 42–49
"Robbie Williams." Süddeutsche Zeitung Magazin, no. 38, cover and pp. 18–22
"Visual Diary #5." Switch, no. 1, pp. 154–55
"Visual Diary #6." Switch, no. 2, pp. 138–39
"Fashion Model Gillian Wearing." Switch, no. 3, pp. 13, 26–39, "Visual Diary #7," pp. 136–37
"Visual Diary #8." Switch, no. 4, pp. 122–23
"Visual Diary #9." Switch, no. 5, pp. 124–25
"Visual Diary #10." Switch, no. 6, pp. 156–57
"Portfolio." Zine, no. 2, pp. 34–40

"Phillip." Honcho (December), pp. 3, 24–31
"Matthew Collin and John Godfrey." i-D, no. 163, pp. 58–65
"John Waters." index (January), cover and pp. 6, 17
"Gilbert & George." index (September–October), pp. 44–52
"John Lynch." Interview (January), p. 44
Ad for Matsuda (also in Matsuda catalogue). Interview (April), p. 9
"Aphex Twin." jetzt, no. 38, p. 18
"Mouse Walk with Me Portfolio." Landscapes, no. 1, pp. 2–13
"Neil Bartlett." Out, no. 40, p. 48
"Portfolio." Skool of Edge, vol. 2, pp. 52–55
"Supergrass." Spex, no. 4, cover and pp. 24–27
"Wu Tang Clan." Spex, no. 6, cover and pp. 34–39, "Rob Playford," pp. 26–29
"Kraftwerk." Spex, no. 7, p. 9
"Goldie." Spex, no. 9, cover and pp. 24–27
"Concorde Portfolio." Suddeutsche Zeitung Magazin, no. 26, pp. 32–41
"Kate Moss." Visionaire, no. 22
"Fashion Kate Moss." Vogue (February), pp. 246–251
"Kate Moss." Vogue (March), p. 70
"Fashion Naomi Campbell." Vogue (November), pp. 356–361
"Nan Goldin." Zeit Magazin, no. 6, cover and pp. 11–19

"Soldiers—The Nineties." (project and text) Big, no. 19
"Michael Clark." (portrait) Dazed and Confused, no. 48 (November), pp. 142–45
7 postcards (last part of a total of 27). Fotofolio, New York
Poster. Gay Games Amsterdam
"Stuart Shave." (portrait) i-D, no. 182 (December), p. 38, "Sure Shot," (photography) p. 104
"Daniel, Jochen and Christopher." (project) i-D family—Future Postive, p. 146
"Bianca Jagger." index (June), cover and pp. 10–17
"Pulp." jetzt, no. 19, pp. 6–7
"Blumentopf nach Hause tragen." 1997 (project) Kunstbuch, Cologne, Germany: Walther König, p. 163
Insert. Paradex, no. 1
"Martin Margiela Summer 98." (photography) Purple, no. 1 (summer)
"Martin Margiela/Alex Bircken Faridi." Purple Fashion, no. 5
"Pulp." Ray Gun, no. 55, cover and 7 pages
"Performance." (photography) RE- no. 2 (winter), pp. 32–33
"Jutta Koether and Christoph Gurk." Spex (February), p. 65
"Pulp." Spex (April), pp. 18–21
"Kodwo Eshun." (portrait) Spex, no. 8 (August), pp. 36–39
Cover photo. Studio Voice, vol. 265 (January)
"Jochen Klein." Cologne, Germany: Verlag der Buchhandlung, Walther König, monograph edited by Wolfgang Tillmans, also foreword by W. T.
"Light." Visionaire, no. 24
"Gala 1997." (project) Vogue Italia, no. 570 (February), pp. 328–29

"Soldiers: The Nineties." (project) Art, no. 11 (November), pp. 86–95
"K78," "das Titel von die Portfolio ist Nestbeschmutzung." (project) Berlin/Berlin, Cantz Verlag, Ostfildern, pp. 339–340, 377–380
Cover. (project) Domus, no. 812 (February)
Dub Infusions 1989–1999. CD and record cover, Sonar Kollektiv
35 postcards. Gebr. König Postkartenverlag, Cologne, Germany
"Strings of Life by Rhythim is Rhythim." (project) i-D, "Beyond Price," p. 238
"Tom Ford and Ann Hamilton with Wolfgang Tillmans." Index (September–October), pp. 66–78<
"Mouse on Mars." (portrait) Spex, no. 8 (August), cover and pp. 30–35
"Princess Julia." (photography) Süddeutsche Zeitung, no. 11, March 19, pp. 14–15
"Anatoli Karpow." (portrait) Süddeutsche Zeitung, no. 16, April 23, pp. 12–20
"Zwölf Uhr mittags." (project) Süddeutsche Zeitung, no. 29, July 23, pp. 26–33
"Silke Otto-Knapp." (photography) Süddeutsche Zeitung, no. 37, September 17, p. 34

"The View From Here." The Big Issue (August 28),
(guest edited by Wolfgang Tillmans) cover and pp. 3–24
Goldfrapp. "Lovely Head." (music video) Mute Records
Goldfrapp. (video stills) i-D, no. 199 (July), pp. 156–57
"Joshua/Zelda." (portrait) p. 2, "Rem Koolhaas," (portrait) pp. 30–38, "André Weisheit," (portrait) index (September–October), p. 32, "Käthe Gilles," (portrait) p. 100
"Signal—Collection by Lutz." (photography) Libération (France), no. 4 (winter), pp. 122–23
Russell Haswell. Live Salvage 1997–2000. CD back cover, Mego
"Portfolio." (project) Männer aktuell, no. 1 (January), pp. 37–46
"Purple look, J'adore." (photography) Purple, no. 5 (summer), pp. 208–217
"Lutz in sanddunes." (photography) Spex, no. 9 (October), p. 15
"Irm Hermann." (portrait) Süddeutsche Zeitung, no. 12, March 24, cover and p. 57; and "Rosa von Praunheim," (portrait) p. 58
"rats." (project) Tate, no. 23 (winter), pp. 48–49
"James Turrell." (interview) Vogue Hommes International (spring), pp. 74–78

"A Project for Artforum." Artforum, no. 6 (February), pp. 130–33
"Bernhard Willhelm." (portrait) Butt, no. 1 (spring), cover and pp. 14–18
"Some Things Wolfgang Tillmans Saw and Liked." (photography) Butt, no. 2 (autumn), pp. 56–60
"Hedi Slimane." (portrait) i-D, no. 207 (March), pp. 186–88
"Studiomaus." (project) i-D, no. 213 (September), p. 293
"Richard D. James." (portrait) Index (April–May), pp. 68–73
Hall, Peter. "The Return of the Concorde." Metropolis (June), p. 140–44 (illus.).
"Andreas Gursky." (portrait) The New Yorker (January 22), p. 62
"Stella McCartney." (portrait) The New Yorker (September 17), p. 131
Postcard book. Snap Art Collection, amus arts press, Osaka
Poster for London Film Festival, November
"Ruth Wyner and John Brock." (portrait and text) Purple, no. 7 (spring), pp. 78–79
"Neil Tennant," (portrait and text) Purple, no. 8 (summer), pp. 62–63
"Cerith Wyn Evans." (portrait and text) Purple, no. 9 (fall), pp. 76–77
"I want to work it out." (photography) Sleazenation, no. 1 (February), pp. 100–107
"Deutschlandreise." (photography) Süddeutsche Zeitung, no. 35, August 31, cover and pp. 11–40
"Donald Cameron." (portrait) Vogue Hommes International (spring–summer), p. 86

"No shock, no scandal. Just a gay couple on holiday." (project) Butt, no. 5 (autumn), pp. 48–57
Pet Shop Boys. Disco 3. CD and record front cover, EMI
"Blushes #13." 2000 (project) The Face—Pop (spring – summer)
"Crossover." (portrait) i-D, no. 218 (March), p. 205, "Miss Kittin," (portrait) pp. 206–207, "DJ Hell," (portrait) p. 210
"Zandra Rhodes." (portrait) i-D, no. 220 (May), pp. 66–70
"Gilbert & George." (portrait) i-D, no. 221 (June–July), pp. 96–104
"Michael Imperioli." (portrait) index (April–May) pp. 15–18
"Der Blautopf in Blaubeuren, 2001." (project) NºB Magazine (February), pp. 132–37
Pet Shop Boys. "Home and Dry." (music video) EMI
"Marilyn." (portrait and text) Purple, no. 10 (winter), pp. 62–63
"Miss Kittin." (portrait and text) Purple, no. 11 (spring), pp. 80–81
"Ryan McGinley." (portrait and text) Purple, no. 12 (summer), pp. 62–63
"Isa Genzken." (portrait and text) Purple, no. 13 (fall), pp. 64–65
"Josh Hartnett." (portrait) Süddeutsche Zeitung, Jetzt, no. 12 (March 18), cover and pp. 6–11

39 postcards. Gebr. König Postkartenverlag, Cologne, Germany
"Film with music, words, and singing." 45 minute video film made for Tate & Egg Live event
"Thomas Eggerer," (portrait) Architectural Digest, Deutschland, no. 10, pp. 146–47
"Butt page." (photography) Butt, no. 6 (spring), p. 6, "A True Encounter in a Hotel Room in the Middle East." (project), pp. 44–48
"Isa Genzken—A conversation with Wolfgang Tillmans." (interview) Camera Austria, no. 81, pp. 7–18
"Peter Saville." (portrait) frieze, London, designed by Peter Saville, p. 9
"Farewell." (photography and text) G2, Guardian, October 17, pp. 2–3
"Kompakt – Ein Haus aus Pop." (photography) Groove, no. 81 (April–May), cover and pp. 24–30
"Ricardo Villalobos." (portrait) Groove, no. 84 (October–November), cover and pp. 3, 24–28
"Two Divided by Zero." Pet Shop Boys (portrait and interview) i-D, no. 238 (December), pp. 94–99
"Portrait of Tony Maestri." I had a camera and wanted to change my life, eyesore productions, Bournemouth, UK, p. 3
"We are Not Going Back." (photography and text) Purple, no. 15 (spring–summer), cover and pp. 2–48
"Claudia." (portrait) Re-Magazine, no. 10 (spring–summer), pp. 33–35
Anti-war poster. Sleazenation, (March)

"Wolfgang Tillmans on Donald Urquhart." (text) Artforum, no. 5 (January), p. 139
"Corrective Lens—letter to the editor." (text) Artforum, no. 5 (January), p. 18
"Michael Stipe." (portrait and interview) Butt, no. 9 (spring), cover and pp. 10–19
"Lutz." (portrait) Butt, no. 10 (summer), pp. 24–29
"Self/Sweat." 1993 (project) Chroma, no. 1 (summer), cover
"Ost-West." (project) Freier, no. 3
"Soldiers: The Nineties." (text) in Friedrich Christian Flick Collection, exh. cat., Cologne, Germany: DuMont Buchverlag
"Page 3 Stunnas!" (project and text) G2, Guardian,
April 19, pp. 2–3, reprinted in Newspaper Jan Mot, no. 42 (May), pp. 2–4; Der Standard (May), p. Album B3; Courier International, no. 711 (June), p. 16
"Miss Kittin." (portrait) Groove, no. 87 (April–May), p. 24
"Clubfotografien." (photography) Groove, no. 91, cover and pp. 48–55
"Lutz with Wolfgang Tillmans." (portrait and interview) index (September–October), pp. 96–98
Miss Kittin. I Com. CD and record cover, EMI
"21st Century Radical Chic." (project and text) Purple—fashion, no. 1 (spring), pp. 336–343
Superpitcher. Here Comes Love. CD and record back cover, Kompakt
R.E.M. Around the Sun. CD insert, Warner Bros. Records Inc.

"In conversation: Who Do You Love? Isa Genzken and Wolfgang Tillmans." Artforum (November), pp. 226–229
"Tony Blair." (portrait) Attitude, no. 132 (April), cover and pp. 40–43
"Dominic Masters." (portrait) Butt, no. 12 (spring), p. 58
"Bottoms." (project) pp. 6–9, "John Waters," (interview) Butt, no. 13 (summer), pp. 15–24
"Leaving Japan 18 Oct. 2004." (project) Esquire Magazine Japan, no. 2 (February), pp. 68–77
"La ciudad." (photography) EXIT, no. 17 (February–April), pp. 24–37
"Surface is All We Have." Exit - Image and Culture. (summer), pp. 72-79
"Family." (artwork) on Family re-launch flyer, London
"DJ Koze." (portrait) Groove, no. 94 (May–June), cover and pp. 16–20
"Mein Plattenschrank." (text) Groove, no. 97 (November–December), p. 46
"M.I.A.—Louder than Bombs." (portrait) i-D, no. 255 (June), cover and pp. 62–67, "Make Poverty History." (project), pp. 160–61
"Billie Ray Martin." (portrait) i-D, no. 258 (October), p. 257
"Jerry Hall." (portrait) index, no. 5 (June–July), cover and pp. 58–63, "Slavoj Zizek," (portrait and interview) pp. 32–39, "Hot Chip," (portrait) pp. 70–71,
"The Organ, "(portrait) pp. 88–89
"L'equilibriste." (portrait) Numéro, no. 63 (May), pp. 52–53
André Galluzzi. Berghain 01. CD cover images, Ostgut Crusaid Annual Review 2004–2005 (photography)
"Entreprenøren Fra Kreuzberg." (portraits) Frank, Erik Lars. Panbladet, no. 5 (June), cover and pp. 6–7
"Glas." 1999 (photograph) on Quaker Social Action charity card
"Martin Kippenberger." (portrait) in Tate Modern Exhibition Guide, cover
"Gold." (project) in Volume 0 The sky is thin as paper here, Galerie Daniel Buchholz, Cologne, Germany

"After Disaster." (photograph) Basso Magazin, no. 3
Berliner Poster Verlag, (poster)
Blind Spot, (photography) no. 33
"John Cameron Mitchell film director had his electric shaver nicked by hustler." (photography) BUTT, no 18 (Winter)
"Julian." (photography) BUTT, no. 16 (Summer), pp. 6-16
BUTT magazine (poster)
BUTT BOOK. (book cover) Taschen
"Portraits of Tiga." Dummy, no. 1 (spring), pp. 66–72
"Les Orphelins", Laroche, Hadrien, (book cover), Éditions J'ai lu
"Wolfgang Tillmans. Suspense, 2005." (photography and text) Fanzine137, pp. 39-40
"Teufelsee." (photography) Frieze, no. 100 (June-August), pp. 14-15
"Susanne Oberbeck" (portraits), Girls Like Us: Lesbian Quarterly, (Summer/ Fall), pp. 4-9
"kill to get the money." (portraits) i-D, no. 269 (Summer), pp. 188-191
Connor, Donlon Books, (photography) i-D, (December/ January), pp. 12, 166-169
"What's wrong with redistribution? Wolfgang Tillmans." (photography) The Journal, (Summer)
Éric Reinhardt. Existence. (book cover) Le Livre de Poche
"HIV/AIDS – Graesrødder Samlet I Sydafrika." (photography) Panbladet, no. 05 (July), pp. 22-23
"Rossa Nøss Bendixen." (photography) Panbladet, no. 06 (August), p. 1
Panbladet, (portrait on cover), no. 6. (August)
"Danke für die Blumen." (photography) TEMPO, (December), pp. 172-183
"Viva, schlechter Geschmack!" (photography) Die Weltwoche, (April 12), pp. 68-71

Cecil Balmond by Wolfgang Tillmans (text & photography), 032c, Winter 2007/2008
Brett Anderson, CD album cover image, Drowned in Sound, BMG/ EMI Music Publishing
Brett Anderson, Love is Dead, CD single cover image, Drowned in Sound, BMG/ EMI Music Publishing
Barbara Panther, basso magazin no. 4, perfectly you.
The Fountain of Youth, basso magazin no. 5 (photography)
Bloc Party. (cover and photography) Dummy, (Spring), pp. 42-51
"Here Comes the Sun." (photography) FANTASTIC MAN, Issue No. 5 (Spring/ Summer), pp.119-124
"Auf der Suche nach der passenden Lust" (photography), in: Geo 02, February 07, p- 35
Auszüge aus einem Gespräch zwischen Wolfgang Tillmans und Heinz Peter Knes, Telefon Berlin – London 7.3.07, in: Heinz Peter Knes – 100 – 1000, exh. Cat. Galerie Crone, Berlin, 2007, pp. 5-7
Engl.: pp. 21-23.
Polar. (photography).
Wolfgang Tillmans – Help save your own life. (photography) Quest - Edition (Spring), p. 222-253
"Help save your own life" (photographies), in: Qvest Edition S/S 07, pp. 222-252
Insert in:"kunst lehren teaching, Städelschule Frankfurt am Main", pp. 153-184
Adam, Hans Christian: "Berlin – Porträt einer Stadt", Taschen 2007, (photography), pp. 622/623, 626/627, 639
Feuilleton, Die Zeit Nr. 23, May 31 2007, development & compilation. pp. 49-58
"Wolfgang Tillmans – Lighter / Manual" (portfolio) in: foam, winter 2007 / # 13

The Buhl Collection, 2008 Calendar (photography)
"Concorde.", Zeit Magazin Leben, Nr. 14, (March 27), p. 12
Dìaz-Guardiola, Javier, "Entrevista a Wolfgang Tillmans", ABCD, December, pp.36-37
Cover photography of "Ernst Jünger – Annäherungen", Klett-Cotta, Stuttgart, Germany, 2008
Fahnestock, Andrea Henderson, and Vincent Katz. "Picturing New York: The Art of Yvonne Jacquette and Rudy Burckhardt." New York: Bunker Hill, Museum of the City of New York, 2008.
Fogle, Douglas. Life on mars: 55th Carnegie International. Pittsburgh: Carnegie Museum of Art, 2008.
Heartney, Eleanor. Art & Today. London: Phaidon, 2008.
Le Clézio, J. M. G. " Fever." "The Flood." "Terra Amata." book covers, Peguin Books, London.
L'Opera de L'Opera National de Paris, Programmheft Saison 2008 – 2009, pp.105 & 108
"Look, again: Pages curated by Wolfgang Tillmans." Frieze (October), pp. 236-244.
"Lutz & Alex sitting in the trees", Station – 100 Meisterwerke zeitgenössischer Kunst, Dumont, Köln, pp. 40
Jünger, Ernst. "Annäherungen Drogen und Rauch." (cover). Klett-Cotta, Stuttgart, Germany.

"Anthony and the Johnsons." (portraits) Spex, (January/February), cover & pp.44-49
"A Deafining Quiet." (portraits) Tar (Spring), pp.176-185
"Be Naked."photographs, Huge, (August) pp.102-103
"Birmingham Contemporary Music Group; Rumpelstiltskin." (photograph).
Brampton, Sally. "Heaven knows we're miserable now…" (photograph), Elle, (October), pp. 232-235
"Evidence." (portfolio) Modern Weekly International, cover & pp.5, 8 & 52-63
Miyadai, Shinji. "On the Bridge." Vol. 42-95, cover image, media factory.
Jacob, Copeman. "Veins of Devotion." cover image, Rutgers University Press, Piscataway, New Jersey.
Portfolio, First Person, fall 2009, Issue 3: Realness, pp. 32-45
"Leichtathletik 1, Leichtathletik 2, Leichtathletik 3." (photograghs), Basso Magazin, Issue 7, pp. 11-14
Takeo Desk Diary 2009, vol. 51, photography, Takeo Co. Japan.
Tsuji, Hintonari. "Dahlia." (cover photo), Hitonari Tsuji, Japan.
"The Shop; Jeanettes." (portrait), Arena Homme+ (Winter/Spring 09/10), p.133.
"Der Unterwäschekatalog." portfolio, Butt.
Jacob, Copeman: "Veins of Devotion" (cover image), Rutgers University Press, Piscataway, New Jersey
"Pictured in America and Pictures of America." portfolio, Coyote (March).

Schulz, Frank: "Vom Bild zum künstlerischen Bild", in: Kunst + Unterricht, Heft 341 (photography)
Weisbeck, Marcus: "Die Überschürze hat sich überlebt" (photography), in: Frankfurter Allgemeine Zeitung (November 20), p. 33
"Actress" (portraits), in: Groove (May-June), cover & pp. 24, 26-28
"Sam Barker & Andreas Baumecker: 'Candy-Flip'", (12 inch cover photography), Ostgut Ton, 2010
"Bubblegum Planet", Musikexpress, 3/10, p. 34
"Cameron" (photography), in: Butt Calender
The Edge of Visibility, Wolfgang Tillmans and Dimitar Sasselov (portfolio), Coyote Magazine, Tokyo, (December)
"Jenny Holzer, the outspoken artist is really quite shy" (portraits), in: The Gentlewoman (Spring / Summer), pp. 104-110
John Maus (photography), i-D Magazine, The Back to the Future Issue, 310, 2010
"Kele Okereke of Bloc Party", Butt No 28 (Spring), cover photography & pp. 8-14
"Necks", in: Fantastic Man (Spring and Summer), Issue No 11, pp. 101-106
Otolith Group (portrait), i-D Magazine, Fall Issue. "Provoc, L'artiste allemand Wolfgang Tillmans", in: Les Inrockuptibles, N°761, Portfolio: I Am A Cliché, p. 49
"paper drop (shadow)" (photography) in: Aktuelle Kunst im Europäischen Patentamt, pp. 70-71
"Wolfgang Tillmans" in: Geisai, issue 14, pp. 44-47
"Wolfgang Tillmans; My London" (photographies), in: Time Out (June 24), pp. 6-8 & 10
"ausgezogen" (photograph), in: My Work And Me, Jahresring 57 (fig. 46)

Balzer, Jens: "John Maus – Sein Herz macht plucker und bump" (photography), in: Spex  # 331, (March / April), pp. 18-21
Burkhard, Balthasar: "Pommes" (photography), in: Une Page, Musée des arts contemporains du Grand Hornu, N° 3
Cotter, Suzanne; Violette, Robert (Ed.): "Michael Clark" (photography, pp. 24, 29, 98)
Mackenzie, Suzie: "The visionary: Tacita Dean" (portrait), in: British Vogue (October), pp. 324 ff (325)
Zolghadr, Tirdad: "Plane Talking" (photography) in: Frieze, Issue 37 (March), p. 22
"Die Zukunft des Gartens" (photography), in: Sueddeutsche Zeitung Nr. 244 (October 22/23), pp. 18-19
"Es lebe London" (article by Wolfgang Tillmans), in: Die Zeit, No 34 (August 18), p. 41
"Francesco Tenaglia, Simon Reynolds & Mark Fisher in conversation: Stories of Glory Days", in: Kaleidoscope, issue 09, winter 2010/11 (photography), pp. 70-75
"Márgenes de Silencio / margins of silence. Colección Helga de Alvear, (photography) (Junio) – Enero, pp. 54 p.
"Lady Gaga natürlich!", (title photography & photography), in: Spex (July/August), pp. 34-47
"Summer Solstice" (portrait photography, text & interview on Lady Gaga): Wolfgang Tillmans, in: i-D, The Hedonist Issue, No. 313, pp. 148-153
"In Pictures: Wolfgang Tillmans in Haiti",, January 10
"Marte Eknaes" (review by Wolfgang Tillmans), in: frieze, issue 144 (September), p. 126
"No Ad Tube" (photography), in: basso # 8, pp. 28-29
"The Opiates – ‚Hollywood Under The Knife'" (CD cover and booklet  photographies), Disco Activisto
"Tillmans ~ Nazar", photography: Wolfgang Tillmans, Fashion: Nasir Mazhar, in: Arena Homme +, S/S, Issue 35, pp. 254-263
"Weihnachtsstern", 2000 (photography), in: "Art works, Sammlung Deutsche Bank Zentrale, Frankfurt", p. 245
"What's wrong with redistribution?", (double page) in: frieze Issue 142 (October), pp. 140-141
"Wolfgang Tillmans: Dunkelkammer / Darkroom" (text and photography by Wolfgang Tillmans, in: frieze issue 3 (Winter 2011-12), pp. 30-31
"Best of 2011" (art review of the year by Wolfgang Tillmans), in: Artforum International (December), pp. 192-193
"Wolfgang Tillmans", in: Portikus Frankfurt am Main 1987-1997, ed by Brigitte Kölle, pp. 252-253

Saletti, Adam: "Conor Donlon – From above the shop", (photography), in: Apartamento, Issue # 09, pp. 76-89
Das Magazin der Kulturstiftung des Bundes (photography) (spring/summer)
"Foto und Malerei / Photo and Painting" ("Lighter" photography), in: Exit 47, pp. 118-121
"Neue Welt : Elysium. A conversation between Wolfgang Tillmans and Neil Tennant", in: 032c, 23rd Issue (winter 2012/13), pp. 100-109
"Precious" (photographies of Paul Weller), in: Arena Homme+, S/S 2012, Issue 37, pp. 212-235
"Step into Liquid" (talk with Michelle Kuo and photography), in: Artforum, 50th Anniversary issue (September), pp. 420-429
"Wolfgang Tillmans" (photography: "Concorde"), in: fönstret, 2/2012, p. 25
“BUTT Calendar” (photography), n.p.    
“Jenny Holzer” (photography), in: Spex, no. 339 (July / August), p. 339
“John Maus: A Collection of Rarities and Prevoiusly Unreleased Material” (album cover), Ribbon Music
“Neue Welt: Elysium. A conversation between Wolfgang Tillmans and Neil Tennant” (interview and photography), in: 032c, no. 23 (winter), pp. 100–109
“Precious” (portrait of Paul Weller), in: Arena Homme+, no. 37 (spring / summer), pp. 212–235
“Wolfgang Tillmans & Loreen” (interview and photography), in: BON, no. 62, pp. 156–167
“Wolfgang Tillmans & Neil Tennant” (interview and photography), in: Interview (September), pp. 124–133
“Wolfgang Tillmans. Lecture, Royal Academy of Arts, London 2011” (text), in: Cinequanon (winter), pp. 16–25
Das Magazin der Kulturstiftung des Bundes (project), (spring / summer), n.p.
Foreword (text), in: FESPA Digital / FRUIT LOGISTICA, Verlag der Buchhandlung Walther König, Cologne, n.p.

“Abschiedsgruß” (photography), in: Ein Wunsch bleibt immer übrig. 12 Jahre Museum Ludwig. Eine Auswahl, exh. cat. Museum Ludwig, Cologne, pp. 76–77
“AnOther Hemisphere” (project), in: South (spring / summer), n.p.
“Art on the Underground” (poster edition for London Underground)
“BUTT Calendar” (photography), n.p.
“Club Donny. Grande Finale #10” (project), in: Club Donny, no. 10, pp. 1, 5–8, 109–112, 116
“Concorde Grid” (text), in: The Guardian (February 2), pp. 16–17
“DJ Sprinkles doesn’t feel sexy” (portrait), in: BUTT, pocketsize for the summer of 2013, p. 22
“Isa Genzken” (portrait), in: Interview (April), p. 103
“São Paulo by Wolfgang Tillmans” (project), in: Pin-Up, no. 14 (spring / summer), n.p.
“The Freedoms of Photography” (project), in: Camera Austria, no. 122, pp. 23–32
“The Plant Life” (project), in: The Plant, no. 4, pp. 1–13
“Wolfgang Tillmans. central nervous system” (advertisements for exhibition at Maureen Paley, London), in: frieze, no. 158 (October), p. 28; in: ArtReview, no. 7, p. 20; in: Flash Art, no. 292 (October), p. 14; in: Mousse, no. 40 (November), n.p. and in: Hoi Polloi, no. 3, n.p.; in: Art Montly, no. 370 (October), p. 30; frieze d/e, no. 12 (December 2013 / January 2014), p. 22, in: Artforum, no. 2 (October), n.p.
Bersani, Leo: “Queer Theory and Beyond”, State University of New York Press, New York, cover
Dainton, Barry: “Self”; Žižek, Slavoj: “Event”; Neiman, Susan: “Why Grow Up?”; Caputo, John D.: “Truth”, Penguin Press, London (book covers; Philosophy in Transit-series)
Insert (project), in: Camera Austria, no. 122, pp. 23–30

“Artistic contribution” (project), in: Excursus, cat. 8th Berlin Biennale for Contemporary Art, KW Institute for Contemporary Art, pp. 2–5
“astro crusto (a)” (photography), in: Blind Spot, no. 47, p. 28
“Bridget Riley” (portrait), in: Pop Magazine, no. 31 (autumn / winter), n.p.
“Colourbox. Music of the band (1982–1987)” (CD compilation, design and photography), TAD 3443, 4AD
“Face à face avec Aphex Twin” (portrait), in: Tsugi, no. 76 (October), cover
“Fair” (excerpts of FESPA digital / FRUIT LOGISTICA), in: COS magazine (spring / summer), pp. 60–68
“From Book for Architects” (project), in: Fundamentals, exh. cat. La Biennale di Venezia – 14th International Architecture Exhibition, Venice, pp. 312–345
“Neue Welt” (project), in: Noon (spring / summer), pp. 152–166
“Of Chance and Control” (text), in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 148–162
“Printing Press Kardiogram” (project), in: DE:BUG, no. 181 (April), pp. 42–49
“Rem Koolhaas”, in: Halley, Peter and Bob Nickas: “Wolfgang Tillmans” (interview and photography), in: Vogel, Wendy and Rachel Ward (eds.): index A to Z. Art, design, fashion, film, and music in the indie era, Rizzoli International Publications, New York, p. 32, “Hot Chip”, pp. 48–49, “Aphex Twin”, p. 50, “Udo Kier”, p. 80 (all uppp)
“Sleaford Mods: Die Kunst des Pöbelns” (photography), in: Spex, no. 354 (July / August), pp. 28–33
"Study Of Man" (text and photography), in: Bennekom, Jop van and Gert Jonkers (eds.): Forever Butt, Taschen, Cologne, pp. 8–11, “2001: First“ (photography) p. 17, ”Bernhard Willhelm German Fashion Designer designs clothes and likes designing with a hard-on“ (photography), pp. 50–53, “Bottoms“ (photography), pp. 54–57, ”John Waters baron of bad taste from Baltimore is obsessed by Michael Jackson’s polka dot penis“ (interview) pp. 240–250, ”Julian“ (photography), pp. 262–268, ”Karl“ (photography), pp. 274–282, “2014: Ear“ (photography), p. 283, ”Simon“ (photography), pp. 426–430, ”2002: Holiday“ (photography), pp. 492–493
“Two people on stage doesn’t always mean a relationship” (portrait and interview with Michael Clark), in: Magazin im August, 26. Internationales Festival, pp. 6–11
“Wendeseite für Wanda” (poster insert), in: Wanda, no. 25 (April), pp. 31–34
"Wolfgang Tillmans on Tate Britain" (text), in: (July 4)

“(title ?) FRAGILE 1983–1989“ (project), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 250–315
“100 Jahre Gegenwart” (photography for poster campaign), Haus der Kulturen der Welt, Berlin (September)
“Abbild der Weltfrucht” (project), in: taz, zeozwei, no. 3, pp. 20–23, 28–31
“Arca” (interview and photography), in: (March 27)
“Chloë Sevigny” (portrait), in: Chloë Sevigny, Random House, New York, cover
“Christoph Gurk vs. Matthias Lilienthal” (portraits), in: Spex, no. 362 (July / August), pp. 89–92
“F is for flower” (photography), in: ABC. Fotos i Grafies per Apartamento Magazine, Nàpols, Barcelona, n.p.
“Fade To Mind. Der Clash der Systeme” (portraits), in: Spex, no. 361 (May / June), pp. 30–39
“Full Fragile Range Recordings” (project), in: Document, no. 7, pp. 152–167
“Great things never come from comfort zones” (portraits and interview), in: i-D, no. 336 (spring), pp. 242–247
“Introduction” (text), in: The Cars, Verlag der Buchhandlung Walther König, Cologne, n.p.
“Isa Genzken – Presentation of ‘Hemden’” (project), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 368–393
“Linder Sterling” (portrait), in: COS magazine (spring / summer), p. 30
“Münchner Kammerspiele” (project), in: Münchner Kammerspiele, Spielzeit 2015/16, n.p. (40 page insert)
“Ostgut Ton | Zehn“ (cover), label compilation, Ostgut Ton, Berlin
“Quel âge as-tu?” (project), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 332–353
“The Black Madonna” (portraits), in: groove (July / August), pp. 40–43
“The sound of the family”, in: Mixmag (June), pp. 100–102
“Vaginal Davis” (portraits), in: Document, no. 7, pp. 74–79
“Visual Essay – Fespa Digital / Fruit Logistica” (project), in: Purple Fashion, no. 3 (spring / summer), pp. 493–504
“Wolfgang Tillmans. A multi-vectored practice” (project), in: Wired, no. 17, pp. 24–31
“Wolfgang Tillmans. PCR” (advertisement for exhibition at David Zwirner, New York), in: Artforum, no. 1 (September), n.p.; in: frieze, no. 173 (September), n.p.

“Arca“ (portraits), in: groove (January / February), pp. 24–27
“Architecture of Books and Photography” (photography), in: Valenzen fotografischen Zeigens, Jonas Verlag, Kromsdorf / Weimar, pp. 30–50
“Augenlicht” (photography), in: Jahresvorschau 2016/2017 Bayerische Staatsoper, München, pp. 44–45
“Atelier” (photography), in: Camera Austria, no. 134, cover
“EU Campaign” (Anti-Brexit poster, social media and T-shirt campaign), in various places (open source download at:
“EU Campaign“ (project), in: Spex, no. 369, p. 114; in: 032c, no. 30, p. 264
“Foreword“ (text), in: Insight. Astronomy Photographer of the year, Collins, Glasgow, p. 13
“Fragile Fiction“ (project; 110 page editorial), in: arena homme + n.p.
“HBA“ (photography), in: Fantastic Man, no. 23 (spring / summer), pp. 180–195
“Heul weiter, leiser Verführer“ (photogtaphy), in: Spex, no. 371 (November / December), cover (2 different ones) and pp. 24–30
“Inhibit Assholes“ (WT designed insert), in: artforum (November), pp. 235–237
“L is for Landscape“ (photography), in: Holleben, Jan von: ABC Photography, n.p.
“Lutz – Lutz Huelle, Paris“ (project), in: Pop, no. 35 (autumn / winter), pp. 382–429
“Lutz Huelle“ (photography), in: Pop, no. 35 (autumn / winter), p. 430
“Mega – Jordon Wolfson“ (portrait), in: Fantastic Man, no. 24 (autumn / winter), pp. 222–233
“Münchner Kammerspiele“ (photography), in: Kammerspiele. Spielzeit 2016/17, n.p. (86 page insert)
“PCR“ (project), in: Hotshoe (winter), pp. 44–53
“Reaktionen auf den Brexit“ (text), in: (June 25)
“Spectrum Montrose Ave“ (project), in: apartamento, no. 17, pp. 129–137
“Switch craft“ (project), in: Wallpaper (July), pp. 96–99
“Tate Modern and me“ (text), in: The new Tate Modern (June), pp. 4–5
“We’re living in dangerous times“ (text), in: Time Out London (June 21–27), pp. 78–79
“We’ve got the right“ (portraits), in: Man about town (winter / spring 2016/2017), n.p.
“William Eggleston” (portrait), in: The New York Style Magazine, p. 155 and cover
“Wolfgang Tillmans” (project), in: Mit anderen Augen – Das Porträt in der zeitgenössischen Fotografie, exh. cat. Kunstmuseum Bonn, pp. 325–329
“Wolfgang Tillmans on Brexit: ‘We’re living in dangerous times’” (text), in: Art Time Out (June 20), pp. 78–79
“Wolfgang Tillmans, 24th June, for Süddeutsche Zeitung” (text), in: (June 25)
Baker, Hinemoana et al.: “Transit of Venus – Venustransit“, Victoria University Press, Wellington (cover)
Editorial (project), in: Starship, no. 15 (October), pp. 67–72

Selected articles on the artist/Artikel über den Künstler (Auswahl) seit 1998

Brudna, Denis. "Wolfgang Tillmans." Photonews (December)
"i-D Newsflash." i-D 66, p. 7

Brudna, Denis. "I-deas für heute und übermorgen." Photonews (June), pp. 8–9
"Parallels." Creative Camera (February/March), pp. 24–27

Poschardt, Ulf. "Ein Fleck Freiheit." Vogue 8 (August), pp. 110–112
Reich, Elli. "Private Eye." Prinz (Frankfurt am Main, July), p. 92
Zahm, Olivier. "Tendances." Purple Prose 3 (June), pp. 14–15

Adams, Brooks. "Wolfgang Tillmans at Andrea Rosen Gallery." Art in America (December), pp. 101–102
Als, Hilton. "As Is, Wolfgang Tillmans' Lifestyle." Artforum (May), pp. 68–73
Hainley, Bruce. "Wolfgang Tillmans at Andrea Rosen Gallery." Artforum (December), p. 82
Königer, Maribel. "L'Hiver de l'amour." Kunstforum 126 (March/June), pp. 344–346
Mosselmann, Arnold, and Corinne Groot. "Wolfgang Tillmans at Thaddaeus Ropac, Paris." Metropolis M. 3 (June), p. 52
Muir, Gregor. "Wolfgang Tillmans at Interim Art, London." Frieze 14 (January), p. 56
Swingewood, Sally. "The Camera Never Lies Down." Time Out (Amsterdam), no. 1 (June), p. 4
Tillmans, Wolfgang. "Techno Soul." In L'Hiver de l'amour, exh. cat., Musée d'Art Moderne de la Ville de Paris, pp. 8–9
Verzotti, Giorgio. "L'Hiver de l'amour at Musée d'Art Moderne de la Ville de Paris." Artforum (October), p. 112

"Achtung, Achtung." Spex (September), pp. 42–43
Althoff, Kai. "Diskussion am Grat." Texte zur Kunst (November), p. 172
"Am Selbstverständnis einer Generation mitarbeiten. Interview mit Wolfgang Tillmans." Pakt (May/June), pp. 20–21, 40
Appel, Stefanie. "Wahre Coolness." Prinz (Frankfurt am Main) (September), p. 88
Bartas, Magnus. "Wolfgang Tillmans." Index (January), pp. 41–43, 61
Bonami, Francesco. "Wolfgang Tillmans." Flash Art (March/April), p. 95
Boyer, Charles. "Lifestyle." Tribus (March), p. 44
"Die intimen Fotografien von Wolfgang Tillmans." Frankfurter Rundschau, September 2
"Die Sehnsucht nach dem Paradies." Allgemeine Zeitung Mainz, December 8
"Ein ehrlicher Voyeur." Kieler Nachrichten, February 23
Enslein, Thomas. "Wolfgang Tillmans." Siegessäule (February)
Eshun, Kodwo. "Wolfgang Tillmans." i-D (March), p. 8
"Fotografien von Wolfgang Tillmans." aktuell. Das Magazin der deutschen Aids-Hilfe 13, pp. 10–34, 52
Fricke, Harald. "Die Noblesse des Lustprinzips." die tageszeitung, January 18, p. 13
Hierholzer, Michael. "Von Menschen und Bäumen." Frankfurter Allgemeine Sonntagszeitung, September 3
Huebel, Birger. "Dabeisein, Machen, Bewegung . . . ." Spex (February), pp. 44–45
"Im Zeichen des Pulp." Neue Zürcher Zeitung, April 8–9
"Installation und Gesellschaft." Süddeutsche Zeitung, January
Kratzert, Armin. "Er trinkt Pepsi und glaubt an Gott." Wochenpost, April 1
Kuni, Verena. "Wolfgang Tillmans: Portikus Frankfurt." Springer 1, no. 5/6 (November), p. 101
Massery, Michel. "Nouvelles tribus culturelles en photo." Le Nouveau Quotidien, September 19
Molesworth, Helen. "Wolfgang Tillmans at Andrea Rosen Gallery." Art & Text 50 (January)
Montgomery, Robert. "Street Wise." The List (August), p. 75
Niemczyk, Ralf. "Joey Beltram." Spex (October), pp. 18–19
Pesch, Martin. "Wolfgang Tillmans." Die Woche, September 1
"Pur und unverschämt." Der Spiegel, January 30, pp. 106–107
Sasaki, Naoya. "Wolfgang Tillmans: Because Quality Counts." Switch (September), pp. 131–139
Schmitz, Rudolf. "Rauskriegen was in der Luft liegt." Frankfurter Allgemeine Zeitung, September 19
Schönherr, Florian, and Urs Hattung. "Der Grenzgänger." Journal Frankfurt, August 25
Ximenes, João. "Moda Verdade." O Globo, June 24

Aletti, Vince. "Wolfgang Tillmans." The Village Voice, September 24, p. 10
Beard, Steve. "No Voyeurs Allowed—Candid Camera: The Roving Eye of Wolfgang Tillmans." i-D 159 (December), pp. 68–71
Beil, Ralf. "Deutschland, deine Photographen." Neue Zürcher Zeitung, July 31, p. 46
Bianchi, Paolo. "Subversion der Selbstbestimmung." Kunstforum (May–September), pp. 56–64
Collin, Matthew. "A Weakness for Photography." Wired, UK (November), p. 89
Föll, Heike. "Wolfgang Tillmans." neue bildende kunst 2 (April/May), pp. 39–46
Göttner, Christian, and Alexander Haase. "Wolfgang Tillmans: Fotografie als Selbsterfahrung." Subway (November), pp. 8–11
Lütgens, Annelie. "Not for Voyeurs." In For When I'm Weak I'm Strong, exh. cat., Kunstmuseum Wolfsburg. Ostfildern-Ruit, pp. 6–8
Maurer, Simon. "Fragile Schönheit." Züritip, June 6, p. 60
Molesworth, Helen. "Picture Books." In For When I'm Weak I'm Strong, exh. cat., Kunstmuseum Wolfsburg. Ostfildern-Ruit, pp. 11–12
Pesch, Martin. "Wolfgang Tillmans: Authentisch ist immer eine Frage des Standpunkts." Kunstforum 133 (February/April), pp. 256–269
Pesch, Martin. "Obst und Gemüse." Wochenpost, September 19, p. 36
Sasaki, Naoya. "From Editors." Switch (April), pp. 13, 25
Schorr, Collier. "Things Gone and Things Still Here." In For When I'm Weak I'm Strong, exh. cat., Kunstmuseum Wolfsburg. Ostfildern-Ruit, pp. 13–14
Schwendener, Martha. "Wolfgang Tillmans." Time Out, New York (October 17–24), p. 28
"Sozio- und Popkultur. Die Fotografien von Wolfgang Tillmans." Pur (February), pp. 6–9
Wagner, Frank. Family, nation, tribe, community SHIFT: Zeitgenössische künstlerische Konzepte im Haus der Kulturen der Welt. Exh. cat., Haus der Kulturen der Welt / Neue Gesellschaft für Bildende Kunst, Berlin, pp. 11, 14
Wamberg, Jacob. "Ø jebliksbilleder fra 90erne." Politiken, June 16, p. 12
Ziegler, Ulf Erdmann. "Wünschelrute im Themenpark." Die Zeit, September 27, p. 62

Allen, Vicky. "Cry Wolfgang." Arena (July/August)
Boogard, Oscar van den. "Ik leef nu." Metropolis M. (August/September), pp. 34–37
Cirant, Catherine. "Absolute Landscape." In Absolute Landscape, exh. cat., Yokohama Museum of Art, p. 143
Draxler, Helmut. "Requiem für einen: Jochen Klein." Texte zur Kunst 28 (November), pp. 179–180
Gaskin, Vivienne. "Wolfgang Tillmans." Everything magazine (July), pp. 5–7
Halley, Peter, and Bob Nickas. "Wolfgang Tillmans." Index (March), pp. 39–45
"Interview: Wolfgang Tillmans / Photographer." Hanatsubaki (August), pp. 27–28
Koether, Jutta. "Kunst." Spex (January), p. 49
Morrissey, Simon. "Interrogating Beauty." Contemporary Visual Art (October), pp. 26–33
Parkes, James Cary. "The Cult of Wolfgang Tillmans." Gay Times (July), pp. 15–16
Saltz, Jerry. "Camera Lucida: MoMA Takes a Clear-eyed Look at Some New Photography." Time Out, New York (January 16–23), p. 35
Schmitz, Rudolf. "Die Raumfusion der gegenwärtigen Fotografie." In Brigitte Kölle (ed.), Portikus 1987–1997, Frankfurt am Main, pp. 70–73, 252–253
"Tailpiece." Creative Camera (February/March), p. 50
Tiedemann, Holger. "Adam am Zermatt." Deutsches Sonntagsblatt, p. 29

Arning, Bill: "Wolfgang Tillmans", in: Time Out New York, Nr. 166, 26 November 1998, p. 63
Budney, Jen: "Come On Baby", in: Parkett, Nr. 53, September 1998, pp. 110–125
Deitcher, David: "Lost and found", in: Wolfgang Tillmans. Burg, Cologne 1998
Doctor Roncero, Rafael: "Fruiciones", in: Espacio uno, Catalogue Museo Nacional Reina Sofia, Madrid, 1998, pp. 144–177, p. 189
Duursma, Mark: "Mijn versie van normal en mooi", in: NRC Handelsblad, 26 June 1998
Eshun, Kodwo: "Leader of the pack", in: i-D, November 1998
Knopke, Burkhard: "Identität und Sinnlichkeit", in: hinnerk, February 1998, pp. 6–9
Matsui, Midori: "Memory Machine", in: Parkett, September 1998, pp. 94–103
McCormick, Carlo: "Talking Pictures", in: Camera Austria International, Nr. 64, 1998, pp. 48–62 (interview)
Nesbitt, Judith: "Only Connect", in: Parkett, September 1998, pp. 126–132
Nieuwenhuyzen, Martijn van: "Wolfgang Tillmans", in: From The Corner Of The Eye, Catalogue Stedelijk Museum Amsterdam, 1998, pp. 13, 90–97
Saltz, Jerry: "Heaven Knows", in: The Village Voice, 1 December 1998, p. 135
Sutton, Tara: "Think Before You Shoot … Talking to Wolfgang Tillmans", in: Big, no. 19,May 1998
Thompson, Charles: "Reaction", in: Citizen K International, Nr. 7 Summer 1998, p. 17, p. 19
Tiedemann, Holger: "Burg", in: Photonews, no. 12/1, 1998, p. 21
Wakefield, Neville: "Concorde", in: Parkett, September 1998, pp. 104–109
Weber, Martin: "Gut geguckt, Hirsch", in: Kölner Stadt-Anzeiger, 21/22 November 1998, p. 7
Wellershoff, Marianne: "Stilleben mit Hinterhalt", in: Spiegel Kultur Extra, September 1998, p. 3, pp. 6–11

Aletti, Vince: "Photo", in: The Village Voice, 28 September 1999, p. 75
Casati, Rebecca: "Erhabener geht's ja wohl nicht!", in: Süddeutsche Zeitung Magazin, no. 29, July 1999, p. 32 (interview)
Hainley, Bruce: "Culture and Kleenex", in: Frieze, no. 44 January/February 1999, pp. 44–45
Löffler, Petra: "Look Army!", in: springerin Juni/August 1999, pp. 38-39
Matsui, Midori: "Composite", Hogado, Tokyo, no. 11, August 1999, p. 133
McFarland, Dale: "Beautiful Things", in: Frieze, Nr. 48, September/October 1999, cover and pp. 78–83
Miles, Christopher: "Wolfgang Tillmans", in: Flaunt, November 1999, pp. 46–48
Sergl, Anton: "Zuendgenarrt: Auf Tillmans Burg", in: Our Munich, January 1999, p. 14
Slocombe, Steve: "Wolfgang Tillmans – The All-Seeing Eye", in: Flash Art, Vol. 32, no. 209, November/December 1999, pp. 92–95 (interview)
Werneburg, Brigitte: "Zeitschriften sind Originale", in: die tageszeitung, 16/17January 1999, pp. 13–14
"Wolfgang Tillmans", Bijutsu Gaho, Seiun-sha, Tokyo, no. 22, August 1999, p. 281

Buck, Louisa: "Wolfgang Tillmans", in: The Art Newspaper, no. 106, September 2000, p. 73
Cork, Richard: "Farewell Then, Britart. Say Hello to the World", in: The Times, 25 October 2000
Cypriano, Fabio: "Mostra em Berlin destaca Wolfgang Tillmans", in: O Estado de São Paulo, 11 February 2000, p. 10
Dusini, Matthias: "Moss muss nicht aufs Klo", in: Falter, Nr. 14 (2000), p. 65
Eshun, Kodwo: "Under the Flightpath", in: i-D, no. 203, November 2000, pp. 104–116
Graham-Dixon, Andrew, in: The Sunday Telegraph Magazine, 8 October 2000, pp. 34–37
Kernan, Nathan: "Moments of Being", in: Apocalypse. Beauty and Horror in Contemporary Art,
Catalogue Royal Academy of Art, London, 2000, pp. 132–135
Kimura, Midori: "Wolfgang Tillmans", Bijutsu Techo, Tokyo, no. 782, January 2000, p. 46
Maurer, Simon: "Man sollte die Kamera ganz vergessen", in: Tagesanzeiger, 27 November 2000
Müller, Silke: "Geliebter Feind", in: Art, no. 11, November 2000, pp. 86–95
Ratnam, Niru S.: "Bodies at Rest and in Motion", in: The Independent, 19 September 2000, p. 12
Rauterberg, Hanno: "Perfektionist des Hingeschleuderten", in: Die Zeit, no. 44, 20 Oct. 2000, p. 47
Searle, Adrian: "Beauty to Make Spirit Soar, Rubbish to Make the Heart Sink", in: The Guardian, 24 October 2000, pp. 12–13
Searle, Adrian: "Foreign Creativity Pierces Britart Bubble", in: The Guardian, 15 June 2000, p. 9
Searle, Adrian: "The End of the World as We Know It", in: The Guardian, 21 Sept. 2000, p. 13
Slocombe, Steve: "Lieber Turner", in: Sleazenation, 2000, pp. 40–41, 132–141
Slocombe, Steve: "Some Parts of This World", in: Catalogue Helsinki Photography Festival, 2000, pp. 5, 26–27
Sonna, Birgit: "Die Faszination der Fensterbank", in: Süddeutsche Zeitung, 17 February 2000, p. 22
"Very New Art 2000", in: BT magazine, Vol. 52, no. 782, January 2000, pp. 44–49
Verzotti, Giorgio: "Art in the Age of AIDS", in: Gail Cochrane et. al.: Art in the Age of AIDS, Catalogue Promotrice delle belle arti, Milan and Turin 2000, pp. 37–38, 94–97
Grammel, Søren: Wolfgang Tillmans: Soldiers, in: Frankfurter Kunstverein Hefte, no. 1, 2000, pp. 40–44

Aletti, Vince, "Wolfgang Tillmans", in: Artforum, no. 6, February 2001, p. 129
Brudna, Denis: "Wolfgang Tillmans", in: Photonews, December 2001/January 2002, pp. 20–21
De Potter, Pete, "Fan", in: i-D, no. 206, February, 2001, p. 174
Egan, Maura: "Prize Matters", in: details, January/February 2001, pp. 124–131
Gardner, Belinda Grace: "Die Hand umklammert den Haltegriff", in: Frankfurter Allgemeine Zeitung, 19 October 2001, p. 54
Herstatt, Claudia: "Elizabeth Peyton, Wolfgang Tillmans, The Contemporary Face", in: Kunstforum International Bd. 157, Nov./Dec. 2001, pp. 292–294
Jantschek, Thorsten: "Linienmuster des Alltags", Die Welt, 24 October 2001
Jocks, Heinz-Norbert: "Von der Zerbrechlichkeit der Nacktheit und der unerschrockenen Suche nach Glück", in: Kunstforum International, April/May 2001 (interview)
Keil, Frank: "Hochkultur meets Subkultur", in: Frankfurter Rundschau, 1 October 2001
Kernan, Nathan: "What They Are. A Conversation with Wolfgang Tillmans", in: Art on Paper, May/June 2001
Krajewski, Michael: "Science Fiction /Hier und jetzt zufrieden sein – Utopische Horizonte", in: AC: Isa Genzken / Wolfgang Tillmans, 2001, p. 8
Liebs, Holger: "Die dunkle Kammer Welt", in: Süddeutsche Zeitung, 29/30 September 2001, p. 15
Mayer, Sebastian: "re:minded", in: Spex, December 2001, p. 49
Rodrigues, Julian: "Tillmans for all Seasons", in: Photo District News, March 2001, p. 36
Ruthe, Ingeborg: "Die akzeptable Oberfläche", Berliner Zeitung, 13 October 2001
Schmitz, Edgar: "So weit die Wände reichen", in: Texte zur Kunst, Nr. 41, March 2001
Shimizu, Minoru: "Wolfgang Tillmans: I WAR, TILLMANS", Ryuko Tsushin, June 2001, p. 120–123
Stewart, Christabel: "Wolfgang Tillmans, week 30, August 2000 ", in: fig-1 catalogue, London (interview)

"Exhibitions: See this!", The Guardian Guide, 6–12 April 2002, p. 42
"Strange Tail of New Pet Shop Boys Video", in: New Musical Express, 12 January 2002, p. 5
"Wolfgang's gaze", in: Out, April 2002, pp. 40–41
Aidin, Rose: "Shooting from the hip", in: The Times Magazine, 9 March 2002, pp. 42–45
Bellel, Zeva: "face to face", in: Dutch, no. 38, March/April 2002, pp. 78–79
Bush, Kate: "Best of 2002 – Wolfgang Tillmans (Palais de Tokyo, Paris)", in: Artforum, December 2002, p. 121
Eichler, Dominic: "Partnerschaften", in: frieze 4/2002, p. 96
Eriksen, Peter: "Sokkerne på radiatoren", in: Lousiana Magasin, no. 7, November 2002, pp. 6–12
Goto, Shigeo: "Wolfgang Tillmans Long Interview", in: Esquire Magazine Japan, no. 3, March 2003, pp. 38–42 (interview)
Graham-Dixon, Andrew: "Shooting Star", in: Vogue London, 3/2002, p. 342
Guerrin, Michel: "Wolfgang Tillmans, les poils et les étoiles", in: Le Monde, 8 June 2002, p. 32
Gundlach, F.C.: "Wie kommt Bedeutung in das Blatt Papier", in: reality-check, 2. Triennale der Photographie, Hamburg 2002, pp. 24–31 (interview)
Jahn, Wolf: "Wolfgang Tillmans, Deichtorhallen, Hamburg", in: Artforum, March 2002, p. 149
Jonkers, Gert: "De statigheid van een muis in een kartonnen doosje", in: de Volkskrant, 24 July 2002, p. 14
Koerner von Gustorf, Oliver:"Befleckte Idyllen", in: taz, 6 February 2002
Koether, Jutta: "Zeug aus einer besonderen Zeit", Neuendorff, Torsten: "Wenn man geliebt wird, will man verstanden warden – but then you still want to be loved", Nakas, Kassandra: "Empathie und Distanz. Zu den
Werken von Jochen Klein", Wagner, Frank: "Fährten und Verbindungslinien", in: Partnerschaften, Neue Gesellschaft für Bildende Kunst, Berlin, 2002, pp. 41–46, 49–51, 53–56, 105–113
Mortensen, Anders S.: "Normal Utilpassethed", in: Panbladet, no. 1, February 2002, pp. 20–25 (interview)
Nickas, Bob: "Best of 2002 – Wolfgang Tillmans (Palais de Tokyo, Paris)", in: Artforum, December 2002, p. 117
Paul, Benjamin: "Wolfgang Tillmans: Still Life", in: Wolfgang Tillmans: Still Life, Harvard University Art
Museums, Cambridge, 2002, pp. 11–18
Pieper, Cornelia: "Bester Zeitgeist", in: Frankfurter Allgemeine Sonntagszeitung, no. 38, 22 September 2002, p. 28
Roth, Claudia: "Bestes Engagement", in: Frankfurter Allgemeine Sonntagszeitung, no. 38, 22 September 2002, p. 28
Schwenk, Bernhart: "…etwas menschliches herübertragen", in: Aidsmemorial, Revolver Verlag, Frankfurt, July 2002, pp. 14–17 and pp. 36–37 (interview)
Shimizu, Minoru: "Bijutsu Techo", in: Bijutsu Shuppan-sha, Tokyo, no. 782, April 2002, pp. 82–87
Sonna, Birgit: "Aus Zeit und Raum gerissen", in: Süddeutsche Zeitung, 17 July 2002
Troncy, Eric: "Portrait of the Artist as a Young Man", in: Numéro 34, June 2002, pp. 33–37 and pp. VII–XI
Turner, Jim: "Wolfgang Tillmans", in: Flaunt, no. 31, 2002, pp. 74–75
Vendrame, Simona: "Wolfgang Tillmans", in: tema celeste 91, May/June 2002, pp. 46–51 (interview)
Wood, Catherine: "Wolfgang Tillmans", in: Art Monthly, no. 256, May 2002, pp. 37–38
Zahm, Olivier: "Dans le vide des apparences", in: Vogue Paris, 6/2002, p. 22

Barber, Lynn: "The Joy of Socks", in: The Observer Magazine, 5 January 2003, cover story, pp. 14–22
Aletti, Vince: "World Beat", in: The Village Voice, 24 September, 2003
Brudna, Denis: "Wolfgang Tillmans – If one thing matters, everything matters", in: Photonews, no. 7–8, July/August 2003, p. 19
Durden, Mark: "Wolfgang Tillmans. Uninhibited Looking", in: Portfolio, 2003, pp. 29–30
Evans, Jason: "Review, Wolfgang Tillmans", in: Photoworks, Autumn/Winter 2003
Heidenreich, Stefan: Wolfgang Tillmans: "We are not going back", in: DE:BUG, no. 32, June 2003, p. 32
Herbert, Martin: "Wolfgang Tillmans – Tate Britain", in: Artforum, October 2003, p. 167
Hohmann, Silke: "Die außerirdische Königin", in: Frankfurter Rundschau, 27 June 2003, p. 13
Holert, Tom: "Zwischen Ästhetisierung und Ikonografie", Catalogue Mars. Kunst und Krieg, Hatje Cantz Verlag/Neue Galerie Graz, 2003, pp. 290–303
Hubbard, Sue: "All things must pass", in: The Independent Review, 10 June 2003, pp. 14–16
Imdahl, Georg: "Dieses unstillbare Interesse an der Oberfläche", in: Frankfurter Allgemeine Zeitung, 20 September 2003, p. 45
Jongbloed, Marjorie; Oetker, Brigitte, Schneider, Christiane: Jahresring 50 – Jahrbuch für moderne
Kunst, Oktagon Verlag, Cologne, pp. 208–213
Kiehl, Annette: "Wahrheitssuche", in: Westfälischer Anzeiger, 14 August 2003
Lehnartz, Sascha: "Der Maler des modernen Lebens", in: Frankfurter Allgemeine Sonntagszeitung, 12 January 2003, p. 47
Leopold, Jörg: "Lights (Body)", in: Fast Forward, Catalogue, Sammlung Goetz, Karlsruhe, pp. 376–377
Liebs, Holger: "Paare, Passanten", in: Süddeutsche Zeitung, 6 June 2003, p. 15
Maestri, Tony; King, Alex: "I had a camera and wanted to change my life", eye sore productions, pp. 18–20
Morton, Tom: "Wolfgang Tillmans. Tate Britain", in: frieze, no. 80, October 2003, p. 113
Hernert, Martin: "Wolfgang Tillmans", in: Artforum, October 2003, p. 167
Pitman, Joanna: "In a World of his own", in: The Times, 9 June 2003, p. 16
Pye, Harry: "Interview", in: Untitled, no. 30, June/July 2003, pp. 4–7 (interview)
Sagner, Karin: "Anti-homeless device", in: Architektur der Obdachlosigkeit, DuMont, Cologne, 2003, pp. 20–21 (interview), pp. 22–27 (photography)
Schütte, Christoph: "Künstler ohne Wäschespinne ", in: Frankfurter Allgemeine Zeitung, 27 June, p. 56
Searle, Adrian: "The joy of socks", in: The Guardian, 10 June 2003, p. 12
Siedenberg, Sven: "Wolfgang Tillmans über Werte", in: Süddeutsche Zeitung, Wochenende, 5/6 July 2003, p. VIII
Smith, Caroline: "Rebel rebel", in: Attitude, July 2003, pp. 63–65 (interview)
Tyrrel, Rebecca: "The Big Picture Show", in: Sunday Telegraph Magazine, 1 June 2003, p. 79
Weston, Alannah: "Wolfgang Tillmans. If one thing matters, everything matters", in: HotShoe
International, June 2003, pp. 5, 40–42

Danicke, Sandra: "Wie es sich anfühlt, lebendig zu sein", in: art kaleidoscope, 2/04 (interview)
Kedves, Jan; Tittel, Cornelius: "Ich versuche nur, das Richtige zu tun", in: Zoo 3/2004, pp. 36ff.
Penelas, Seve: "Wolfgang Tillmans. Abstraction", in: EXIT 14, p. 76–81
Schuman, Aaron: "Master of the universal", in: ARTReview, July/August 2004, cover and pp. 48–57 (interview)
Blank, Gil: "The Portraiture of Wolfgang Tillmans", in: Influence, Issue # 2, Autumn 2004
Iida, Shihoko:"Wolfgang Tillmans: Spirit of the Freischwimmer", in: "Freischwimmer", Tokyo 2004, pp. 104–109
Shimizu, Minoru: "Wolfgang Tillmans: The Art of Equivalence", in: "Freischwimmer", Tokyo 2004, pp. 110–115
Shimizu, Minoru: "Hihyo no Fuzai, Shashin no Kajo", Shiro to Kuro to de – Shashin to …, Gendaishichosha, Tokyo, 2004, pp. 151–167
Urae, Yumiko: "Wolfgang Tillmans" (interview), BRUTUS, Tokyo, no. 553, August 2004, cover and pp. 20–29
Shimizu, Minoru: "intoxicate", NMNL, Tokyo, vol. 52, Oct. 2004, pp. 6–7
Nagashima, Yurie: "Switch", Switch Publishing, Tokyo, Dec. 2004, pp. 122–125
Iizawa, Kotaro: "Wolfgang Tillmans", Geijutsu Shincho, Shincho-sha, Tokyo, Dec. 2004, pp. 86–95
Kawachi, Taka, Iizawa, Kotaro. and Kadota, Junichi. "Conversation on Photography", Studio Voice, Infas Publications, Tokyo, no. 337, January 2004, pp. 52–53, 72–73
Wiedemann, Christoph: "Annäherung an das Abbild", in: Süddeutsche Zeitung, no. 17, 2004, p. 4
Goto, Shigeo: "Wolfgang Tillmans" ", in: Hi-Fashion, Bunka Publishing, no. 299, Oct. 2004, p. 160
Matsushita, Yukiko: "Luca", in: Esquire Magazine Japan, no. 7, Oct. 2004, p. 175
Ito, Toyoko: "Studio Voice", in: Tokyo, November 2004, pp. 118–123
Shimizu, Minoru and Goto, Shigeo (conversation), Ichihara Kentaro, Tsuchiya Seiichi, Bijutsu Techo (Special Issue of Wolfgang Tillmans / Larry Clark), Bijutsu Shuppan-sha, Tokyo, no. 857, November 2004,
pp.11–31 (plates), 32–48, 49–54, 55–61, 62–64 (Selected Book Guide)
Kojima, Yayoi: "Esquire Japan", in: Esquire Magazine Japan, Tokyo, December 2004, pp. 266–267
Ribbat, Christoph: "Smoke gets in your eyes", in: Kunstforum International, no. 172, September/October 2004, pp. 38–43 and cover
Wood, Catherine: "Let me entertain you", in: Afterall, no. 9, 2004, pp. 43–44
Müller, Silke: "Es dreht sich jetzt nur noch um gute Kunst", in: art, no. 8, August 2004, pp. 72–74
Ollier, Brigitte: "L'excellence Tillmans", in: Libération, 13 November 2004
Kedves, Jan; Tittel, Cornelius: " Es geht mir um Wahrheit", in: die tageszeitung, 6 July 2004, p. 25
Rauterberg, Hanno: "Wie viel Moral braucht die Kunst", in: Die Zeit, no. 39, 16 September 2004

Barton, Laura: "Joy Boy", in: The Guardian/G2, September 23, 2005, pp. 14-17
von Brauchitsch, Boris: "Der Körper als Thema", in: Du&Ich, October 4, 2005, pp. 3-5
Bodtländer, Bernd, and Nicolaus, Frank: "Eine Schule für den Wahnsinn", in: art DAS KUNSTMAGAZIN, Nº.10, October 2005, pp. 70-77
Bright, Susan: "Wolfgang Tillmans", (interview) in: Art Photography Now, Thames and Hudson, London, 2005
Burg, Dominique von: "Alltägliche Schizophrenie, Kunst und Pressebild von Warhol bis Tillmans" in: NZZ Online, July 2005
Chavez, Brenda: "Wolfgang Tillmans, Contra Indiferencia", in: El Pais, October 7, 2005, pp. 18-19
De Witt, Amy: "Wolfgang Tillmans, Maureen Paley", in: Time Out London, Nº.1813, September 21-28, 2005, p. 57
Diez, Georg: "Wie Sieht Die Welt aus?", in: Tagesanzeiger, Das Magazin, Nº40, October 14, 2005, pp. 22-34
Doustaly, Thomas: "Wolfgang Tillmans s'assombrit", in: Tetu (France), October 1, 2005
DP: "Wolfgang Tillmans truth study center", in: Digital Phottographer, November 2005
Erik Frank, Lars, "Entreprenøren Fra Kreuzberg" (portraits), in: Panbladet, Nº.5, June 2005, pp. 6-7 and front cover
Fel, Loïc: "truth study center, L'équivalenc visuell", in:, September 26, 2005
Hakim, Jamie: "The truth is out" (interview), in: attitude, October 2005, pp. 88-91
Hakkarainen, Anna-Kaari: "Totuus on tuolla jossain", in: muoto, May 2005, p. 69
Heidenreich, Stefan: "Wolfgang Tillmans, truth study center, 2005", in: DEBUG, October 27, 2005
Hilpold, Stephan: "Spiritualität im Sex-Club", (interview), in: Rondo, Der Standard, Nº.338, 30 September, 2005, pp. 4-5
Hofer, Sebastian: "'Ein schwuler Kuss ist hochgradig politisch'", in: Profil (A), September 12, 2005
Honnef, Klaus: "Details des Universums", in: Die Welt, September 7, 2005, p. 29
Iida, Shihoko: "Bijutsu Gaho", Art Communication Co., Ltd., Tokyo, January 2005, pp. 290–291
Illies, Florian: "Der sinnliche Protestant", in: Monopol, October 1, 2005
Jung, Irene: "Die Schönheit der Venus und die Zufälle des Lebens", in: Hamburger Abendblatt, September 17, 2005
Lazimbat, Sascha: "Faltenwürfe und Wellenverläufe", in: Groove, Nº. 97, November-December 2005, p. 14
Leaver-Yap, Isla: "Wolfgang Tillmans: truth study center", in: Map Magazine, November, 2005
Leliévre, Marie-Dominique: "Les yeux au ciel", in: Liberation (F), October 18, 2005
Liebs, Holger: "Der billigste, für alle zugängliche Zauber", in: Süddeutsche Zeitung, September 7, 2005, p. 15
Lübbke-Tidow, Maren: "Wolfgang Tillmans: Truth Study Center", in: Camera Austria, 92/2005, pp. 91-92
Obricht, Hans Ullrich: "The Tillmans show (Wolfgang Tillmans in conversation with H.-U. Obricht and Rem Kohlhaas)", in: NUMERO (France), October 1, 2005
Polzer, Britta: "Covering the real. Kunst und Pressebild, von Warhol bis Tillmans im Kunstmuseum", in:Kunst Bulletin, July – August 2005, p53.
Preuss, Sebastian: "Arena of Passion", in: 032c, no. 9, Summer 2005, pp. 94–96
Rench, Nigel: interview on: BBC Radio 4, September 8, 2005
Reber, Simone: "Wolfgang Tillmans truth study center", in: rbb Kulturradio, 16.45, September 9, 2005
Rehberg, Peter: "Von den Socken", in: Siegessäule, October 1, 2005
Rubira, Sergio: "Wolfgang Tillmans" in: EXIT Express, Nº9, February 2005, pp. 3, 19
Schock, Axel: "Die Wahrheit des Augenblicks, Neue Fotografien von Wolfgang Tillmans" Hinnerk, November 4, 2005
Seidl, Claudius: "Der Zauberkünstler", in: Frankfurter Allgemeine Sonntagszeitung, August 21, 2005, p 27
Swift, Simon: "My work isn't just about cocks" in: Pink Paper, Issue 882, September 1, 2005, p. 20
Thomas, Tobias: "Das Ungeklärte in der Wertigkeit der Dinge" (interview), in: Spex XXV, 25 Jahre Jubiläumsheft, pp. 50-54
Vitorelli, Rita: "Gespräch mit Wolfgang Tillmans", in: spike no.06, winter 2005, pp. 38-49
Walder, Martin: "Äusserst geschärfte Wahrnehmung", in: Neue Zürcher Zeitung, May 1, 2005, p 65
Waldron. Glen: "From stargazing to people-watching", in: i-D, November 2005, pp. 84-93
"La ciudad" (photography), in: EXIT, Nº17, February-April 2005, pp. 24-37
"L'equilibriste" (portrait) in: Numéro, Nº.63, May 2005, pp. 52-53
"Who Do You Love. Isa Genzken in conversation with Wolfgang Tillmans", in: Artforum, November 2005, pp. 226-229
"Wolfgang Tillmans, Art of living people", in: Esquire JAPAN, Volume 19, Nº.1, January 2005, p 33
"Wolfgang Tillmans" (photography and text) in: EXIT, Nº18, May-July 2005, pp. 70-79

Aletti, Vince. "Critic's Notebook: Abstract Thinking." The New Yorker, (April 3), p. 18
Aletti, Vince. "Photography: To Blessed to be Depressed." Modern Painters, (May), pp. 46-48
Artner, Alan G. "King Tut returns; year of firsts." Chicago Tribune, (January 1)
Artner, Alan G. "Treasure amid the trivial." Chicago Tribune, (May 25)
Ault, Julie. "The Subject is Exhibition." Wolfgang Tillmans. Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 118-137
Bentley, Kyle. "Chicago: Wolfgang Tillmans." Artforum, vol. XLIV, no. 9 (May), p. 118
Beshty, Walead. "Wolfgang Tillmans at the Hammer Museum Los Angeles and The Museum of Contemporary Art Chicago." Texte zur Kunst, (December)
Birnbaum, Daniel. "A New Visual Register for our Perceptual Apparatus." Wolfgang Tillmans. Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 14-33
Bonham-Carter, Charlotte. "David Wojnarowicz." Art Review, no. 2 (August), pp. 135
Campbell, Clayton. "Spotlight: Wolfgang Tillmans." Flash Art (November/ December), p. 113
Falconer, Morgan. "never a Hirst. Is it?. The Times, (August 1)
Ferguson, Russell. "Faces in the crowd." Wolfgang Tillmans. MCA Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 64-83
Finkel, Jori. "Wolfgang Tillmans In the Studio." Art+Auction, (May), pp. 48-54
FNB. "Fotografier av Tillmans på Helsingfors festspel." Vasabladet, (August 20)
FNB, Från. "Fotografier av Tillmans på Konsthallen." Jakobstads Tidning, (August 20)
Francis, Sean. "From the Sublime to the Obscene." Chicago Reader, (July 7)
Fricke, Harald. "Me and Mr. Jones." Das Achte Feld, Ludwig Museum, Hatje Cantz, pp. 250-251
Genocchio, Benjamin. "From Coast to Coast, What to See." New York Times, (March 29)
Graham-Dixon, Andrew. " Beyond Formaldehyde." Seven, (July 30), pp. 26-27
Gray, Louise. "Between Bridges."
Hackworth, Nick. "Gut feeling in the gallery." Evening Standard, (August 2) p. 36
Haikala, Eeva-Mari. "Elämän raadollisuus ja kauneus." Etelä-Saimaa, (August 24)
Halmetoja, Veikko. "Aikalaiskuvaaja ei tyydy dokumentointiin." Aamulehti, (August 22)
Halle, Howard. "5 Things to See This June." O, (June)
Halle, Howard. "Abstract thinking." Time Out New York, no. 542 (February 16-22), pp. 26-27
Hensher, Phillip. "That's a Hirst? It'll never sell…" The Independent, (August 4)
Hetfleisch, Patricio. "Fotos." Observer, Neue Zeitung für Tirol (February 7), pp. 50-51
Howgate, Sarah and Nairne, Sandy. "The Portrait Now." National Portrait Gallery Publications, London, p. 107
Hübner, Katja. "Museum of Contemporary Art, Chicago, Wolfgang Tillmans." LFI Magazine, (April)
Hunt, Ian. "David Wojnarowicz." Art Monthly, no. 297 (June), pp. 23-24
Jäämeri, Hannele. "Oma Tapa Katsoa." Suomen Kuvalehti, p.62
Jones, Laura K. "Openings." Sunday Telegraph Magazine (April 30), p. 8
Jury, Louise. "Exhibition paints major artists in a fresh light." The Independent (August 10)
Kataja, Marika. "Mediasukupolven kasvatin hiljainen poliittisuus." Forssan Lehti, (August 21)
Kataja, Marika. "Mediasukupolven kasvatin hiljainen poliittisuus." Itä-Häme, (August 22)
Kataja, Marika. "Sulkupolvensa tulkki esillä." Kainuun Sanomat, (August 19)
Kataja, Marika. "Sulkupolvensa tulkki esillä." Keskipohjanmaa, (August 20)
M, A. "Between Bridges." Flash Art, no. 249 (July-September), p. 61
Milevska, Suzana. "News: Skopje." Contemporary, no. 78, pp. 18-19
Molon, Dominic. "A Pulse within the System: Wolfgang Tillmans and Photoconceptualism." Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 34-54
Myers, Holly. "After Arbus." Los Angeles Times: LA Weekly, (October 18), p. 52
Myers, Terry R. "Wolfgang Tillmans: Hammer Museum Los Angeles." Art Review, (December), p. 149
Nance, Kevin. "Photography exhibit at MCA: Beautiful, but where's the editor?" Chicago Sun-Times, (May 25)
Nelson, Samantha. "Photo exhibit features youth and counterculture." Medhill News Service, (May 23)
Nelson, Samantha. "Photographer focuses on youth, counterculture in MCA exhibit," Daily Herald, (June 9)
Nelson, Samantha. "Photographer's work on display at city museum." Lansing Times, (June 1)
Nemitz, Barbara. (editor), "Pink – The Exposed Colour in Contemporary Art and Culture." Hatje Cantz
Nickas, Bob. "Pictures to Perceive the World." Freedom From The Known. New York and Göttingen, Germany: PS1 and Steidl Verlag
Nickas, Bob. "Wolfgang Tillmans." Stnd Magazine, vol. 1, no. 1 (May)
Ollman, Leah. "Tillmans' touch: Image as installation
Palmore, Rebecca. "The Time is Right." Chicago Tribune, (June 4)
Pierini, Marco. "Good Vibrations – Visual Arts and Rock Culture." Palazzo delle Papesse, Siena, Italy and Giunti, pp. 48-49
Richer, Francesca, and Rosenzweig, Matthew. "No. 1: First Works of 362 Artists." Distributed Art Publishers
Relyea, Lane. "Photography's Everyday Life and the Ends of Abstraction." Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 88-105
Scherf, Martina. "Jedes Bild ein inszenierter Zufall." SZ Extra, (January 26-February 1), p. 4
Shihoko, Lida. "Floating Forms – Abstract Art Now." Krebber, pp. 64-67
Siltavuori, Emilia. ""Tillmans bjuder på det enkla i det vardagliga." Hufvudstadsbladet, (September 9)
Stevens, Isabel. "Wolfgang Tillmans: truth study center." Contemporary, no. 78, p. 55
Stillpass, Zoe, "Wolfgang Tillmans documents friends, loves in an eye-opening exhibit." Chicago Maroon, (May 26)
Taidehalli, Helsingin. "Tekisit jotain, Wolfgang!" Savon Sanomat, (August 19)
Tedorczuk, Tom. "The pig and the penguin: ICA trots out genius of youth." Evening Standard, p. 23
Teir, Philip. "Inget är för obetydligt för Tillmans." Hufvudstadsbladet, (August 19)
Terracciano, Emilia. "On Now, On Soon." Flash Art, vol. XXXIX, no. 247 (March-April), p. 50
Therond, Eve. "Super Mario Reloaded." Whitewall, no. 2, pp. 48-49
Thomas, Tobias. "Das Ungeklärte in der Wertigkeit der Dinge." (interview) Spex XXV, 25 Jahre Jubiläumsheft, no. 1, pp. 50–54
Tikkinen, Hannele. "Tekisit jotain, Wolfgang!" Karjalainen, (August 20)
Tikkinen, Hannele. "Tekisit jotain, Wolfgang!" Keskisuomalainen, (August 19)
Timberg, Scott. "Mix and match photographs." Los Angeles Times, (September 16), p. 20
Väliranta, Eija. "Sukupolvensa silmä." Apu, no. 33
Vekkeli, Pirkko. "Wolfgang Tillmans, sukupolvensa silmä." Gloria Syyskuu, pp. 64-67
Wagner, Frank. "The Eighth Square." Das Achte Feld, Museum Ludwig, Hatje Cantz, pp. 38-39
Waldron, Glenn. "Wolfgang parade." Nylon, (June)
Weinstein, Michael. "The Remix: Wolfgang Tillmans spins Experimental Photography for a Cause." Newcity, (May 25)
Wigley, Marc. "The Space of Exposure." "Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 144-156
West, Esme, (ed). New Art on View, Scala, p. 38, 98§
Williams, Eliza. "Top 50 Summer Highlights." Art Review, (June), pp. 70-77
Wolinski, Natacha. "Wolfgang Tillmans - Objet photographique non identifié." Beaux Arts, (April), pp. 76-81
Wood, Catherine. "David Wojnarowicz." Frieze, no. 100 (June-August), p. 260
Zwecker, Bill. "David Schwimmer visits MCA to see Tillmans." Chicago Sun-Times (June 14)
"Five things to see this June." O (Oprah), (June)
"German Photographer Tillmans' work on display." Hammond Times, (June 1)
"Hot List." Harper's Bazaar, (May)
"Kohtaamiset." Suomen Kuvalehti, p. 61
"Kuvakulma." Aamulehti, (August 19)
"La espontaneidad de la artificialidad.", (May 25)
"London Openings." Art Monthly, no. 297 (June), p. 16
"News & Around, Wolfgang Tillmans." Tema Celeste, p. 103
"Sukupolvi X:n tulkki." Kauppalahti Presso, (August 19)
"Surprise, Surprise." The Guardian Guide, (July 29)
"US tour for Tillmans." The Art Newspaper, (May 16)
"Valokuvan kultti-hahmo Juhlaviikoilla." Kirkkonummen Sanomat, (August 10)
"Wolfgang Tillmans." Art Price, Korea, (June)
"Wolfgang Tillmans." Chicago Social, (May)
"Wolfgang Tillmans." Dwell, (June)
"Wolfgang Tillmans."
"Wolfgang Tillmans." Surprise Surprise, Institute of Contemporary Arts, London
"Wolfgang Tillmans." Visuell, p. 88, 217
The Art Newspaper, March
"Wolfgang Tillmans Deutscher Top Künstler aus London Fickt Keyboard Player von Bronski Beat" (interview), Butt, (Autumn), pp. 24-31
"Wolfgang Tillmans vangitsee nykyhetken ilmiöitä.", (August 21)

Alvarez, D-L: "The Fountain of Youth: after a photo by Wolfgang Tillmans." Basso Magazin, (November)
App, Volkhard. "Subversiver Lifestyle als Konsumhaltung." (February 15)
Buhr, Elke. "Die Wahrheit des Bildes." Frankfurter Rundschau (February 28), p. 15
Barth, Siegfried. "Zwei Künstler untersuchen den Zustand der Welt." Neue Presse (February 16), p. 24
Cimorelli, Silvana (editor), Numerica, Palazzo Delle Papesse Centro Arte Contemporanea, pp. 36-37
Coomer, Martin: "Essential Shows." Time Out (May 2), p. 16
Di Blasi, Johanna. "Auf dem Drachen reiten." Hannoversche Allgemeine Zeitung (February 16), p. 5
Eckmann, Sabine. "Reality Bites: Making Avant-Garde Art in Post-Wall Germany." Hatje Cantz, pp. 122-123, 144-146, 153.
Eichler, Dominic: "The Secret Public." Frieze (March), p. 187
Ellis, Patricia: "Collecting Overview: Anita Zabludowicz." Flash Art (October), pp. 80-1
Florian, Illies. "Ohne Zweifel kann ich nicht nach vorne gehen." (interview) Monopol, February
Fortunato, Patrizia. "Wolfgang Tillmans: All The Time / Timed.", (November 18)
Goetz, Rainald. "Facharbeiterflicken." (February 28)
Gopnick, Blake: Tillmans Touch", in: The Washington Post (May 13)
Hauffen, Michael: "Wolfgang Tillmans ‚Beugung'", in: Springerin XIII Heft 4, Herbst 2007, p. 69
Higgins, Charlotte: "Who's Shocking Now?" The Guardian Weekend (September 8), p. 32
Hoch, Jenny: "Ich kann über das Älterwerden nur Lachen.", (June 2)
Hoffmans, Christiane. "Die Welt in fremdem Licht sehen." Welt am Sonntag (January 7), p. 67
Julia, Princess: "Turner Prize: A Retrospective." I-D (December), p. 172
Kedves, Jan and Tittel, Cornelius. " Ich versuche nur das Richtige zu tun." (interview) Zoo Magazine, pp. 376-57
LeFeuvre, Lisa. "Searching for Doubt", in: foam (winter 2007 / # 13), pp. 072-074
Lorch, Catrin. "Am Ende ein Gong." Frankfurter Allgemeine Zeitung (April 20), p. 36
Lorch, Catrin. "Studienzentrum: Wolfgang Tillmans bei Buchholz in Köln." Frankfurter Allgemeine Zeitung (February 3)
Meixner, Christiane. "Lasst Tische sprechen." Welt am Sonntag (February 25), p. 66
Meixner, Christiane. "Tillmans lässt Tische sprechen." (February 24)
Peitz, Dirk. "Man fotografiert, was man liebt." (interview) Süddeutsche Zeitung (February 20), p. 13
Preuss, Sebastian, "Aurataisch: Eine Archäologie von Tillmans' Oberflächenbegriff in München", in: Monopol, #9, p. 123
Prinzhorn, Martin: "Kunst in der Schwebe, Wolfgang Tillmans: Manual", in: Camera Austria, # 98 (June 2007), pp. 96-97
Prückler, Andreas: "Visuelle Spannung an der Oberfläche." Kleine Zeitung, (July 6), p. 80.
"Power 100: 74, Maureen Paley." Art Review (November), p. 149
Rehberg, Peter: "Kunst vom Grabbeltisch", in: Männer Aktuell, 04/07, pp. 86-87
Relyea, Lane: "Strolling the Wolfgang Tillmans Salon", in: Afterall, Spring Summer pp. 106-117
"Remember Grenville Davey?" London Lite (October 3), p. 25
Scheuermann, Barbara J. " Start 2007: Actuelle Januar – Ausstellungen." (January 29)
Schulz, Tom R. "Der Wahrheit Fallen Stellen." Die Welt, (February 28), p. 29
Schwabsky, Barry: "Turner Prize: A Retrospective 1984-2006." Artforum (January), p. 277
Sheets, Hillary M.: "Shooting from the Hip", Artnews (Cover) (October), pp. 171-173
Siemes, Christof, "Atelierbesuch Wolfgang Tillmans", Zeit Magazin (May 31), pp. 47-8
Smarelli, Marcello: "Wolfgang Tillmans, S.A.L.E.S." Flash Art (December), p. 120
Staple, Polly: "Flights of Fancy." Frieze (June), pp. 33-4
"The Big Picture", Metro (September 6), p. 40
Thomas, Tobias. "Wolfgang Tillmans: Coming Home." Spex, (February 1), p. 11
Tillack, Anna: "Fotograf Wolfgang Tillmans über die Bösen, den Generationenkonflikt und Ecstasy", (June 1)
Tilmann, Christina. "In Geiselhaft." Der Tagesspiegel, (February 22), p. 22
Tumarkin Goodman, Susan. "dateline: Israel: New Photography and Video Art." The Jewish Museum, New York/ Yale University Press, pp. 38-41
Weskott, Hanne, "Vom Zufall und der Schönheit eines Regentropfens", Süddeutsche Zeitung SZ Extra, (May 31), p. 4
Williams, Eliza: "Vanessa Branson: A Wonderful Fund", Flash Art (October), pp. 82-83
Wilson, Andrew: "Artists' Books: Wolfgang Tillmans", Art Monthly (December), p. 38
Zeitung SZ Extra, (May 31), p. 4
"Freund der Dinge", Quest, (January), p. 22
"Wahre Grösse: Zu Gros Für Jede Schublade", Prinz (January), p.115
"Wolgang Tillmans", Monopol, (June), p. 119.
"Things as they are", World Press Photo, pp. 282-3
"Das Tillmans-Feuilleton", Die Zeit, (May 24), p. 4

Basciano, Oliver. "New Names and Beautiful Nights at The Berlin Biennial." (April 12)
Bellenbaum, Rainer: "Dispositiv-Wechsel IV", in: Camera Austria 102/2008, pp. 74-75
Bisky, Jens: "Wo das Auge sich verirrt", in: Süddeutsche Zeitung (May 29/30), p. 15
Blay, Zandile. "East End Glitterati Gather for Wolfgang Tillmans Opening at Maureen Paley." (May 29)
Bonz, Jochen: "Vom Leben kaum zu unterscheiden", in: Groove Nr. 113 (July/August), p. 55
Comer, Stuart: "What to see this month." Art Review (May), p. 36
Copeland, Mathieu: "Work of Art: Wolfgang Tillmans." Pluk issue 35 (spring), pp. 65-71
Dyer, Geoff: "The Lure of the Street." Guardian: Review (May 31)
Ebner, Jörn: "Randtier und Zentrumsfigur", in: Frankfurter Allgemeine Zeitung (June 28), p. 50
Gavin, Francesca: "Abstract eye." Dazed & Confused (June), pp. 190-191.
Gavin, Francesca: "Wolfgang Tillmans on the art of observation." (May 22)
Goetz, Rainald & Frenzel, Sebastian: "Die Überschätzung der Freude" (interview), in: Vanity Fair Nr. 13 (March 20), pp. 100-103
Harris, Gareth: "Scene & Herd: Ground Plan." (April 6)
Herbert, Martin: "Wolfgang Tillmans." Time Out (June 26), p. 61
Holtom, Helen & Wyatt, Kieran: "Wolfgang Tillmans." (May 27)
Honigman, Ana Finel: "Wolfgang Tillmans Holds a Grunge." (May 27)
Hruska, Jordan: "Art Fair." Out Magazine (June), p.126
Jeffreys, Tom: "Art Monitor: Wolfgang Tillmans at Maureen Paley." (June 6)
Kramer, Birgit: "Das Leben ist leicht", in: Siegessäule (August), p. 32
Lapp. Axel: "Wolfgang Tillmans: Lighter", in: Art Review:, Issue 23 (June), p. 156
Le Feuvre, Lisa: "Lighter / Manual." Foam (Winter), pp. 55-74
Lösel, Anja: "Die Wahrheit des Wolfgang Tillmans", in: Stern, (March 28)
Martin, Penny: "Wolfgang Tillmans at Maureen Paley." (May 28)
Moltoni, Anotonio: "Wolfgang Tilmans." The/End (September), pp. 94-97
Morgan, Jessica: "Peripheral Visions." Artforum (Summer), pp. 169-170
Mortimer, Richard. "Wolfgang Tillmans Private View." (May 28)
Nedo, Kito: "Ein ungewöhnlicher Tillmans", in: art, (April 1) (only internet)
Pernet, Diane: "Maureen Paley Presents Wolfgang Tillmans." (May)
Richter, Peter: "Auf der anderen Seite der Bilder", in: Frankfurter Allgemeine Zeitung (April 7), p. 41
Schwabsky, Barry: "Turner Prize: A Retrospective 1984-2006." Artforum (January), p. 277
Searle, Adrian: "Clocking off." Guardian G2 (February 26), pp. 23-25
Siemes, Christoph: "Der Junge, der von den Sternen lernte", in: Die Zeit (March 27), p. 54
Smarelli, Marcello: "Wolfgang Tillmans, S.A.L.E.S.", in: Flash Art 12/07, 01/08, p. 120
Stephinson, Anthony: "Wolfgang Tillmans." (April 21)
Stewart, Christabel: "Find the Gap: Wolfgang Tillmans' studio space salutes forgotten greats." Tank volume 5, Issue 3, pp. 82-87
Stange, Raimar: "Wolfgang Tillmans im Hamburger Bahnhof", in: Kunst-Bulletin, 5/08, p. 79
"Street & Studio: An Urban History of Photography." Pluk (Summer), pp. 30-31
Turvey, Lisa: "Wolfgang Tillmans, Andrea Rosen Gallery", in: Artforum (January), p. 278
Völzke, Daniel: "Wer die Wahrheit sucht, träumt" (interview), in: Tagesspiegel (March 22)
Walde, Gabriela: "Ein Fotograf erfindet sich neu", in: Berliner Morgenpost, (March 26)
Werneburg, Brigitte: "Wo Ambient war, wird Ambition", in: taz, (March 24)
Wood, Catherine. "Looking Back: Emerging Artists." Frieze (January), p. 139
"Sheffield biennial lights up city." Art World (February), p. 10

Buhr, Elke. "Wir sind Mittäter." Monopol (June), pp. 44-48
Campagnola, Sonia. "Live From L.A." Flash Art (January), p. 56
Cooke, Lynne. "Venice '09: Play Grounds." Artforum (September), pp. 232-237
Craig, Jonnie. "Books you should own." (November 12).
Crow, Thomas. "Venice '09: Acting the Part." Artforum (September), pp. 226-231 & p. 316.
Dawes, Marcus, and Coburn, Tyler. "On the town: Whitechapel Reopening, London." Art Review (Summer), pp. 156-157
David, Evans. "Review: Lighter." Extra (Summer), pp. 54-61
De Carlo, Massimo. "A Fair Conversation." (excerpt), Mousse (November/December), pp. 99-102
Diederichsen, Diedrich. "Venice '09: When Worlds Elide." Artforum (September), pp. 240-245.
Fisher, Alice. "Maureen." Fantastic Man (Autumn/Winter), pp. 148-155
Genzlinger, Neil. "Movie review: If One Thing Matters, A Portrait of a photographer." The New York Times (October 17)
G, L. "Geschenk!" Taz Mag, (April 4), p. 12
Griffin, Tim, In conversation with Birnbaum, Daniel. "New Beginnings." Artforum (May), pp. 162-165
Gioni, Massimiliano & Mah, Sergio. "Looking Back: Solo Show." Frieze (January). p. 107
Heimann, Jim. & Starr, Kevin. "Los Angeles: Portrait of a City." Taschen, Cologne, p. 2
Lebovici, Elisabeth. "Wolfgang Tillmans, Galerie Chantal Crousel, Paris." Frog (Spring), cover & pp. 46-53
Miller, Ken. "Shoot: Photography of the Moment." Rizzoli, New York
Perra, Daniele. "Wolfgang Tillmans." Kult Magazine (April), pp. 38-43
Polyviou, Natasha. "Small wonders." Time Out (March 12), pp. 34-35
Robecchi, Michele. "Making Worlds: 53rd Venice Biennale." Flash Art (October), pp. 33-34
Shaw, Amy. "Wolfgang Tillmans: Photograping the ripple effect." The Art Newspaper (October 16)
"Silenci?", Actar, Catalunya, Spain, pp. 168-169
"The 53rd Venice Biennale: Best of the rest: Wolfgang Tillmans." Art World (August/September), p. 109
van der Heide, Bart. "Between Bridges London: Three-Year Anniversary." Portfolio, pp. 65-66
Verhagen, Marcus. "53rd International Art Exhibition: Making Worlds."Art Review (September), pp. 120-121

Adam, Georgina & Gerlis, Melanie: "Solid sales point to success for most galleries", in: The Art Newspaper (October 16)
Ackermann, Tim: Tillmans und wie er die Welt sieht", in: Welt am Sonntag (October 3), p. 95
Allan: "Wolfgang Tillmans at the Sepentine Gallery", in: (July 3)
Arend, Ingo: Art Forum: Im Westen nichts Neues", in: (October 7)
Bajac, Quentin: "Après la photographie?", in: Découvertes Gallimard Arts, France, pp. 74-75 & 89
Bradley, Laura (text) & Princess Julia (video interview): "Wolfgang Tillmans at Galerie Daniel Buchholz",
Buhr, Elke: "Preview; Wolfgang Tillmans", in: Monopol (July), pp. 119 & 121
Burley, Isabella: "Male", in: (September 4)
Clark, Robert: "British Art Show 7: The Days of The Comet", in: Guardian Guide (October 23), p. 38
Cumming, Laura: "A matter of light and depth", in: The Observer (June 27), pp. 41-42
Danicke, Sandra: "Ungekünstelt und authentisch", in: Art 10, p. 109
Darwent, Charles: "Wolfgang Tillmans, Serpentine Gallery, London", in: The Independent (June 27)
Fakray, Sarah: "Wolfgang Tillmans", in: Dazed and Confused, July 2010, pp. 30-31
Flanders, Judith: "Wolfgang Tillmans, Serpentine Gallery", in:, 28.06.2010
Flynn, Paul: "Mr. Wolfgang Tillmans – The particularities of the artist who makes the ordinary extraordinary.", in: Fantastic Man (Spring & Summer), Issue No 11, pp. 92-109
Gentle, Lynn: "Forever and a day", in: (March 3)
Glover, Michael: "Wolfgang Tillmans, Serpentine Gallery, London", in:, July 5,
Graham-Dixon, Andrew: "Romantic with a modern eye", in: Seven (Suppl. to the Sunday Telegraph), (April 1st), p. 23
Graham-Dixon, Andrew: "Wolfgang Tillmans at Serpentine Gallery, Seven magazine review, in:
Greig, Rob, "Wolfgang Tillman: My London", in: (June 24-30)
Griffin, Christopher: "Wolfgang Tillmans", in: The Burlington Magazine (September), pp. 629-631
Güner, Fisun: "The Big Interview, Wolfgang Tillmans; Evolution and Independence", in: Metro (June 24), pp. 42-43
Hatherill, Chris: "Starmen: Wolfgang Tillmans meets Dimitar Sasselov", in: Culture/article/8183/1/Starmen_Wolfgang_Tillmans_meets..., 23.08.2010
Hinrichsen, Jens: "Digitale Dunkelkammer", in: Tagesspiegel (October 2), p. 25
Housden, Chris: "Previews, Arts: Male", in: Gay Times (September), p. 73
Hunt, Andrew: "Humour v Irony", in: Art Monthly (October), pp.13-16
Jackson, Ian:  "Wolfgang Tillmans to exhibit at the Walker Art Gallery, Sept 2010", in: Liverpool art and Culture Blog (July 1)
Jobey, Liz: "The lightness of being", in: The Guardian (June 26), pp. 16-17
Klos, Stephanie: "Lass mal die Frau durch, die kennt den Wolfgang...", in: AP/100, 11-2010, p. 14
Lewis, Ben: Private view", in: Prospect (August), p. 72
Liebs, Holger, Obrist, Hans Ulrich, & Tillmans, Wolfgang: "Wolfgang Tillmans: Interviews", in: Wako Works of Art, Tokyo, Japan
Lotz, Corinna: "The new frontier starts here", in: (July 1)
Martins, Suzie: "Wolfgang Tillmans", in:
Marsh, Stefanie: "I am only interested in the negative", in: The Times (June 19), p. 5
Matze: " Fr, 12.11. Wolfgang Tillmans – Galerie Buchholz", in:, published 12.11.2010 (blog)
Menden, Alexander: "Diese Häppchen machen nicht satt", in: Süddeutsche Zeitung (August 14/15)
Montreuil, Gregory: "Wolfgang Tillmans", in: Flash Art (May/June), p. 125
Nedo, Kito: "Tillmans – Gaga ohne Schminke", in: Berliner Zeitung (October 12), p. 21
Nico: Review: Wolfgang Tillmans in der Galerie Daniel Buchholz / Berlin, in:, published 24.10.2010 (blog)
Ollier, Brigitte: "Arles, d'Argentine en argentique", In: Liberation (July 2), pp. 32f.
Paul, Benjamin: "Wolfgang Tillmans in der Galerie Buchholz", in:, published 4.11.2010
Saltz, Jerry: "He's doing it again", in: New York (Feb 22-March 1), p. 161
Schäfer, Magnus: "Unterwegs und dennoch angekommen", in: Texte zur Kunst (December), pp. 270-274
Searle, Adrian: "Everything and nothing", in: The Guardian (June, 24), pp. 12-13
Sherwin, Skye: "Exhibitions: Male", in: Guardian Guide (September 4), p. 39
Smythe, Diane: "Everything is illuminated", in: British Journal of Photography (July)
Spens, Michael: "Wolfgang Tillmans: A Photographer at large", in:
Steward, Sue: "Puzzle of Frowns and Smiles", in: Evening Standard (June 25)
Strassburger, Henning: " Opening Wolfgang Tillmanns @ Galerie Buchholz, in:, published 2.10.2010 (blog)
Swenson, Kirsten: "Wolfgang Tillmans, Andrea Rosen" (Review), in: Art in America (June/July), p. 178
Van Eecke, Christophe, "Features", in Metropolis M (June/July), pp.46-47
Vogel, Carol: "Big Names at Work at a London Gallery", in: The New York Times (June 24)
Ward, Ossian, "Wolfgang Tillmans", in: (August 5-11)
Wilson, Michael: "Wolfgang Tillmans, Andrea Rosen Gallery", in:, critics' picks
Wiensowski, Ingeborg: "Bunte Vögel in Berlin", Spiegel Online (October 5)
Zeitz, Lisa: "Eine gewisse Lässigkeit", in: Frankfurter Allgemeine Sonntagszeitung (November 28), p. 61 (Kunstmarkt)
Einblick (365), Wolfgang Tillmans, Künstler, in: taz (December 1), p. 27
"Arts Summer 2010; Visual Art", in: The Guardian G2 (May 24), p. 18
"Be Nice Share Everything Have Fun." Kunstverein München and Verlag der Buchhandlung Walter König, Köln, pp. 106-118
"Critics' choice: Wolfgang Tillmans", in: Time Out (June 24), p. 43
"Critics' choice: Wolfgang Tillmans", in: Time Out (July 1), p. 114
"Critics' choice: Wolfgang Tillmans", in: Time Out (August 5), p. 45
"Critics' choice: Wolfgang Tillmans", in: Time Out (August 26), p. 50
"Exhibitions: Pick of the week", in: Guardian Guide (July 3), p. 36
"Mit wem schlafen Sie, Nina Pohl", in: Monopol, 12/2010, p. 21
Tillmans, Wolfgang: "Wolfgang Tillmans - Texte Zur Kunst – Edition Heft Nr. 77", in: Texte Zur Kunst (March), p. 268
"The Power 100, 89: Wolfgang Tillmans", in: Art Review (November), p. 145
"Two emails with Wolfgang Tillmans", in: ES Magazine (July 16),  p. 8
"Goings on about town: Art, Wolfgang Tillmans", in: (March 4)
Vogel, Carol: "Big Names at Work at a London Gallery", in: The New York Times (June 24)
Ward, Ossian: "Exhibition of the week: Wolfgang Tillmans", in: Time Out (August 5), p. 43
Whitford, Frank: "Art Pick: Wolfgang Tillmans", in: The Sunday Times: Culture (July 11), p. 22
Wilson, Michael: "Critics' Picks: Wolfgang Tillmans", in: (February 20)
"Wolfgang Tillmans", in: Designing Ways, Issue 124, pp. 58-59
"Wolfgang Tillmans", in: Geisai  # 14, 2010, pp. 44-47
"Wolfgang Tillmans", in:
"Wolfgang Tillmans at the Serpentine", in:
"Wolfgang Tillmans, Evolution and Independence, in: Metro London (June 24), pp.42-43
Wullschlager, Jackie, "Here, there and everywhere, in: Financial Times UK&Ireland (July 17), p.13

Braun, Adrienne, Thon, Ute: "Ich will das Dazwischen ausloten" (portfolio & interview), in: art, (July), pp. 50-61
Hinrichsen, Jens: "Freischwimmer im Bildraum: Wolfgang Tillmans' abstrakte Fotografien sind keineswegs inhaltslos", in: Monopol (September), p. 122
Huther, Christian: "°MMK 1991-2011", in: Kunstforum International, Bd. 210 (August/September), pp. 364-365
Lübbke-Tidow, Maren / Zielony, Tobias: "Wolfgang Tillmans", in: Camera Austria 114/2011, pp. 45-47
MacGiolla Léith, Caoimhín: "British Art Show 7", in: frieze, issue 136 (January/February), pp. 99 p.
Nickas, Bob, in: "Defining Contemporary Art – 25 years in 200 pivotal artworks" (catalogue text), pp. 152-153
Nickas, Bob: "Wolfgang Tillmans" (portfolio & interview), in: Interview (September), pp. 258-265 & p. 271

Ackermann, Tim: "Ein Fotograf auf großer Fahrt", in: Welt am Sonntag (August 19), p. 48
Borja, Bas: "El Artista que Volvió de as Estrellas", in: El País Semanal (November 11), p.18
Beils, Martin / Hellwig, Kristina: Wolfgang Tillmans und wie er die Welt sieht", in: "Bekannt Bedeutend, Bergisch, 33 Lebensskizzen bergischer Persönlichkeiten", Bergisch Gladbach, pp. 114-118
Bendlin, Julia: Dubstep der Bilder: Fotograf Wolfgang Tillmans in der Kunsthalle Zürich, Rolling Stone (
Braunerhielm, Agnes: "Wolfgang Tillmans und wie er die Welt sieht", in: "Bekannt, Bedeutend, Bergisch, 33 Lebensskizzen bergischer Persönlichkeiten, Bergisch Gladbach, pp. 114-118
Brumfitt, Stuart: "Tillmans takes photos", in: Attitude (September), p. 32
Carey-Thomas, Lizzie: "Migrations: Journeys into British Art" (edited text of an interview with Wolfgang Tillmans), in: exh. cat. Tate Britain, London, p.113
Eriksson, Ulf: "Wolfgang Tillmans", in: Bulletinen, Museet Vänner, no.5, pp. 11-15
Feldhaus, Timo, "Digital ist besser", in: De:bug, (September), pp. 34-40
Häntzschel, Jörg: "An der Oberfläche", in: Süddeutsche Zeitung (October 16), p. 12
Heine, Florian: "Meilensteine. Wie grosse Ideen die Fotografie veränderten", Prestel, Munich i.a., p.44
Hellwig, Kristian: "Wolfgang Tillmans' neue Welt", in: Bergische Kultur (September 8)
Herbert, Martin: "Wolfgang Tillmans: Neue Welt", in: Camera Austria, no.120, pp. 86-87
Hodge, Susie: "Why your Five-Year-Old Could Not Have Done That: From Slashed Canvas to Unmade Bed: Modern Art Explained", Prestel, New York, p. 171a
Holert, Tom: "The Unforeseen. On the Production of the New, and Other Movements in the Work of Wolfgang Tillmans", in: exh. cat. Moderna Museet Stockholm, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
Jamieson, Teddy: "The Tillmans theory of reality" (interview), in: The Herald Scotland (May 4), p. 21
Khayyer, Jina: "Neue Welten" (interview), in: L'Officiel Hommes (autumn), pp. 118-123
Kinowska, Joanna: “W galerii daję z siebie wszystko”, in: Fotografia, no. 38, pp. 95–102
Kissick, Dean: “The next generation of beautiful”, in: i-D (autumn), p. 72
Kohler, Michael: “Bilder eines seltsamen Sterns“, in: Kölner Stadt-Anzeiger (March 2 / 3) p. 33
Kotzé, Talitha: “Photographer Wolfgang Tillmans the subject of Common Guild Exhibition”, in: The List (March), p. 119
Kuo, Michelle: “Step into Liquid” (interview and uppp), in: Artforum, 50th Anniversary Issue (September), pp. 420–429; in: The Happy Fainting of Painting, Verlag der Buchhandlung Walther König, Cologne 2014, pp. 126–127
Langer, Freddy: "Die ganze Welt", in: Frankfurter Allgemeine Zeitung (August 30), p. R8
Langer, Freddy: “Im Leerraum zwischen Wildnis und Zivilisation”, in: Frankfurter Allgemeine Zeitug (June 2), p. 35
Larssen, Kristiane: “Wolfgangs Verden”, in: Dagens Naeringsliv (October 5), pp. 38–45
Madestrand, Bo: “Intima tidsbilder med humor”, in: Dagens Nyheter (October 9), p. 8
Malmberg, Carl-Johan: “Tillmans bjuder”, in: Svenska Dagbladet (October 18), p. 6
Mazur, Adam: “Art is Useless” (interview), in: (January)
Meier, Philipp: "Schöne neue Welt in der Kunstbrauerei", in: Neue Zürcher Zeitung (September 1), p. 23
Meier, Simone: “Total global: Wolfgang Tillmans im frisch umgebauten Kunstareal Zürichs”, in: Monopol (October), p. 103
Neuman, Ricki: “Tillmans bildfabrik”, in: Svenska Dagbladet (October 6), pp. 6–10
Olonetzky, Nadine: Grösser als das Leben", in: Neue Zürcher Zeitung am Sonntag (August 26), p. 71
Pendle, George: “Capturing the mood. Wolfgang Tillmans”, in: (October 1)
Persichetti, Simonetta: “Cor e Forma”, in: O Estado de S. Paulo (March 27), p. D1
Pollock, David: "Worldly Wolfgang Tillmans sees the big picture", in: The Independent (April 20)
Rau, Anselm and Wolfgang Uhlig: “Stillleben. Werkbetrachtungen von der Antike bis zur Gegenwart”, Ernst Klett Verlag, Stuttgart, pp. 52–53
Rauchwerger, Daniel: “Wolfgang Tillmans”, in: Haaretz (October 7), p. 16
Ruf, Beatrix: “Neue Welt / Life is astronomical. Wolfgang Tillmans in conversation with Beatrix Ruf“ (interview), in: Neue Welt, Taschen, Cologne, n.p.; in: Wolfgang Tillmans, BT Books, Tokyo 2014, pp. 66–81 (in Japanese)
Sinning, Hilka: "Die neuen Fotografien von Wolfgang Tillmans", television piece in: titel thesen temperamente, broadcasted: 26.8.12 (
Stolle, Wanda; Zunker, Angelika: Fotografisches Inszenieren von Papierobjekten, in: Kunst + Unterricht, Heft 359, 360, pp. 51-52
Tobler, Konrad: "Die ganze Welt im neuen Haus", in: Tages-Anzeiger (September 1), p. 29
Taschen, Benedikt: "Wolfgangs waarheid", in: NRC Weekend (December), pp. 30–39
Weiland, Florian: "Ein anderer Blick nach außen", in: Südkurier Nr. 217 (September 18), p. 13
Wirfält, Johan: “Foto: Wolfgang Tillmans”, in: Rodeo (autumn), p. 59
Zucker, Stefan: "Jäger des unvergesslichen Bildes", television piece in: Kulturplatz (sf Kultur), broadcasted: 22.8.12 (
Zybok, Oliver: "Wolfgang Tillmans – Prüfsteine der Wahrnehmung, in: Kunstbulletin (October), pp. 24-31
"Wolfgang Tillmans Neue Welt", in: Photonews (September), pp. 16-17

Ackermann, Tim: “Neue Welt”, in: IMA, Living with Photography (spring), pp. 63–71
Astorga, Daniela Silva: “Wolfgang Tillmans: Ojos de Rayos X”, in: El Mercurio (July 6), p. A21
Barth, Nadine: “Bilder, die mir begegneten: Wolfgang Tillmans. Lutz and Alex sitting in the trees, 1992”, in:
Benhamou-Huet, Judith: “L’excellent cru d’Arles”, in: (July 12)
Bosetti, Annette: “Die Welt des Fotokünstlers Wolfgang Tillmans”, in: Rheinische Post (February 22), p. C1
Bosetti, Annette: “Wolfgang Tillmans – der Foto-Rebell”, in: Rheinische Post (March 2 / 3), p. C1
Bradley, Paige K.: “Critics’ picks: Wolfgang Tillmans, Andrea Rosen Gallery”, in: (May 15)
Calvi, Danny: “Karl”, in: (October 16)
Chandler, David and Mark Clark: “Mind over Matter: 2002–12”, in: Peter Fraser, exh. cat. Tate, London, p. 140
Dawood, Shezad and Tom Trevor: “Wolfgang Tillmans” (interview), in: Black Sun. Alchemy, Diaspora and Heterotopia, exh. cat. Devi Art Foundation, Delhi and Arnolfini, Bristol, pp. 187–188
Domröse, Ulrich: “Reality is Not Passé”, in: Tobias Zielony. Jenny Jenny, exh. cat. Berlinische Galerie, pp. 79–80
Durden, Mark: “The Freedoms of Photography”, in: Camera Austria, no. 122, pp. 21–22
Espinoza, Denisse: “La fotografía abstracta de Wolfgang Tillmans aterriza en el Mavi”, in: Latercera (July 17), p. 50
Finke, Marcel: “Aus der Fliegenperspektive. Facetten der Fotografie als theoretisches Objekt”, in: Fotogeschichte, no. 129, pp. 39–48
Fiske, Courtney: “Wolfgang Tillmans. Andrea Rosen”, in: Art in America, no. 8 (September), p. 144
Frenzel, Sebastian: “Wolfgang Tillmans: Die Selbstporträts. Ein Interview”, in: Monopol (March), pp. 60–69
Fricke, Christiane: “Ein überraschend vielseitiges Werk”, in: Handelsblatt (March 8 / 9 / 10)
Gabler, Francisca: “El mundo según Wolfgang Tillmans“, in: (October 8)
Goertz, Ralph: “Wolfgang Tillmans – Kunstsammlung in NRW” (TV feature), in:
Goldberg, Ruby: “Wolfgang Tillmans. Up Close and Personal”, in: (October 14)
Hanselle, Ralf: “Ich war nicht auf der Suche” (interview), in: (March)
Hanselle, Ralf: “Wahr sind immer nur die Absichten” (interview), in: Cicero (March), pp. 113–116
Herbert, Martin: “Wolfgang Tillmans” (interview), in: ArtReview, no. 67 (April), cover and pp. 62–71
Hoptman, Laura: “Isa Genzken: The art of assemblage. 1993–2013”, in: Isa Genzken. Retrospective, exh. cat. The Museum of Modert Art, New York i. a., pp. 130–169
Karich, Swantje: “Die plötzliche Muskelentspannung am Sehnerv”, in: Frankfurter Allgemeine Zeitung (April 4), p. 27
Koldehoff, Stefan: “Von damals bis heute – Die Düsseldorfer Retrospektive auf den Fotografen Wolfgang Tillmans im K21” (radio interview), in: (March 1)
Löckemann, Karsten: “Wolfgang Tillmans“, in: When Now is Minimal. Die unbekannte Seite der Sammlung Goetz, exh. cat. Neues Museum, Nuremberg, pp. 187–191
Lorch, Catrin: “Wunderbare Freiheit des Blicks”, in: Süddeutsche Zeitung (March 4), p. 9
Melgar Wong, Francisco: “Wolfgang Tillmans detrás de cámaras”, in: El Comercio (March 17), p. C17
Müller, Bertram: “Mit Wolfgang Tillmans ins neue Kunstjahr”, in: Bergische Morgenpost (Januar 3)
Müller, Hans-Joachim: “Wolfgang Tillmans – der Allesseher, Allesmacher”, in: Die Welt (March 5)
O’Brien, Sophie: “The ground beneath his feet”, in: Art Quarterly (spring), pp. 2–3
Pfeier, Kristell: “Wolfgang Tillmans. Transversalidad”, in: Allimite, no. 95 (August), cover and pp. 16–17
Pohlen, Annelie: “Wolfgang Tillmans. Universum ohne Leitplanken. K21 Ständehaus, Düsseldorf”, in: Kunstforum International, vol. 221, pp. 286–289
Reichmuth, Carolin: “Wolfgang Tillmans”, in: Vernissage, no. 198, pp. 32–45
Reyes, Antonia: “Lo que significa ser humano”, in: MásDeco (August), pp. 12–15
Rosenberg, Karen: “Wolfgang Tillmans: From Neue Welt”, in: The New York Times (May 16)
Schiff, Hajo: “Wolfgang Tilmans”, in: Artist Kunstmagazin, no. 95 (May / July), cover and pp. 26–31
Schulz, Karin: “Star-Fotograf Tillmans: Kleidung kann die Welt auf den Kopf stellen” (interview), in: (March 4)
Sherwin, Skye: “Wolfgang Tillmans’s Best Friend?”, in: (October 21)
Soutter, Lucy: “Why Art Photography?“, Routledge, London
Soutter, Lucy: “Autenticidad”, in: Soutter, Lucy: ¿Por qué fotografía artística?, Ediciones Universidad de Salamanca, pp. 125–160
Steeg, Lene: “Wolfgang Tillmans erklärt seine Kunst”, in: Rheinische Post (May 18)
Stiftel, Ralf: “Die Kustsammlung NRW zeigt das Werk des Fotografen Wolfgang Tillmans”, in: (March 12)
Thürlemann, Felix: “Wolfgang Tillmans – 2000, if one thing matters everything matters”, in: Thürlemann, Felix: “Mehr als ein Bild. Für eine Kunstgeschichte des hyperimage”, Wilhelm Fink, Munich, pp. 160–170
Tsjeng, Zing: “Wolfgang Tillmans’ wandering eye” (interview), in: (September 20)
Walde, Gabriela: “Vom East End in die City West”, in: Berlinger Morgenpost (Januar 13), p. 18
Wittneven, Katrin: “Alles ist Chemie. 'Silver': Abstrakte Fotos von Wolfgang Tillmans in der Galerie Buchholz”, in: Der Tagesspiegel (December 14), p. 28
Zimmermann, Damian: “Der Messie unter den Fotografen”, in: taz (March 4), p. 16

Accettura, Mara: “Fragile è così bello”, in: La Repubblica, no. 906 (September 13), pp. 200–203
Aletti, Vince: “Photobooks”, in: (January / February)
Altmann, Susanne: “In umstrittenen Territorien”, in: (July 1)
Alzugaray, Paula and Luciana Pareja Norbiato: “Cenas comuns, imagens extraordinarias”, in: Select, no. 15 (December / January), pp. 48–51
Barr, Damian: “Wolfgang Tillmans” (radio interview), in: (June 11)
Bava, Alessandro: “Portfolio of Film Stills by Wolfgang Tillmans”, in: pin-up (winter), pp. 146–163 (ill.)
Biggs, Joanna: “Wolfgang Tillmans: 'Pictures are replacing words as messages'” (interview), in: (May 9)
Biggs, Joanna: “close, closer, closest”, in: The Guardian Weekend (May 5), pp. 59–63
Borcherdt, Gesine: “Bei den Fetischen des alten West-Berlin”, in: (May 29)
Buck, Louisa: “Why Tillmans in returning to Russia” (interview), in: (June 17)
Buhr, Elke: “In St. Petersburg sucht die Manifesta nach dem Schlüssel zur Eremitage”, in: Monopol (August), pp. 100–101
Burton, Johanna: “Pictures in the Present Tense”: in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 170–213
Comer, Stewart: “Wolfgang Tillmans deutscher Top Künstler aus London fickt Keyboard Player von Bronski Beat“ (interview), in: Bennekom, Jop van and Gert Jonkers (eds.): Forever Butt, Taschen, Cologne, pp. 484–491
Fite-Wassilak, Chris: “Review: Wolfgang Tillmans – Central Nervous System”, in: ArtReview (January / February), p. 112
Gerling, Timo: “Wolfgang Tillmans (Künstler)”, in: blu, no. 67 (July), p. 56
Göbel, Malte: “Wolfgang Tillmans. Dieser berühmte Fotograf lebt wieder in Berlin”, in: (October 12)
Guiducci, Mark: “10 Things You Can't Buy (But Will Want to See) at Art Basel”, in: (June 17)
Halley, Peter and Bob Nickas: “Wolfgang Tillmans” (interview and photography), in: Vogel, Wendy and Rachel Ward (eds.): index A to Z. Art, design, fashion, film, and music in the indie era, Rizzoli International Publications, New York, pp. 188–193
Hinrichsen, Jens: “Nicht den Kopf zerbrechen. Im Museum Folkwang erklärt ‘(Mis)Understanding Photography’ die Fotogeschichte aus der Praxis”, in: (June 11)
Hoffmans, Christiane: “Haben Sie mit einer Schere im Kopf ausgewählt”, in: (June 17)
Hoins, Katharina, Thomas Kühn and Johannes Müske: Vorwort, in: Hoins, Katharina, Thomas Kühn and Johannes Müske (eds.): Schnittstellen. Die Gegenwart des Abwesenden, Reimer Verlag, Berlin, cover and pp. 7–12
Jones, Jonathan: “The top 10 male nudes in art”, in: (April 10)
Kanai, Miki: “Neues Interview mit Wolfgang Tillmans – in seinem Studio in Berlin” (interview), in: Wolfgang Tillmans, BT Books, Tokyo, pp. 44–58
Knöfel, Ulrike: “Umstrittene Manifesta-Schau in Russland: ‘Wir wollen politisieren’, in: (June 26)
Kröner, Magdalena: “Dem Licht beim Arbeiten zusehen”, in: Frankfurter Allgemeine Zeitung (July 24), p. 12
Kuhn, Nicola: “Auf großer Reise ins Dorf”, in: (June 6) (illustration only)
Lorch, Catrin: “Hasenfußläufig”, in: Süddeutsche Zeitung (May 30), p. 11
Lübbke-Tidow, Maren: “Berlin Biennale 8”, in: Kunstbulletin, no. 7 / 8, pp. 67–68
Lugon, Olivier: “Après la forme tableau. L’éxposition contemporaine de la photographie”, in: artpress, no. 2 (August / Septmber / October), pp. 80–86
Maak, Niklas: “Diese schönen Dinge, die keine Kunst sind”, in: (May 5)
Maeda, Kyoji: “Tillmans’ strange hope and comfort in planetary connection”, in: The Japan News 8March 7), p. 13
Maerkle, Andrew: “Wolfgang Tillmans. The Space Between 0 and 1” (interview), in: (February 21)
Matsui, Midori: “14 Fragen an Wolfgang Tilmans (Nachdruck eines legendären Interviews, das Tillmans 1999 in der Galerie Wako Works of Art anlässlich der ersten Einzelausstellung in Japan gab und in dem sich jene Ausdrucksweise artikuliert, die ihn in den 90er Jahren als Wegbereiter einer neuen epochalen Bildsprache auszeichnete)” (interview), in: Wolfgang Tillmans, BT Books, Tokyo, pp. 120–125
Mottin, Matteo: “Interview with Wolfgang Tillmans. Book for Architects”, in: (June 20)
Myers, Terry M.: “Letter from BERLIN”, in: (February 5)
Nedo, Kito: “Party aus Papier”, in: Süddeutsche Zeitung (July 26 / 27), p. 14
Needham, Alex: “Wolfgang Tillmans to open music 'playback room' in Berlin gallery“, in: (September 12)
Paley, Maureen: “Die Quellen der Inspiration. Wo Kreative ihre Ideen finden”, in: Places of Spirit (December 2014 / Januar 2015), p. 16
Peitz, Dirk: “Wolfgang Tillmans” (interview), in: GQ Style, no. 26 (autumn / winter), pp. 246–250
Pofalla, Boris: “Ein Skandal ist ja wohl das Mindeste”, in: Frankfurter Allgemeine Sonntagszeitung (June 29), p. 33
Rauterberg, Hanno: “Kunst am Baum“, in: (July 20)
Rauterberg, Hanno: “Im Wunderreich der Bigotterie“, in: Die Zeit (June 5), p. 55
Schönegg, Kathrin: "Wolfgang Tillmans. Reprise der Abstraktion am 'Ende des fotografischen Zeitalters'“, in: Fotogeschichte, no. 133, pp. 21–28, 59–62
Schulze, Karin: “Fotoausstellung am Folkwang Museum: Miss Verstand”, in: (June 14)
Searle, Adrian: “The artworld takes on Russia’s regressive LGBT laws at Manifesta 10”, in: (July 1)
Shimizu, Minoru: “Refrain und Streuung – Wolfgang Tillmans’ ‘Desktop- und Schreibmaschinen’-Layout”, in: Wolfgang Tillmans, BT Books, Tokyo, pp. 60–65
Shimizu, Minoru: “In Focus: Politics in the Everyday”, in: Wolfgang Tillmans, BT Books, Tokyo, p. 110
Smolik, Noemi: “Manifesta 10”, in: frieze, no. 165 (September), pp. 146–147
Stahl, Antje: “Die 90er”, in: Monopol (July), pp. 48, 56, 57
Träger, Wolfgang: "Fotodokumentation: Manifesta 10. General Staff Building", in: Kunstforum International, no. 228 (August / September), pp. 155–175
Uslar, Moritz von: “Berghain – Morgens halb zehn in Deutschland”, in: (September 9)
Vogel, Sabine B.: "8. Berlin Biennale 2014. Der komplette Rundgang", in: Kunstforum International, no. 228 (August / September), pp. 46–113
Wilson, Rob: “A warm eye. Wolfgang Tillmans on his ‘Book for Architects’” (interview), in: (June 27)
Wittneven, Katrin: “Wolfgang Tillmans”, in: Künstler – Kritisches Lexikon der Gegenwartskunst, vol. 106, no. 14 (2nd quarter)
Würfel, Caroline: “Love, Aids, Riot, Sex in der nGbK in Berlin”, in: (January 28)

“Durch die Nacht … Mauerspezial” (video WT and Patty Smith), in: (November 19)
“Große Söhne und Töchter der Stadt Remscheid”, in: Remscheider General Anzeiger, p. 14
"Interview with Stuart Comer” (interview), in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 165–169
“Jacques Herzog: The Reluctant Exhibitionist“, in: (August 15)
“Power 100. 36: Wolfgang Tillmans”, in: ArtReview (November), p. 151
“Ten Questions for Wolfgang Tillmans”, in: (May 8)
“Tillmans” (uppps), in: Ward, K. Rachel and Wendy Vogel (eds.): index A to Z, Rizzoli, New York, pp. 188–193
“Wolfgang Tillmans on middle age and architecture”, in: (June 12)
“Wolfgang Tillmans. Damian talks to Turner prize winning photographer Wolfgang Tillmans about his new book” (radio interview), on:
“Wolfgang Tillmans. Images from his latest book – in pictures”, in: (May 9)
“Wolfgang Tillmans”, in: Love Aids Riot Sex, exh. cat. nGbK – neue Gesellschaft für bildende Kunst, Berlin, p. 84´
“Wolfgang Tillmans. Folkwang Raum (1987–2013), in: (Mis)Understanding Photography, exh. cat. Museum Folkwang, Essen, pp. 86–93
“Wolfgang Tillmans”, in: Manifesta 10. The European Biennial of Contemporary Art, exh. cat. The State Hermitage Museum, St. Petersburg, pp. 174–17

Albers, Markus and Stefan Kesselhut: “Es geht um das ständige Hinterfragen” (interview), in: Einmalig 15, Magazin der Budesdruckerei, pp. 100–113
Aletti, Vince: “Wolfgang Tillmans”, in: The New Yorker (September 28), p. 29
Aletti, Vince: “Wolfgang Tillmans (David Zwirner, New York)”, in: artforum (December), p. 214
Armstrong, Patrick: “American Producers – Between Bridges / Berlin”, in: (February 26)
Barth, Niklas: “Ich hol’ euch alle ab! Die neuen Münchner Kammerspiele unter Matthias Lilienthal“, in: superpaper, no. 73 (November), p. 4
Bauhaus, Carsten: “Die Wahrheit liegt dazwischen: Wolfgang Tillmans im HKW“, in:
Baum, Rachel: “Can’t See Straight“, in: Camera Austria, no. 131, pp. 82–84
Beeson, John: “American Producers”, in: Artforum (March), p. 294
Benhamou, Judith: “Trois grands de l’art contemporain à Paris: Bruce Nauman, Marcel Broodthaers, Wolfgang Tillmans”, in: (April 19)
Bodin, Claudia: “Im Hier und Jetzt”, in: (September 29)
Bostan, Ayzit: “Werk der Wahl. Modedesignerin Ayzit Bostan über das “AIDS-Memorial’”, in: (May 19)
Bullock, Michael: “AA Bronson. Bronson in Berlin”, in: apartamento, no. 16, pp. 250–263
Eichler, Dominic: “Look Again. In Conversation with Dominic Eichler” (interview), in: Beshty, Walead (ed.): Ethics, The MIT Press, Cambridge, MA, pp. 164–166
Calvi, Danny: “Greer Lankton”, in: (April 10)
Corréard, Stéphane: “Wolfgang Tillmans en ligne de mire”, in: (April 20)
Dercon, Chris: “Luxus mit Verstand, Aktivismus zum Tanzen und mehr von Tillmans – meine Wünsche für das neue Jahr”, in: Monopol (February), p. 24
Duarte, Mariana: “Uma sociedade que tem medo de abordar a sexualidade é vulnerável”, in: Publico (November 22), pp. 32–33
Dunker, Bettina: “Strategies of Combination and Codification in Contemporary Art Installations”, in: Pahl, Hanna: Emblematic Strategies in Contemporary Art, Lit Verlag, Vienna, pp. 23–41
Durand, Régis: “L’archive, matériau de fictions”, in: “L’Architecture d’Aujourd’hui”, no. 407 (June), pp. 138–141          
Dykstra, Jean: “Wolfgang Tillmans: PCR”, in: photograph (November / December), p. 82
Ekardt, Philipp: “Fiorucci made me normcore. Fünf Beobachtungen zu Kunst, Stil und Szenen heute”, in: Texte zur Kunst, no. 97 (March), pp. 73–91
Evans, David: “The Swarn Intellegence of Wolfgang Tillmans”; in: Source, no. 82 (spring), pp. 8–13
Farago, Jason: “Wolfgang Tillmans”, in: (April 18)
Fox, Charlie: “Postcard from Lismore Castle: ‘The Persistence of Objects”, in: (July 20)
Funcke, Bettina: “Aging into new worlds: Deutsch-amerikanische Freundschaft. A survey of five fall 2015 shows in New York”, in: Texte zur Kunst, no. 100 (December), pp. 213–219
Futoshi, Miyagi: “Wolfgang Tillmans. Your Body is Yours”, in: (September 21)
Galilee, Beatrice: “Portfolio. Wolfgang Tillmans”, in: (April 21)
Gendall, John: “Work in progress: Wolfgang Tillmans' 'PCR' opens at David Zwirner, NYC“, in: (September 29)
Gopnik, Blake: “At the Met, Wolfgang Tillmans’s View of Buildings“, in: (April 28)
Greenberger, Alex: “‘These pictures would not have been possible ten years ago’: Wolfgang Tillmans on his new show at David Zwirner”, in: (September 21)
Gurk, Christoph: “Gespräch mit Wolfgang Tillmans“, in: Münchner Kammerspiele, Spielzeit 2015/16, n.p.
Hatt, Étienne: “Wolfgang Tillmans. Galerie Chantal Crousel“, in: artpress, no. 423 (June), p. 31
Hatt, Étienne: “Wolfgang Tillmans. Des images pour aujourd’hui“ (interview), in: artpress, no. 428 (December), cover and pp. 36–44
Hawkesworth, Jamie: “How Fragile Is This Man“ (photographs of fashion cloth by Wolfgang Tillmans 1984–1985), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 354–367
Higgs, Matthew: “Fashion Stories (Between Bridges, Berlin)“, in: artforum (December), p. 231
Hugo, Saadi: “La photographie es tun outil qui enregistre nos pensées avec une grande précision“, in: (April 23)
Indrisek, Scott: „“Wolfgang Tillmans shoots peas, pool boys, himself“, in: (September 15)
Kagge, Erling: “The Caravan Must Move On. A Few More Words About What I Have Learned“, in: A Poor Collector’s Guide to buying Great Art. Erling Kagge, Kagge Forlag, Oslo, pp. 175–178
Knoblauch, Loring: “Wolfgang Tillmans: Book for Architects @Met”, in: (February 9)
Koerner von Gustorf, Oliver: “Nennt mich Greer”, in: Monopol (July), pp. 62–67
Kotaka, Naoki: “Wolfgang Tillmans” (interview and artist’s pages), in: Free (autumn / winter), pp. 46–59
Kupfer, Paula: “Range Rover. With Metropolitan Museum of Art and dDavid Zwirner presentations, Wolfgang Tillmans displays his genre-defying versatility”; in: Surface (October), pp. 108–115
Lehrer, Adam: “Tillmans ‘PCR’ at David Zwirner in New York”, in: (September 21)
Lequeux, Emmanuelle: “Faire la paix avec cette inquiétante étrangeté du monde”, in: Le Quotidien de l’Art, no. 825 (April 30), n.p.
Lorch, Catrin: “Ein Stilleben mit ‘Süddeutschen’ – aus dem Atelier von Wolfgang Tillmans, dem Starfotografen der zeitgenössischen Kunst”, in: Süddeutsche Zeitung (May 2 / 3), p. 22
Lorch, Catrin: “Was bringt’s?”, in: Süddeutsche Zeitung (October 7), p. 13
Lubow, Arthur: “Wolfgang Tillmans takes pictures of modern life, backlit by the past”, in: The New York Times (September 25)
Lübbke-Tidow, Maren: “Hasselblad Award for Wolfgang Tillmans”, in: Camera Austria, no. 130, p. 101
Manning, Emily: “We talk to Wolfgang Tillmans as he brings his Book for Architects to the Met” (interview), in: (January 30)
Martin, Hannah: “See Wolfgang Tillmans’s architectural photography at the Met”, in: (January 26)
McCormack, Séamus: “Wolfgang Tillmans”, in: exh. cat. What We Call Love, Irish Museum of Modern Art, Dublin, cover and pp. 70–71
Moore, Lucy: “Fashion Stories at Between Bridges, Berlin”, in: Picpus, no. 16 (autumn), n.p.
Moulène, Claire and Ingrid Luquet-Gad: “Le top 5 des expos de la semaine”, in: (April 17)
Murakami, Kenta: “Wolfgang Tillmans: A Wandering Eye Enamored with the World”, in: (Ocotober 21)
Nedo, Kito: “In Würde verbleichen”, in: Südeutsche Zeitung (August 8 / 9), p. 21
Neuendorf, Henri: “Wolfgang Tillmans Wins 2015 Hasselblad Photography Award”, in: (March 6)
Nieberding, Mareike: “Das Ibiza von Berlin”; in: (August 18)
Nørgaard Lykkebo, Stine: “Wolfgang Tillmans modtager årets Hasselbladpris”, in: (March 6)
O’Hagan, Sean: “How the world caught up with Wolfgang Tillmans”, in: (September 17)
Parent, Béatrice: “Correspondances”, in: Fondation Louis Vuitton (ed.): Les clefs d’une passion, Éditions Hazan, Paris, p. 23
Pofalla, Boris: “In den Körpern von Puppen”, in: Frankfurter Allgemeine Sonntagszeitung (April 12), p. 44
Read, Shirley: “An Oral History of British Photogrpahy” (interview), British Library Sound & Moving Image Catalogue reference C459/220 (audio file available at
Rose, Julian: “Realist Estates”, in: Artforum (summer), pp. 137–138
Russeth, Andrew: “Art in the dead of winter: a painting blowout at Gavin Brown, the Winter Antiques Show and ML Artspace”, in: (January 29)
Sansom, Anna: “Between the Blur and the Flicker”, in: Damn Magazine, no. 50 (May), pp. 78–82
Permain, Max: “Fragile. Wolfgang Tillmans. In Conversation with Max Permain” (interview), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 328–331 (ill.)
Por Yoshida, Mika and David G. Imber: “Book for Architects. Wolfgang Tillmans”, in: Casa Brutus, no. 181 (April), pp. 158–159
Savage, Jon: “Wolfgang Tillmans. In Conversation with Jon Savage“ (interview), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 316–327 (ill.)
Skidmore, Maisie: “Wolfgang Tillmans’ Interventions“, in: (October 23)
Smith, Roberta: “One Photographer’s Life As an Open Book“, in: The New York Times (October 14), pp. C1–2
Smith, Roberta: “Wolfgang Tillmans: ‘PCR’”, in: The New York Times (October 23), p. C18
Schneider, Thilo: “Gespräch mit Wolfgang Tillmans” (interview), in: Berghain. Kunst im Klub / Art in the Club, Hatje Cantz, Ostfildern, pp. 21–39
Thomas, Gina: “Ein Schicksalskreuz als letzter Zuwachs seiner Ära”, in: Frankfurter Allgemeine Zeitung (December 18), p. 11
Tillman, Lynne: “After Wojnarowicz”, in: Harris, Melissa (ed.): David Wojnarowicz. Brush Fires in the Social Landscape, aperture, New York, pp. 199–215
Tillmans, Wolfgang: “Lecture. Royal Academy of Arts, London”, in: le morning, no. 47
Uematsu, Yuka: “The Multiplicity of Meaning in the Work of Wolfgang Tillmans“, in: “Your Body is Yours”, exh. cat. The National Museum of Art, Osaka, pp. 15–3
Viveros-Fauné, Christian: “Wolfgang Tillmans's Relentlessly Boho Imagery at David Zwirner is Inventive But Ugly“, in: (October 21)
Woodward, Richard B.: “Wolfgang Tillmans, PCR @David Zwirner“, in: (October 15)
Yerebakan, O. A.: “New York – Wolfgang Tillmans: ’PCR’ at David Zwirner“, in: (Ocotober 8)
Young, Coco: “Processing the world through Tillmans’ lens“, in: (October 9)
Zevi, Clara: “Wolfgang Tillmans's early film debut at The Kitchen was a packed, sweaty mess“, in: (September 16)
“Die Stille bluten. Patrick Caulfield in Wolfgang Tillmans Berliner Projektraum“, in: (January 10)
“Oral history at the British Library: what else has been happening?“, in: National Life stories 2014 / 2015, pp. 8–10
“Power 100. 11: Wolfgang Tillmans“, in: ArtReview (November), p. 130
“Purple Diary ‒ Wolfgang Tillmans ’Lignine Duress’ Opening at Galerie Chantal Crousel, Paris“, in: (April 21)
“The glittering prizes”, in: The Art Newspaper (April), p. 15
“Traut euren Augen! Die Fotografien von Wolfgang Tillmans in New York“, in: (October 9)
“With Brexit confirmed, what’s next for UK’s art“, in: Artco, no. 287 (August), pp. 126–127
“Wolfgang Tillmans at David Zwirner“, in:
“Wolfgang Tillmans’ unfiltered photo show“, in: (September 29)
“Wolfgang Tillmans wins 2015 Hasselblad Award”, in: (March 6)
“Wolfgang watching Wolfgang“ (portrait of WT by Jeremy Everett), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), n.p.
“Wolfgang Tillmans: ‘Book for Architects’”, in: The New Yorker (March 30), p. 9; The New Yorker (October 12), p. 22
“Wolfgang Tillmans: Book for Architects“ (interview), in: exh. cat. “Zoom! Architektur und Stadt im Bild”, Pinakothek der Moderne, Munich, pp. 170–173
“’Wolfgang Tillmans: what’s wrong with redistribution?’ Im Haus der Kulturen der Welt“, in: (December 3)
“Wolfgang Tillmans“, in: Süddeutsche Zeitung Magazin (May 11), p. 73
“Wolfgang Tillmans“, in:
“Wolfgang Tillmans. From the editor“, in: Four Two Nine, no. 6, p. 21

Aberbach, Katie: “Wolfgang Tillmans” (interview), in: (September 1)
Adam, James: “The unruly, omnivorous eye of Wolfgang Tillmans”, in: The Globe and Mail, Section L, pp. 4, 6
Aha, Laura: “Gestalter Wolfgang Tillmans”, in: groove, no. 36, pp. 36–41
Apperly, Eliza: “Wolfgang Tillmans talks Brexit. Why the artist felt compelled to get political”, in:
Archy, Karena. “Gallery Weekend Berlin”, in: (May 2)
Argauer, Rita: “Im Lenbachhaus ist der perfekte sound zu hören”, in: (February 15); “Klang-Kunst”, in: Süddeutsche Zeitung (February 16)
Aron, Isabelle: “Wolfgang Tillmans is calling on people to register to vote with these anti-Brexit posters”; in: Time Out London (May 20)
Balhetchet, Sophie: “PCR”, in: Hotshoe (winter), pp. 54–55
Ballard, Thea: “Wolfgang Tillmans. 2016 / 1986”, in: (July 19)
Bar-Or, Galia: “How we bent a rod into a bow, how we stretched a tendon-string”, in: Hilla Ben Ari. Naamah: A tribute to Nahum Benari, exh. cat. Mishkan Museum of Art, Kibbutz Ein Harod, pp. 87–94
Barth, Niklas: “Sound ausstellen – Sound hören. Wolfgang Tillmans schafft mit ‘Playback Room’ einen Ort für Studiomusik im Lenbachhaus”, in: superpaper, no. 76 (February), p. 4
Bauhaus, Carsten: “Frauen, Boys und SuperQueeroes”, in:
Bichard, Thea: “Wolfgang Tillmans models for Hood By Air”, in: (September 11)
Biswas, Allie: “Wolfgang Tillmans with Allie Biswas” (interview), in: (July 11)
Blight, Daniel C.: “Dreamtime: Wolfgang Tillmans’ EU posters”, in:
Brewer, Jen: “Artangel commissions works for Reading Prison by Wolfgang Tillmans, Ai Weiwei and Marlene Dumas”, in: (July 25)
Buchholz, Daniel: “The Nineties Now”, in: Frieze Week, London 2016, pp. 73–75
Buck, Lousia: “The painful auf wiedersehn of Wolfgang Tillmans’s anti-brexit images, Mona Hatoum’s over-egged symbolism and much more in this weeks exhibition round-up”, in: (June 28)
Buck, Louisa: “Wolfgang Tillmans’ opening is dominated by movements and departures: possible and definite, international and local”, in: (June 10)
Buck, Louisa: “Unmissable highlights at Frieze London and Frieze Masters 2016”, in: (October 6)
Kohler, Dieter: “Fotografisches Sichzeigen und Etwaszeigen: eine gesteigerte Duplizität”, in: Valenzen fotografischen Zeigens, Jonas Verlag, Kromsdorf / Weimar, pp. 16–19
Buhr, Elke: “Frieze London: Die Künstler genossen größere Freiheiten”, in: monopol
Bulut, Selim: “Witch house trio SALEM are returning with new music”, in:
Bulut, Selim: “Watch Wolfgang Tillmans at the controls in his new video”, in:
Cafolla, Anna: “Hari Nef stars in Wolfgang Tillmans’ visual album”, in: (December)
Cannon, Blair: “Wolfgang Tillmans walks for Hood By Air”, in: (September 11)
Cardona, Gloria: “10 Must-See Exhibitions at Gallery Weekend 2016”, in:
Carretier, Benoît: “Wolfgang Tillmans” (interview), in: (September 30)
Christian, Julia: “Kosmos: von Herzen”, in: Süddeutsche Zeitung Magazin (February 12), p. 38
Creahan, D.: “London – Wolfgang Tillmans at Maureen Paley”, in: (July 14)
Crisell, Hattie: “Five Things to Know About London’s Biggest Photography Bonanza”, in: (May 19)
Cumming, Laura: “Inside: Artists and Writers in Reading Prison review – a momentous Artangel project”, in: (September 4)
Cusumano, Katherine: “How Wolfgang Tillmans Made His New Visual Album Starring Hari Nef”, in: (December 13)
Dama, Francesco: “Wolfgang Tillmans Focuses on Borders and Brexit in London”, in: (June 21)
Demircan, Saim: “Wolfgang Tillmans and the EU”, in: Art Monthly, no. 397 (June), p. 35
Desplanques, Loic: “Brexit Aesthetics – Reevaluating Propaganda”, in: (June 28)
Duehren, Claudia von and Sarah Borufka: “Gallery Weekend Berlin”, in: (May 1)
Feldhaus, Timo: “Real Time”, in: (August 23)
Fougeirol, Valérie: “À la limite du visible. Wolfganng Tillmans chez Álvaro Siza”, in: D’Architectures, no. 244 (May), pp. 16–23
Frank, Alex: “Art World Hero Wolfgang Tillmans Walks Hood By Air”, in: (September 11)
Frank, Arno: “Wolfgang Tillmans über politische Kunst”, in: Musikexpress (November), pp. 10–11
German, Henry: “Wolfgang Tillmans Releases His First EP”, in: (July 7)
Gintoff, Vladimir: “What the Tate Modern Means in a Post-Brexit World”, in (July 7)
Gurk, Christoph: “In all shapes and sizes” (interview), in: Münchner Kammerspiele, Spielzeit 2016/17, n.p.
Gush, Charlotte: “Wolfgang Tillmans veröffentlicht ein 27-minütiges visuelles Album”, in: (December 8)
Hack, Jefferson: “Talking politics, posters, and techno with Wolfgang Tillmans” (interview), in: (July 20)
Häntzschel, Jörg: “Der Missverstandene”, in: Süddeutsche Zeitung (December 10/11), p. 19
Heiser, Jörg: “Wolfgang Tillmans. Friends”, in: frieze, no. 81, p. 122
Hogan, Marc: “Wolfgang Tillmans explains how his techno track bookended Frank Ocean's Endless” (interview), in: (August 19)
Hütelin, Thomas and Peter Müller: “Der Erfolg Europas nervt seine Feinde“ (interview), in: Der Spiegel, no. 24, pp. 130–135
Huseby, Benjamin Alexander: “Bühne Berlin” (portrait of WT), in: Berlin’s Interview (May), pp. 60–61
Jobey, Liz: “A selection of Wolfgang Tilmans anti-Brexit posters”, in: (June 2)
Jobey, Liz: “The world undivided”, in: Financial Times Weekend (June 4 / June 5), p. 18
Jobey, Liz: “It was crazy then and it’s crazy now”, in: Financial Times, Magazine (September 17 / 18), pp. 21–26
Johnston Maura: “Frank Ocean’s Visual Album Endless Is the Year’s Most Curious Work in Progress”, in:        (August 19)
Jones, Jonathan: “These anti-Brexit posters show just what we lose by leaving the EU”, in: (April 24)
Kanai, Miki: “Brexit, Refugee Crisis and the Everyday of Here and Now”, in: BT: Monthly Art Magazine Bijutsu Techo, vol 68 (June), pp. 28–39
Katigbak, Raf: “Wolfgang Tillmans Wants People to Fight Fear Through Artistic Expression”, in: (November 23)
Käppeler, Christine: “Cool Temperantia”, in: der freitag (May 4), p. 15
Kedves, Jan: “Rischel, ratter, klonk”, in: Süddeutsche Zeitung (July 22), p. 12
Kedves, Jan: “Frank Ocean, der Sisyphos mit Smartphone”, in: (August 19)
Kennedy, Nora W. et al.: “The future is not what it used to be: Changing views on contemporary color photography”, in: Studio in Conversation, no. 61, pp. 91–97
Kuhn, Thomas W.: “Ich und die Welt. Wolfgang Tillmans arrangiert in der Galerie Buchholz eine Ausstellung über seine Ateliers”, in: Der Tagesspiegel (May 7)
Klingelfuss, Jessica: “Wolgang Tillmans votes Remain in latest London exhibition”, in: (June 14)
König, Kasper: “Die Anwesenheit von Menschen”, in: Best – Kunst. Das Leben von Kasper König in 15 Ausstellungen, Strzelecki Books, Cologne, pp. 54–57
Kumara Moore, Lucy: “Naive Me: The new pop music of Wolfgang Tillmans“, in: Pop, no. 35 (autumn / winter), pp. 378–379
Kumara Moora, Lucy: “Amsterdam to Lima“, in: works on paper, no. 1, p. 14-15
Lee, Valerie: “Wolfgang Tillmans took Frank Ocean to Berghain”, in: (August 19)
Levenson, Joey: “Wolfgang Tillmans walks for Hood By Air”, in: (September 12)
Löhndorf, Marion: “Ein Wendepunkt, der Mut verlangt. Londons internationale Kulturszene und der Brexit”, in: (June 30)
Lorch, Catrin: “Bin ich richtig?”, in: Süddeutsche Zeitung (April 30 / May 1), p. 19
Lozano, Kevin: “Salem Remix Wolfgang Tillmans’ ‘Make It Up As You Go Along’: Listen”, in: (August 22)
Lütticken, Sven: “Who Makes the Nazis”, in: (no. 76, October)
Luke, Ben: “The Nineties: don’t look back in anger”, in: (October 5)
Macelarri, Augustin: “Wolfgang Tillmans adjusts his focus in search of truth”, in: (July 12)
Manning, Emily: “Frank Ocean veröffentlicht ein neues Album“, in: (August 19)
Martínez Sánchez, Carolina: “Sonora 128. A project of Kurimanzutto”, in: (May 30)
McDermott, Matt: “Photographer Wolfgang Tillmans releases his first record”, in: (July 6)
McDonough, Tom: “The State We’re In” (interview), in: Canadian Art (autumn), pp. 146–151
McManus, Charlotte: “Switch craft“, in: Wallpaper (July), pp. 96–99
Menden, Alexander: “Bilder gegen den Brexit“, in: (April 28)
Minsker, Evan: “Salem Returning With New Music This Year“, in: (August 3)
Morris, Wesley: “The Lonely Toil of Frank Ocean: Is It Art, or Denial?“, in: (August 31)
Mukherjee, Paroma, “Wolfgang Tillmans rings orders back in focus at Maureen Paley, London”, in: (June 29)
Myers, Owen: “This Is The E.U. Referendum Merch That You Actually Want”, in: (June 6)
Myers, Owen: “The Video For Salem’s Remix Of Wolfgang Tillmans Will Give You Nightmares“, in: (August 22)
Mitchell, Heather: “Frieze Thinking“, in: British Vogue (October), p. 97
Müller, Dominikus: “Simple Minds: Europe, Brexit and complexiication”, in: frieze d/e, no. 24 (summer), pp. 9–10
Nieberding, Mareike: “Das Uncoole wird cool” (interview), in: Frankfurter Allgemeine Sonntagszeitung (May 1), p. 43
Neuendorf, Henri: “Artist Wolfgang Tillmans releases his first techno record”, in: (July 7)
Neuendorf, Henri: “Wolfgang Tillmans Dedicates His Berlin Project Space to Refugee Crisis”, in: (April 14)
Neuendorf, Henri: “How Did Wolfgang Tillmans’ Song End Up On Frank Ocean’s New Album?”, in: (August 22)
Noll, Jan: “Zeitreise”, in: Siegessäule (August), p. 25
Noor, Tausif: “Seeing Signs of Brexit at Frieze London”, in: (October 11)
O’Hagan, Sean: “Wolfgang Tillmans: ‘I see myself as a product of European cultural exchange’” (interview), in: (May 20); in: Agenda, The Observer (May 8), p. 4
Oerding, Henrik: “Das etwas andere Wunschkonzert”, in: Süddeutsche Zeitung (April 11)
Patience, Jen: “Take time to see the pictures Tillmans makes”, in: (February 20) (ill.)
Pearl, Max: “Wolfgang Tillmans announces Device Control EP”, in: (August 22)
Petty, Felix: “Wolfgang Tillmans drops a surprise EP thirty years in the making”, in: (July 7)
Petty, Felix: “your five point guide to this year’s frieze”, in: (October 5)
Pietsch, Hans: “Messe-Check: Frieze 2016”, in: Vogue
Pinto, Ana Teixeira: “Move Your Assets. A roundup of the 12th Gallery Weekend Berlin”, in: frieze d/e, no. 24 (summer), pp. 20–22
Ramos, Filipa: “Frieze Art Fair”, in: (October 6)
Reichert, Kolja: “Das System funktioniert bestens. Gallery Weekend”, in: (April 29)
Rose, Julian: “Wolfgang Tillmans. On The Verge of Visibility”, in: Artforum (January), p. 149 (ill.)
Roth, David Kurt Karl: “Wolfgang Tillmans modelt für Hood By Air”, in: (September 13)
Rudman, Matthew: “Wolfgang Tillmans”, in: (June 19)
Rundgren Yazdani, Sara Elina: “Digital Flows”, in: (February 10) (ill.)
Salter, Steve: “Wolfgang Tillmans on working with Frank Ocean and returning to music”, in: (August 23)
Schleicher, Michael: “’Playback Room’: Diese Musik ist museumsreif”, in: (February 19)
Schneider, Hella: “Die Highlights des Gallery Weekend 2016”, in: (April 29)
Schraven, Hannah: “Gallery Weekend Special”, in: (April 26)
Siegal, Nina: “At Frieze London, Throwing Light on Tense Times”, in: The New York Times (October 6), p. S1
Sigg, Christa: “Details, die man sonst nicht hört”, in: Abendzeitung (February 16)
Skidmore, Maisie: “Inside Wolfgang Tillmans’ seminal 1993 exhibition”, in: (October 7)
Sladen, Mark: “Wolfgang Tillmans: ‘Brexit’ posters (2016)”, in:
Smyth, Diane: “Wolfgnag Tillmans’ new book” (interview), in: British Journal of Photography (October), pp. 20–21
Spencer, Samuel: “Frieze 2016 Sneak Peek”, in: (October 6)
Solari, Francesco Bruno: “In praise of Wolfgang Tillmans”, in:
Sonna, Birgit et al.: “Gallery Weekend. Highlights 2016. Berliner Buletten”, in: (May 2)
Sonnevelt, Leendert: “Wolfgang Tillmans” (interview), in: Glamcult, no. 120, pp. 42–43
Stein, Hannes: “Was weiß Magnus”, in: Welt am Sonntag (May 8), p. 60
Timm, Tobias: “Jetzt mit Rabatt”, in: Die Zeit (October 13), p. 54
Timm, Tobias: “Feiern, bis es Kunst wird”, in: Die Zeit (April 28), p. 54
Udy, Dan: “Wolfgang Tillmans – Maureen Paley, London”, in: ArtReview (October), p. 130
ukc10014: “Looking back at Brexit with Wolfgang Tillmans”, in: (August 10)
Walde, Gabriela: “Auf zum Gallery Weekend”, in: Berliner Morgenpost (April 28), p. 16 (ill.)
Walter, Annette: “Der Song als Kunstwerk”, in: taz (April 1), p. 16
Wenger, Daniel: “The Artist Who Wants to Make the E.U. Sexy—And Defeat Brexit”, in: (May 1, 2016)
Whitehouse, Matthew: “New Wolfgang Tillmans exhibition to address the Borders around us”, in: (June 6)
Xavier, Ágata: “Wolfgang Tillmans em Serralves”, in: (February 24)
Yazdani, Sara R.: “Critics’ picks: Wolfgang Tillmans, Galerie Buchholz, Berlin”, in: (May 20)
Zimmer, Louisa: “Frank Ocean war mit dem Fotografen Wolfgang Tillmans im Berghain”, in: (August 22)

“A Conversation with Wolfgang Tillmans” (interview), in: (November 16)
“Backstage details at Hood By Air SS17”, in: (September 15)
“Borders & Barbarians: Wolfgang Tillmans at Maureen Paley Gallery”, in: (July 15)
“Defiant Hood By Air show casts real people models like Wolfgang Tillmans”, in: (September 12)
“Der Fotograf Wolfgang Tillmans bringt neue Musik raus”, in: (August 19)
“Fotograf Tillmans ruft zu neuer Gelassenheit auf”, in: (December 20)
“Frank Ocean veröffentlicht Musik von Wolfgang Tillmans”, in: (August 22)
“London in ten iconic photos”, in: Time Out London, no. 2372 (March 15–21), pp. 28–34
“Londoner's Diary: Wolfgang gets to the art of the EU debate”, in: (April 26)
“Navigating Fragile Borders: Wolfgang Tillmans at Maureen Paley, 9 June-31 July”, in: (June 6)
“New Shows: The hottest exhibitions opening this week”, in: Time Out London (7 June)
“Power 100. 9: Wolfgang Tillmans“, in: ArtReview (November), p. 107
“Unser Guide zum Gallery Weekend 2016 – Teil I”, in:
“Wohin gehst du Europa”, in: Madame (October), pp. 82–88
“Wolfgang Tillmans. The Cars”, in: Fotograf, no. 27, pp. 82–89
“Wolfgang Tillmans – 'Brexit is unpatriotic'” (interview), in: (April 25)
“Wolfgang Tillmans” (interview), in: Mit anderen Augen – Das Porträt in der zeitgenössischen Fotografie, exh. cat. Kunstmuseum Bonn, p. 324
“Wolfgang Tillmans at Galerie Buchholz”, in:
“Wolfgang Tillmans at Daniel Buchholz”, in: (June 21)
“Wolfgang Tillmans: Maureen Paley”, in: (July 3)
“Wolfgang Tillmans: Studio”, in: Siegessäule (June), p. 79
“Wolfgang Tillmans has released his first ever record”, in: (June 30)
“Wolfgang Tillmans – The Maureen Paley Gallery, London”, in: (July 25)
“Wolfgang Tillmans und der Internet-Scheiß / Videopremiere”, in: (September 13)
”Wolfgang Tillmans”, in: 10 hoch 3, p. 75
“Wolfgang Tillmans’ ‘Make It Up As You Go Along (Daniel Wang & J.E.E.P. Remix)’”, in: (September 9)