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Bibliography (updated 9 Feb 2010) This biography is structured in 3 parts: Monographs, catalogues and artist’s books Photography, writings, interviews and projects for magazines, catalogues, videos and record covers Selected articles on the artist. Monographs, catalogues and artist’s books Wolfgang Tillmans, Taschen, Cologne, 1995, reissued 2002 Wolfgang Tillmans, Kunsthalle Zurich, Zurich, 1995 Wolfgang Tillmans, Portikus Frankfurt, Frankfurt a.M., 1995 Wer Liebe wagt lebt morgen, Catalogue Kunstmuseum Wolfsburg, Ostfildern-Ruit, 1996 Concorde, Verlag der Buchhandlung Walther König, Cologne, 1997 Burg, Taschen, Cologne, 1998, reissued as ’Wolfgang Tillmans’, 2002 Totale Sonnenfinsternis, Galerie Daniel Buchholz, Cologne, 1999 Wako Book 1999, Wako Works of Art, Tokyo, 1999 Soldiers – The Nineties, Verlag der Buchhandlung Walther König, Cologne, 1999 Wako Book 2, Wako Works of Art, Tokyo, 2001 Portraits, Verlag der Buchhandlung Walther König, Cologne, 2001 Aufsicht/View from Above, Hatje Cantz, Ostfildern, 2001 AC: Isa Genzken / Wolfgang Tillmans, Museum Ludwig, Verlag der Buchhandlung Walther König, Cologne, 2001 Wolfgang Tillmans: Still Life, Harvard University Art Museum, 2002 Wolfgang Tillmans, Phaidon Press, London, New York, J. Verwoert/P. Halley/M. Matsui (Ed.), 2002 if one thing matters, everything matters, Tate, London, 2003 Wako Book 3, Wako Works of Art, Tokyo, 2004 Freischwimmer, Tokyo Opera City Gallery, Tokyo, 2004 truth study center, Taschen, Cologne, 2005 Freedom from the Known, New York, 2006 Wolfgang Tillmans, MCA Chicago / Hammer Museum LA (Ed.), Yale Un8iversity Press, New Haven / London, 2006 Sprengel Installation, Sprengel Museum, Hannover, 2007 Why we must provide HIV treatment information. (photography) HIV i-base, London, UK, 2007 Manual, Verlag der Buchhandlung Walther König, Cologne, 2007 Hans Ulrich Obrist: „The Conversation Series Vol. 6 – Wolfgang Tillmans“, Verlag der Buchhandlung Walther König, Cologne, 2007 Carciofo – Still Lifes, Oroom Gallery, Seoul, Korea, 2007 Lighter, Hamburger Bahnhof, Museum für Gegenwart, Hatje Cantz, Ostfildern, 2008 Photography, writings, interviews and projects for magazines, catalogues, videos and record covers since 1998 top (photography/portraits) denotes pictures taken for the publication. (project) denotes pages designed by WT using existing pictures. This chronological list is organized by year. Within each year, entries are listed alphabetically by publication and chronologically by issue. 1989 Artist’s page. Hamburger Rundschau, no. 49, p. 15 “Opera House.” i-D, no. 69, p. 8, “Hamburg i-D Night,” pp. 12–14 “Lutz Huelle.” Prinz (Hamburg) (September), p. 14, “Gaststätte Sparr,” p. 16, “Boy George,” “Christoph Schafer and Cathy Skene,” pp. 24–25, “Hamburg Nightlife,”, pp. 30–34 “Nightlife.” Tango (March), pp. 146–147 “Martin Kippenberger,” “Hendrik Martz,” “Trude Unruh,” “Gerhard Schroder,” “Marius Zmuller-Westernhagen,” “Alfred Mechtersheimer,” “Uta Ranke-Heinemann,” “Willy Millowitsch,” “Natja Brunkhrse,” “Raner Fettig,” “Dr. Jürgen Schreiber.” Tempo (September), pp. 50–56 1990 “Berlin,” (text and photos) The Face, no. 17 (January), p. 109 “Euroclubbing.” The Face, no. 24 (August), p. 70 “Peep Show.” Prinz (Hamburg, Germany) (March), pp. 10–11, “The Weather Girls,” p. 24, “Nightlife,” pp. 30–34, “Yoko Tawada,” p. 38, “Sport Idols + Willi Schulz,” pp. 44–48, “Ulich Wildgruber,” p. 103 “Adamski.” Prinz (Hamburg, Germany) (June), cover and p. 24, “Nightlife,” p. 42–46, “Friedrich Kurz,” p. 112, “First Fashion Story.” Prinz (Hamburg, Germany) (October), pp. 74–78 “Soul II Soul.” Spex 1991 “Techno Reportage Gent and Frankfurt.” i-D, no. 99, pp. 18–23 “Fashion (Couples).” Prinz (Hamburg, Germany) (October), pp. 76–79 “Electronic.” Spex (May), pp. 38–40 “Stephen Duffy.” Spex (July), pp. 26–28 “Primal Scream.” Spex (August), cover and pp. 3, 26–27, “Rebel MC,” pp. 18–20 1992 “Aids Page.” (photos and text) i-D, no. 100, p. 50 “Fashion.” i-D., no. 102, p. 4, “Florence + Video Stills,” p. 12, “Cyberpunk Technology,” pp. 36–40, “Straight-up Portraits,” pp. 21, 46, 57 “Glam Club.” i-D, no. 104, pp. 81–82 “Athens Reportage,” “Juan Atkins,” “Darren Emmerson.” i-D, no. 105, pp. 10–13, 18–22 “Levi’s.” i-D, no. 106, p. 42 “Public Enemy.” i-D, no. 107, pp. 18–21 “Sega.” i-D, no. 108, pp. 60–61, “Dexter Wong,” p. 75, “Chris O’Reilly,” p. 80, “Colin Harvey,” p. 82, “Gay Pride London,” pp. 86–90, “Love Parade, Berlin,” p. 64–69 “General Levy.” i-D, no. 110, p. 45, “Chemistry Club,” pp. 56–58, “Fashion Like Brother Like Sister Alex & Lutz,” pp. 80–87 “Ragga,” “Jamaica,” “Shabba Ranks,” “Lady Patra.” i-D, no. 111, pp. 4–10 “Aids Page.” i-D Japan, no. 4, p. 43 “Gay Pride London.” i-D Japan (December), pp. 86–89 “Suede.” i-D now (November supplement), p. 5, “St. Etienne,” p. 7, “Velda Lauder,” p. 8, “Tomoko Yoneda and Jon Barnbrook,” p. 9, “Alan Maughan,” p. 13, “Lawler Duffy,” p. 20, “Al Berlin,” p. 22, “Non-Aligned,” p. 23, “Eugene Soulemen,” p. 24, “Spiral Tribe,” p. 25 “My Bloody Valentine.” Spex (March), cover and pp. 26–28, “Joey Negro,” pp. 6–7 “Henry Rollins.” Spex (April), cover, “Soul II Soul,” pp. 3, 6–7, “Adrian Sherwood,” pp. 38–41 “Beastie Boys.” Spex (May), pp. 3, 46–48 “Stereo MCs.” Spex (September), cover and p. 22 “Ten City.” Spex (October), pp. 36–38 “Mike D.” Spex (December), cover and pp. 36–37 “Ragga Twins.” Spex, cover “Momus.” Tempo “Street Portraits Portfolio.” Zeit Magazin, no. 38, pp. 24–20 1993 “Survival Stories.” i-D, no. 113, pp. 4–8 “Vic Reeves and Bob Mortimer.” i-D, no. 114, pp. 8–10, “Fashion (Sweaters),” pp. 68–70 “Ears.” i-D, no. 115, pp. 12–14, “Suede,” p. 43, “Roland 303,” pp. 58–59, “Dries van Noten Devotees,” pp. 70–71 “Abient.” i-D, no. 117, p. 3, “Fashion (Brown),” pp. 14–15 “Faslane Peace Camp.” i-D, no. 118, pp. 14–17, “Fashion Camouflage,” pp. 22–25, “Street Portraits (Lothar Hempel, Alan Belcher, and Others),” pp. 66–67 “Moby.” i-D, no. 119, pp. 3, 28–31 “i-D Night Rimini,” “Ten City, “Graeme Park,” “Tony Humphries,” “Simon DK.” i-D, no. 120, pp. 67–68, “Fashion Sportswear,” pp. 70–73 “Fashion Lars,” “Alex and Alex,” “Lutz and Others.” Ray Gun (November), pp. 5, 75–80 “Shara Nelson.” Spex (September), pp. 34–35 “Club Portfolio.” Tempo (July), pp. 118–25 “Street Fashion.” Time Out Amsterdam, no. 3, p. 7, “Tattoo Museum,” “Squats,” p. 8, “Amsterdam,” pp. 12–13, “Clubs,” pp. 23–24, “Gay Nightlife,” p. 34, “Restaurants,” pp. 43–44 “Amsterdam.” Time Out Amsterdam, no. 5, pp. 49–55 “Berlin Portraits.” Time Out London, no. 1174 (Feburary 17–24), cover “Street Portraits.” Time Out Student Guide, p. 43 1994 “Oktoberfest.” ADAC Special, no. 22, pp. 84–89 “Portishead.” i-D, no. 125, pp. 3, 20, “Ewan McGregor,” p. 19, “Kaliphz,” p. 25 “Victor & Rolf,” “Pascale Gatzen,” “Marcel Verheijen,” “Saskia van Drimmelen,” “Lucas Ossendrijver.” i-D, no. 126, pp. 38–43 “A Guy called Gerald,” “Deep Blue,” “LTJ Bukem,” “Ray Keith,” “DJ Hype,” “Kenny Ken,” “Jumping Jack Frost,” “Goldie.” i-D, no. 128, pp. 42–46 “Music Technology.” i-D., no. 129, pp. 52–58 “Criminal Justice Bill Demo.” i-D, no. 130, p. 9, “Erasure,” “Gus van Sant,” pp. 24–28 “Madrid i-D Night.” i-D, no. 131, pp. 74–75 “Kai Althoff and Justus Koencke.” i-D, no. 132, p. 40, “X-Project/Rebel MC,” p. 83 “Ray Brady.” i-D, no. 133, p. 19 “Richie Hawtin.” i-D, no. 134, pp. 32–36 “Richard Pandiscio’s ‘Ones to Watch.’” Interview (March) Lutteurs, Swiss Work Wear catalogues Purple Prose (winter), pp. 74–75 “Portfolio.” Switch, no. 7, pp. 130–36 “Fashion Gillian Haratani,” “Christopher Moore,” “Thuy Phem,” “Tom Borghese and Ramon.” Tempo (May), pp. 92–94 “Gay Lifestyles.” Tempo (August), cover and pp. 20–25 “Fashion Gillian Haratani,” “Christopher Moore,” “Thuy Phem.” Vibe (April), pp. 84–87 1995 “Project.” Aktuell, no. 13, pp. 10–35 “Paula, John & Paul Nudes.” Brutus, no. 1, pp. 28–37 “Simon Reynolds and Joy Press.” i-D, no. 138, p. 13 “Carl Craig.” i-D, no. 139, pp. 22–27 “Sam Sever.” i-D, no. 141, p. 7 “Fashion Tristan Webber,” “Alex Bircken Faridi,” “Alexis Panayiotou,” “Lutz Huelle.” i-D, no. 144, pp. 16–19, “Gay Pride London and New York,” “Isa Genzken,” “Jochen Klein,” “Inga Humpe,” pp. 94–97 “Blur.” i-D, no. 145, p. 11 “Harmony Korine.” i-D, no. 146, pp. 32–36 “Chris Ofili.” i-D, no. 147, p. 38, “Georgina Starr,” p. 39, “Tracey Emin,” p. 42, “Gillian Wearing,” p. 43 “Deana,” “Sister Bliss,” “Smokin’ Jo,” “Queen Maxine and Vikki Red,” “Mrs. Wood,” “Anita Sarko,” “Princess Julia,” “Belinda Becker,” “Rachel Auburn.” Interview (April), pp. 84–91 “Mistress Formika,” “Liv Tyler,” “Margaret Wertheim,” “Dan Matthews,” “Ed Burns,” “Morwenna Banks,” “Grandmaster Flash,” “Michael Bergin,” “Gaetano Pesce,” “Jill Sobule,” “Mariko Mori.” Interview (July), pp. 64–71 “Andrew Sullivan.” Interview (September), pp. 132–35 “Mizrahi Skirt.” Interview (October), p. 98 “Aphex Twin.” jetzt, no. 23, p. 14 “Bronx Skaters Reportage.” jetzt, no. 44, cover and pp. 3, 8–14 “Chloe Sevigny.” jetzt, no. 45, pp. 12–13 “Fake New York Diary.” Max (G) (June), p. 170 “News, Cigs, Mags & Teens talk of danger.” Permanent Food, no. 1 “Bernadette Corporation,” “Gillian Haratani,” “Elizabeth Peyton.” Purple Fashion, no. 1 “How Much Portfolio.” Purple Prose, #9, pp. 22–29 “Ritchie Hawtin/Plastikman.” Spex (February), pp. 24–26 “Blur.” Spex (September), cover, pp. 28–34, and thirty-two–page insert (Portikus catalogue) “Boss Hog.” Spex (December), pp. 28–31 “Evangelischer Kirchentag Portraits.” stern, no. 26, pp. 56–66 “Visual Diary #2.” Switch, no. 8, pp. 146–47 “Visual Diary #3.” Switch, no. 9, pp. 148–49 “Visual Diary #4.” Switch, no. 10, pp. 154–55 “Take That Fans.” Tempo no. 9, pp. 62–69 1996 “Manifesta 1 Portfolio Project.” Blvd. Amsterdam (June), pp. 39, 46 Château Marmont Hollywood Handbook. inner cover, pp. 2, 48, 149 Series of 20 postcards. Fotofolio, New York “The KLF.” i-D, no. 151, pp. 36–40 “Love Parade ’96.” i-D, no. 156, pp. 52–57 Fold-out poster. Habitat Broadsheet (autumn) i-D, no. 158, p. 98 “Allison Folland.” index (February), cover and pp. 6–9 “Udo Kier.” index (April), cover and pp. 6–7 “Mira Nair.” index (June), cover and pp. 6–10 “Larry Brown.” index (August), cover and pp. 6–9 “Parker Posey.” index (November), cover and pp. 6–10 “Twister Fashion.” Interview (June), pp. 78–83 “Gay and Lesbian Parents.” Out, no. 2, pp. 90–93 Permanent Food, p. 105 “Faridi fashion.” Purple Fashion, no. 2 “Chateau Portfolio.” Purple Prose (winter), pp. 84–91 “Bruce LaBruce,” “Tony Ward,” “Rick Castro.” Spex, no. 5, pp. 66–69 “Youth and Violence Project.” Spex, no. 9, pp. 48–56 “Suede.” (photo and interview) Spex, no. 10, pp. 20–21 “Gallon Drunk.” Spex, no. 11, pp. 4–5, “J. Saul Kane,” p. 12 “Nan Goldin.” Spin (November), p. 82 “Fashion Model Gillian Wearing.” Süddeutsche Zeitung Magazin, no. 16, cover and pp. 42–49 “Robbie Williams.” Süddeutsche Zeitung Magazin, no. 38, cover and pp. 18–22 “Visual Diary #5.” Switch, no. 1, pp. 154–55 “Visual Diary #6.” Switch, no. 2, pp. 138–39 “Fashion Model Gillian Wearing.” Switch, no. 3, pp. 13, 26–39, “Visual Diary #7,” pp. 136–37 “Visual Diary #8.” Switch, no. 4, pp. 122–23 “Visual Diary #9.” Switch, no. 5, pp. 124–25 “Visual Diary #10.” Switch, no. 6, pp. 156–57 “Portfolio.” Zine, no. 2, pp. 34–40 1997 “Phillip.” Honcho (December), pp. 3, 24–31 “Matthew Collin and John Godfrey.” i-D, no. 163, pp. 58–65 “John Waters.” index (January), cover and pp. 6, 17 “Gilbert & George.” index (September–October), pp. 44–52 “John Lynch.” Interview (January), p. 44 Ad for Matsuda (also in Matsuda catalogue). Interview (April), p. 9 “Aphex Twin.” jetzt, no. 38, p. 18 “Mouse Walk with Me Portfolio.” Landscapes, no. 1, pp. 2–13 “Neil Bartlett.” Out, no. 40, p. 48 “Portfolio.” Skool of Edge, vol. 2, pp. 52–55 “Supergrass.” Spex, no. 4, cover and pp. 24–27 “Wu Tang Clan.” Spex, no. 6, cover and pp. 34–39, “Rob Playford,” pp. 26–29 “Kraftwerk.” Spex, no. 7, p. 9 “Goldie.” Spex, no. 9, cover and pp. 24–27 “Concorde Portfolio.” Suddeutsche Zeitung Magazin, no. 26, pp. 32–41 “Kate Moss.” Visionaire, no. 22 “Fashion Kate Moss.” Vogue (February), pp. 246–251 “Kate Moss.” Vogue (March), p. 70 “Fashion Naomi Campbell.” Vogue (November), pp. 356–361 “Nan Goldin.” Zeit Magazin, no. 6, cover and pp. 11–19 1998 “Soldiers—The Nineties.” (project and text) Big, no. 19 “Michael Clark.” (portrait) Dazed and Confused, no. 48 (November), pp. 142–45 7 postcards (last part of a total of 27). Fotofolio, New York Poster. Gay Games Amsterdam “Stuart Shave.” (portrait) i-D, no. 182 (December), p. 38, “Sure Shot,” (photography) p. 104 “Daniel, Jochen and Christopher.” (project) i-D family—Future Postive, p. 146 “Bianca Jagger.” index (June), cover and pp. 10–17 “Pulp.” jetzt, no. 19, pp. 6–7 “Blumentopf nach Hause tragen.” 1997 (project) Kunstbuch, Cologne, Germany: Walther König, p. 163 Insert. Paradex, no. 1 “Martin Margiela Summer 98.” (photography) Purple, no. 1 (summer) “Martin Margiela/Alex Bircken Faridi.” Purple Fashion, no. 5 “Pulp.” Ray Gun, no. 55, cover and 7 pages “Performance.” (photography) RE- no. 2 (winter), pp. 32–33 “Jutta Koether and Christoph Gurk.” Spex (February), p. 65 “Pulp.” Spex (April), pp. 18–21 “Kodwo Eshun.” (portrait) Spex, no. 8 (August), pp. 36–39 Cover photo. Studio Voice, vol. 265 (January) “Jochen Klein.” Cologne, Germany: Verlag der Buchhandlung, Walther König, monograph edited by Wolfgang Tillmans, also foreword by W. T. “Light.” Visionaire, no. 24 “Gala 1997.” (project) Vogue Italia, no. 570 (February), pp. 328–29 1999 “Soldiers: The Nineties.” (project) Art, no. 11 (November), pp. 86–95 “K78,” “das Titel von die Portfolio ist Nestbeschmutzung.” (project) Berlin/Berlin, Cantz Verlag, Ostfildern, pp. 339–340, 377–380 Cover. (project) Domus, no. 812 (February) Dub Infusions 1989–1999. CD and record cover, Sonar Kollektiv 35 postcards. Gebr. König Postkartenverlag, Cologne, Germany “Strings of Life by Rhythim is Rhythim.” (project) i-D, “Beyond Price,” p. 238 “Tom Ford and Ann Hamilton with Wolfgang Tillmans.” Index (September–October), pp. 66–78< “Mouse on Mars.” (portrait) Spex, no. 8 (August), cover and pp. 30–35 “Princess Julia.” (photography) Süddeutsche Zeitung, no. 11, March 19, pp. 14–15 “Anatoli Karpow.” (portrait) Süddeutsche Zeitung, no. 16, April 23, pp. 12–20 “Zwölf Uhr mittags.” (project) Süddeutsche Zeitung, no. 29, July 23, pp. 26–33 “Silke Otto-Knapp.” (photography) Süddeutsche Zeitung, no. 37, September 17, p. 34 2000 “The View From Here.” The Big Issue (August 28), (guest edited by Wolfgang Tillmans) cover and pp. 3–24 Goldfrapp. “Lovely Head.” (music video) Mute Records Goldfrapp. (video stills) i-D, no. 199 (July), pp. 156–57 “Joshua/Zelda.” (portrait) p. 2, “Rem Koolhaas,” (portrait) pp. 30–38, “André Weisheit,” (portrait) index (September–October), p. 32, “Käthe Gilles,” (portrait) p. 100 “Signal—Collection by Lutz.” (photography) Libération (France), no. 4 (winter), pp. 122–23 Russell Haswell. Live Salvage 1997–2000. CD back cover, Mego “Portfolio.” (project) Männer aktuell, no. 1 (January), pp. 37–46 “Purple look, J’adore.” (photography) Purple, no. 5 (summer), pp. 208–217 “Lutz in sanddunes.” (photography) Spex, no. 9 (October), p. 15 “Irm Hermann.” (portrait) Süddeutsche Zeitung, no. 12, March 24, cover and p. 57; and “Rosa von Praunheim,” (portrait) p. 58 “rats.” (project) Tate, no. 23 (winter), pp. 48–49 “James Turrell.” (interview) Vogue Hommes International (spring), pp. 74–78 2001 “A Project for Artforum.” Artforum, no. 6 (February), pp. 130–33 “Bernhard Willhelm.” (portrait) Butt, no. 1 (spring), cover and pp. 14–18 “Some Things Wolfgang Tillmans Saw and Liked.” (photography) Butt, no. 2 (autumn), pp. 56–60 “Hedi Slimane.” (portrait) i-D, no. 207 (March), pp. 186–88 “Studiomaus.” (project) i-D, no. 213 (September), p. 293 “Richard D. James.” (portrait) Index (April–May), pp. 68–73 Hall, Peter. “The Return of the Concorde.” Metropolis (June), p. 140–44 (illus.). “Andreas Gursky.” (portrait) The New Yorker (January 22), p. 62 “Stella McCartney.” (portrait) The New Yorker (September 17), p. 131 Postcard book. Snap Art Collection, amus arts press, Osaka Poster for London Film Festival, November “Ruth Wyner and John Brock.” (portrait and text) Purple, no. 7 (spring), pp. 78–79 “Neil Tennant,” (portrait and text) Purple, no. 8 (summer), pp. 62–63 “Cerith Wyn Evans.” (portrait and text) Purple, no. 9 (fall), pp. 76–77 “I want to work it out.” (photography) Sleazenation, no. 1 (February), pp. 100–107 “Deutschlandreise.” (photography) Süddeutsche Zeitung, no. 35, August 31, cover and pp. 11–40 “Donald Cameron.” (portrait) Vogue Hommes International (spring–summer), p. 86 2002 “No shock, no scandal. Just a gay couple on holiday.” (project) Butt, no. 5 (autumn), pp. 48–57 Pet Shop Boys. Disco 3. CD and record front cover, EMI “Blushes #13.” 2000 (project) The Face—Pop (spring – summer) “Crossover.” (portrait) i-D, no. 218 (March), p. 205, “Miss Kittin,” (portrait) pp. 206–207, “DJ Hell,” (portrait) p. 210 “Zandra Rhodes.” (portrait) i-D, no. 220 (May), pp. 66–70 “Gilbert & George.” (portrait) i-D, no. 221 (June–July), pp. 96–104 “Michael Imperioli.” (portrait) index (April–May) pp. 15–18 “Der Blautopf in Blaubeuren, 2001.” (project) NºB Magazine (February), pp. 132–37 Pet Shop Boys. “Home and Dry.” (music video) EMI “Marilyn.” (portrait and text) Purple, no. 10 (winter), pp. 62–63 “Miss Kittin.” (portrait and text) Purple, no. 11 (spring), pp. 80–81 “Ryan McGinley.” (portrait and text) Purple, no. 12 (summer), pp. 62–63 “Isa Genzken.” (portrait and text) Purple, no. 13 (fall), pp. 64–65 “Josh Hartnett.” (portrait) Süddeutsche Zeitung, Jetzt, no. 12 (March 18), cover and pp. 6–11 2003 39 postcards. Gebr. König Postkartenverlag, Cologne, Germany “Film with music, words, and singing.” 45 minute video film made for Tate & Egg Live event “Thomas Eggerer,” (portrait) Architectural Digest, Deutschland, no. 10, pp. 146–47 “Butt page.” (photography) Butt, no. 6 (spring), p. 6, “A True Encounter in a Hotel Room in the Middle East.” (project), pp. 44–48 “Isa Genzken—A conversation with Wolfgang Tillmans.” (interview) Camera Austria, no. 81, pp. 7–18 “Peter Saville.” (portrait) frieze, London, designed by Peter Saville, p. 9 “Farewell.” (photography and text) G2, Guardian, October 17, pp. 2–3 “Kompakt – Ein Haus aus Pop.” (photography) Groove, no. 81 (April–May), cover and pp. 24–30 “Ricardo Villalobos.” (portrait) Groove, no. 84 (October–November), cover and pp. 3, 24–28 “Two Divided by Zero.” Pet Shop Boys (portrait and interview) i-D, no. 238 (December), pp. 94–99 “Portrait of Tony Maestri.” I had a camera and wanted to change my life, eyesore productions, Bournemouth, UK, p. 3 “We are Not Going Back.” (photography and text) Purple, no. 15 (spring–summer), cover and pp. 2–48 “Claudia.” (portrait) Re-Magazine, no. 10 (spring–summer), pp. 33–35 Anti-war poster. Sleazenation, (March) 2004 “Wolfgang Tillmans on Donald Urquhart.” (text) Artforum, no. 5 (January), p. 139 “Corrective Lens—letter to the editor.” (text) Artforum, no. 5 (January), p. 18 “Michael Stipe.” (portrait and interview) Butt, no. 9 (spring), cover and pp. 10–19 “Lutz.” (portrait) Butt, no. 10 (summer), pp. 24–29 “Self/Sweat.” 1993 (project) Chroma, no. 1 (summer), cover “Ost-West.” (project) Freier, no. 3 “Soldiers: The Nineties.” (text) in Friedrich Christian Flick Collection, exh. cat., Cologne, Germany: DuMont Buchverlag “Page 3 Stunnas!” (project and text) G2, Guardian, April 19, pp. 2–3, reprinted in Newspaper Jan Mot, no. 42 (May), pp. 2–4; Der Standard (May), p. Album B3; Courier International, no. 711 (June), p. 16 “Miss Kittin.” (portrait) Groove, no. 87 (April–May), p. 24 “Clubfotografien.” (photography) Groove, no. 91, cover and pp. 48–55 “Lutz with Wolfgang Tillmans.” (portrait and interview) index (September–October), pp. 96–98 Miss Kittin. I Com. CD and record cover, EMI “21st Century Radical Chic.” (project and text) Purple—fashion, no. 1 (spring), pp. 336–343 Superpitcher. Here Comes Love. CD and record back cover, Kompakt R.E.M. Around the Sun. CD insert, Warner Bros. Records Inc. 2005 “In conversation: Who Do You Love? Isa Genzken and Wolfgang Tillmans.” Artforum (November), pp. 226–229 “Tony Blair.” (portrait) Attitude, no. 132 (April), cover and pp. 40–43 “Dominic Masters.” (portrait) Butt, no. 12 (spring), p. 58 “Bottoms.” (project) pp. 6–9, “John Waters,” (interview) Butt, no. 13 (summer), pp. 15–24 “Leaving Japan 18 Oct. 2004.” (project) Esquire Magazine Japan, no. 2 (February), pp. 68–77 “La ciudad.” (photography) EXIT, no. 17 (February–April), pp. 24–37 “Surface is All We Have.” Exit - Image and Culture. (summer), pp. 72-79 “Family.” (artwork) on Family re-launch flyer, London “DJ Koze.” (portrait) Groove, no. 94 (May–June), cover and pp. 16–20 “Mein Plattenschrank.” (text) Groove, no. 97 (November–December), p. 46 “M.I.A.—Louder than Bombs.” (portrait) i-D, no. 255 (June), cover and pp. 62–67, “Make Poverty History.” (project), pp. 160–61 “Billie Ray Martin.” (portrait) i-D, no. 258 (October), p. 257 “Jerry Hall.” (portrait) index, no. 5 (June–July), cover and pp. 58–63, “Slavoj Zizek,” (portrait and interview) pp. 32–39, “Hot Chip,” (portrait) pp. 70–71, “The Organ, ”(portrait) pp. 88–89 “L’equilibriste.” (portrait) Numéro, no. 63 (May), pp. 52–53 André Galluzzi. Berghain 01. CD cover images, Ostgut Crusaid Annual Review 2004–2005 (photography) “Entreprenøren Fra Kreuzberg.” (portraits) Frank, Erik Lars. Panbladet, no. 5 (June), cover and pp. 6–7 “Glas.” 1999 (photograph) on Quaker Social Action charity card “Martin Kippenberger.” (portrait) in Tate Modern Exhibition Guide, cover “Gold.” (project) in Volume 0 The sky is thin as paper here, Galerie Daniel Buchholz, Cologne, Germany 2006 “After Disaster.” (photograph) Basso Magazin, no. 3 Berliner Poster Verlag, (poster) Blind Spot, (photography) no. 33 “John Cameron Mitchell film director had his electric shaver nicked by hustler.” (photography) BUTT, no 18 (Winter) “Julian.” (photography) BUTT, no. 16 (Summer), pp. 6-16 BUTT magazine (poster) BUTT BOOK. (book cover) Taschen “Portraits of Tiga.” Dummy, no. 1 (spring), pp. 66–72 “Les Orphelins”, Laroche, Hadrien, (book cover), Éditions J’ai lu “Wolfgang Tillmans. Suspense, 2005.” (photography and text) Fanzine137, pp. 39-40 “Teufelsee.” (photography) Frieze, no. 100 (June-August), pp. 14-15 “Susanne Oberbeck” (portraits), Girls Like Us: Lesbian Quarterly, (Summer/ Fall), pp. 4-9 “kill to get the money.” (portraits) i-D, no. 269 (Summer), pp. 188-191 Connor, Donlon Books, (photography) i-D, (December/ January), pp. 12, 166-169 “What’s wrong with redistribution? Wolfgang Tillmans.” (photography) The Journal, (Summer) Éric Reinhardt. Existence. (book cover) Le Livre de Poche “HIV/AIDS – Graesrødder Samlet I Sydafrika.” (photography) Panbladet, no. 05 (July), pp. 22-23 “Rossa Nøss Bendixen.” (photography) Panbladet, no. 06 (August), p. 1 Panbladet, (portrait on cover), no. 6. (August) “Danke für die Blumen.” (photography) TEMPO, (December), pp. 172-183 “Viva, schlechter Geschmack!” (photography) Die Weltwoche, (April 12), pp. 68-71 2007 Cecil Balmond by Wolfgang Tillmans (text & photography), 032c, Winter 2007/2008 Brett Anderson, CD album cover image, Drowned in Sound, BMG/ EMI Music Publishing Brett Anderson, Love is Dead, CD single cover image, Drowned in Sound, BMG/ EMI Music Publishing Barbara Panther, basso magazin no. 4, perfectly you. The Fountain of Youth, basso magazin no. 5 (photography) Bloc Party. (cover and photography) Dummy, (Spring), pp. 42-51 “Here Comes the Sun.” (photography) FANTASTIC MAN, Issue No. 5 (Spring/ Summer), pp.119-124 „Auf der Suche nach der passenden Lust“ (photography), in: Geo 02, February 07, p- 35 Auszüge aus einem Gespräch zwischen Wolfgang Tillmans und Heinz Peter Knes, Telefon Berlin – London 7.3.07, in: Heinz Peter Knes – 100 – 1000, exh. Cat. Galerie Crone, Berlin, 2007, pp. 5-7 Engl.: pp. 21-23. Polar. (photography). Wolfgang Tillmans – Help save your own life. (photography) Quest - Edition (Spring), p. 222-253 „Help save your own life“ (photographies), in: Qvest Edition S/S 07, pp. 222-252 Insert in:„kunst lehren teaching, Städelschule Frankfurt am Main“, pp. 153-184 Adam, Hans Christian: „Berlin – Porträt einer Stadt“, Taschen 2007, (photography), pp. 622/623, 626/627, 639 Feuilleton, Die Zeit Nr. 23, May 31 2007, development & compilation. pp. 49-58 „Wolfgang Tillmans – Lighter / Manual“ (portfolio) in: foam, winter 2007 / # 13 2008 The Buhl Collection, 2008 Calendar (photography) “Concorde.”, Zeit Magazin Leben, Nr. 14, (March 27), p. 12 Dìaz-Guardiola, Javier, “Entrevista a Wolfgang Tillmans”, ABCD, December, pp.36-37 Fahnestock, Andrea Henderson, and Vincent Katz. “Picturing New York: The Art of Yvonne Jacquette and Rudy Burckhardt.” New York: Bunker Hill, Museum of the City of New York, 2008. Le Clézio, J. M. G. “ Fever.” “The Flood.” “Terra Amata.” book covers, Peguin Books, London. L’Opera de L’Opera National de Paris, Programmheft Saison 2008 – 2009, pp.105 & 108 “Look, again: Pages curated by Wolfgang Tillmans.” Frieze (October), pp. 236-244. “Lutz & Alex sitting in the trees“, Station – 100 Meisterwerke zeitgenössischer Kunst, Dumont, Köln, pp. 40 Jünger, Ernst. “Annäherungen Drogen und Rauch.” (cover). Klett-Cotta, Stuttgart, Germany. 2009 “Anthony and the Johnsons.” (portraits) Spex, (January/February), cover & pp.44-49 “A Deafining Quiet.” (portraits) Tar (Spring), pp.176-185 “Be Naked.”photographs, Huge, (August) pp.102-103 “Birmingham Contemporary Music Group; Rumpelstiltskin.” (photograph). Brampton, Sally. “Heaven knows we’re miserable now…” (photograph), Elle, (October), pp. 232-235 “Evidence.” (portfolio) Modern Weekly International, cover & pp.5, 8 & 52-63 Miyadai, Shinji. “On the Bridge.” Vol. 42-95, cover image, media factory. Jacob, Copeman. “Veins of Devotion.” cover image, Rutgers University Press, Piscataway, New Jersey. Portfolio, First Person, fall 2009, Issue 3: Realness, pp. 32-45 “Leichtathletik 1, Leichtathletik 2, Leichtathletik 3.” (photograghs), Basso Magazin, Issue 7, pp. 11-14 Takeo Desk Diary 2009, vol. 51, photography, Takeo Co. Japan. Tsuji, Hintonari. “Dahlia.” (cover photo), Hitonari Tsuji, Japan. “The Shop; Jeanettes.” (portrait), Arena Homme+ (Winter/Spring 09/10), p.133. “Der Unterwäschekatalog.” portfolio, Butt. “Pictured in America and Pictures of America.” portfolio, Coyote (March). Selected articles on the artist top
1989 Brudna, Denis. “Wolfgang Tillmans.” Photonews (December) “i-D Newsflash.” i-D 66, p. 7
1992 Brudna, Denis. “I-deas für heute und übermorgen.” Photonews (June), pp. 8–9 “Parallels.” Creative Camera (February/March), pp. 24–27
1993 Poschardt, Ulf. “Ein Fleck Freiheit.” Vogue 8 (August), pp. 110–112 Reich, Elli. “Private Eye.” Prinz (Frankfurt am Main, July), p. 92 Zahm, Olivier. “Tendances.” Purple Prose 3 (June), pp. 14–15
1994 Adams, Brooks. “Wolfgang Tillmans at Andrea Rosen Gallery.” Art in America (December), pp. 101–102 Als, Hilton. “As Is, Wolfgang Tillmans’ Lifestyle.” Artforum (May), pp. 68–73 Hainley, Bruce. “Wolfgang Tillmans at Andrea Rosen Gallery.” Artforum (December), p. 82 Königer, Maribel. “L’Hiver de l’amour.” Kunstforum 126 (March/June), pp. 344–346 Mosselmann, Arnold, and Corinne Groot. “Wolfgang Tillmans at Thaddaeus Ropac, Paris.” Metropolis M. 3 (June), p. 52 Muir, Gregor. “Wolfgang Tillmans at Interim Art, London.” Frieze 14 (January), p. 56 Swingewood, Sally. “The Camera Never Lies Down.” Time Out (Amsterdam), no. 1 (June), p. 4 Tillmans, Wolfgang. “Techno Soul.” In L’Hiver de l’amour, exh. cat., Musée d’Art Moderne de la Ville de Paris, pp. 8–9 Verzotti, Giorgio. “L’Hiver de l’amour at Musée d’Art Moderne de la Ville de Paris.” Artforum (October), p. 112
1995 “Achtung, Achtung.” Spex (September), pp. 42–43 Althoff, Kai. “Diskussion am Grat.” Texte zur Kunst (November), p. 172 “Am Selbstverständnis einer Generation mitarbeiten. Interview mit Wolfgang Tillmans.” Pakt (May/June), pp. 20–21, 40 Appel, Stefanie. “Wahre Coolness.” Prinz (Frankfurt am Main) (September), p. 88 Bartas, Magnus. “Wolfgang Tillmans.” Index (January), pp. 41–43, 61 Bonami, Francesco. “Wolfgang Tillmans.” Flash Art (March/April), p. 95 Boyer, Charles. “Lifestyle.” Tribus (March), p. 44 “Die intimen Fotografien von Wolfgang Tillmans.” Frankfurter Rundschau, September 2 “Die Sehnsucht nach dem Paradies.” Allgemeine Zeitung Mainz, December 8 “Ein ehrlicher Voyeur.” Kieler Nachrichten, February 23 Enslein, Thomas. “Wolfgang Tillmans.” Siegessäule (February) Eshun, Kodwo. “Wolfgang Tillmans.” i-D (March), p. 8 “Fotografien von Wolfgang Tillmans.” aktuell. Das Magazin der deutschen Aids-Hilfe 13, pp. 10–34, 52 Fricke, Harald. “Die Noblesse des Lustprinzips.” die tageszeitung, January 18, p. 13 Hierholzer, Michael. “Von Menschen und Bäumen.” Frankfurter Allgemeine Sonntagszeitung, September 3 Huebel, Birger. “Dabeisein, Machen, Bewegung . . . .” Spex (February), pp. 44–45 “Im Zeichen des Pulp.” Neue Zürcher Zeitung, April 8–9 “Installation und Gesellschaft.” Süddeutsche Zeitung, January Kratzert, Armin. “Er trinkt Pepsi und glaubt an Gott.” Wochenpost, April 1 Kuni, Verena. “Wolfgang Tillmans: Portikus Frankfurt.” Springer 1, no. 5/6 (November), p. 101 Massery, Michel. “Nouvelles tribus culturelles en photo.” Le Nouveau Quotidien, September 19 Molesworth, Helen. “Wolfgang Tillmans at Andrea Rosen Gallery.” Art & Text 50 (January) Montgomery, Robert. “Street Wise.” The List (August), p. 75 Niemczyk, Ralf. “Joey Beltram.” Spex (October), pp. 18–19 Pesch, Martin. “Wolfgang Tillmans.” Die Woche, September 1 “Pur und unverschämt.” Der Spiegel, January 30, pp. 106–107 Sasaki, Naoya. “Wolfgang Tillmans: Because Quality Counts.” Switch (September), pp. 131–139 Schmitz, Rudolf. “Rauskriegen was in der Luft liegt.” Frankfurter Allgemeine Zeitung, September 19 Schönherr, Florian, and Urs Hattung. “Der Grenzgänger.” Journal Frankfurt, August 25 Ximenes, João. “Moda Verdade.” O Globo, June 24
1996 Aletti, Vince. “Wolfgang Tillmans.” The Village Voice, September 24, p. 10 Beard, Steve. “No Voyeurs Allowed—Candid Camera: The Roving Eye of Wolfgang Tillmans.” i-D 159 (December), pp. 68–71 Beil, Ralf. “Deutschland, deine Photographen.” Neue Zürcher Zeitung, July 31, p. 46 Bianchi, Paolo. “Subversion der Selbstbestimmung.” Kunstforum (May–September), pp. 56–64 Collin, Matthew. “A Weakness for Photography.” Wired, UK (November), p. 89 Föll, Heike. “Wolfgang Tillmans.” neue bildende kunst 2 (April/May), pp. 39–46 Göttner, Christian, and Alexander Haase. “Wolfgang Tillmans: Fotografie als Selbsterfahrung.” Subway (November), pp. 8–11 Lütgens, Annelie. “Not for Voyeurs.” In For When I’m Weak I’m Strong, exh. cat., Kunstmuseum Wolfsburg. Ostfildern-Ruit, pp. 6–8 Maurer, Simon. “Fragile Schönheit.” Züritip, June 6, p. 60 Molesworth, Helen. “Picture Books.” In For When I’m Weak I’m Strong, exh. cat., Kunstmuseum Wolfsburg. Ostfildern-Ruit, pp. 11–12 Pesch, Martin. “Wolfgang Tillmans: Authentisch ist immer eine Frage des Standpunkts.” Kunstforum 133 (February/April), pp. 256–269 Pesch, Martin. “Obst und Gemüse.” Wochenpost, September 19, p. 36 Sasaki, Naoya. “From Editors.” Switch (April), pp. 13, 25 Schorr, Collier. “Things Gone and Things Still Here.” In For When I’m Weak I’m Strong, exh. cat., Kunstmuseum Wolfsburg. Ostfildern-Ruit, pp. 13–14 Schwendener, Martha. “Wolfgang Tillmans.” Time Out, New York (October 17–24), p. 28 “Sozio- und Popkultur. Die Fotografien von Wolfgang Tillmans.” Pur (February), pp. 6–9 Wagner, Frank. Family, nation, tribe, community SHIFT: Zeitgenössische künstlerische Konzepte im Haus der Kulturen der Welt. Exh. cat., Haus der Kulturen der Welt / Neue Gesellschaft für Bildende Kunst, Berlin, pp. 11, 14 Wamberg, Jacob. “Ø jebliksbilleder fra 90erne.” Politiken, June 16, p. 12 Ziegler, Ulf Erdmann. “Wünschelrute im Themenpark.” Die Zeit, September 27, p. 62
1997 Allen, Vicky. “Cry Wolfgang.” Arena (July/August) Boogard, Oscar van den. “Ik leef nu.” Metropolis M. (August/September), pp. 34–37 Cirant, Catherine. “Absolute Landscape.” In Absolute Landscape, exh. cat., Yokohama Museum of Art, p. 143 Draxler, Helmut. “Requiem für einen: Jochen Klein.” Texte zur Kunst 28 (November), pp. 179–180 Gaskin, Vivienne. “Wolfgang Tillmans.” Everything magazine (July), pp. 5–7 Halley, Peter, and Bob Nickas. “Wolfgang Tillmans.” Index (March), pp. 39–45 “Interview: Wolfgang Tillmans / Photographer.” Hanatsubaki (August), pp. 27–28 Koether, Jutta. “Kunst.” Spex (January), p. 49 Morrissey, Simon. “Interrogating Beauty.” Contemporary Visual Art (October), pp. 26–33 Parkes, James Cary. “The Cult of Wolfgang Tillmans.” Gay Times (July), pp. 15–16 Saltz, Jerry. “Camera Lucida: MoMA Takes a Clear-eyed Look at Some New Photography.” Time Out, New York (January 16–23), p. 35 Schmitz, Rudolf. “Die Raumfusion der gegenwärtigen Fotografie.” In Brigitte Kölle (ed.), Portikus 1987–1997, Frankfurt am Main, pp. 70–73, 252–253 “Tailpiece.” Creative Camera (February/March), p. 50 Tiedemann, Holger. “Adam am Zermatt.” Deutsches Sonntagsblatt, p. 29 1998 Arning, Bill: “Wolfgang Tillmans”, in: Time Out New York, Nr. 166, 26 November 1998, p. 63 Budney, Jen: “Come On Baby”, in: Parkett, Nr. 53, September 1998, pp. 110–125 Deitcher, David: “Lost and found”, in: Wolfgang Tillmans. Burg, Cologne 1998 Doctor Roncero, Rafael: “Fruiciones”, in: Espacio uno, Catalogue Museo Nacional Reina Sofia, Madrid, 1998, pp. 144–177, p. 189 Duursma, Mark: “Mijn versie van normal en mooi”, in: NRC Handelsblad, 26 June 1998 Eshun, Kodwo: “Leader of the pack”, in: i-D, November 1998 Knopke, Burkhard: “Identität und Sinnlichkeit”, in: hinnerk, February 1998, pp. 6–9 Matsui, Midori: “Memory Machine”, in: Parkett, September 1998, pp. 94–103 McCormick, Carlo: “Talking Pictures”, in: Camera Austria International, Nr. 64, 1998, pp. 48–62 (interview) Nesbitt, Judith: “Only Connect”, in: Parkett, September 1998, pp. 126–132 Nieuwenhuyzen, Martijn van: “Wolfgang Tillmans”, in: From The Corner Of The Eye, Catalogue Stedelijk Museum Amsterdam, 1998, pp. 13, 90–97 Saltz, Jerry: “Heaven Knows”, in: The Village Voice, 1 December 1998, p. 135 Sutton, Tara: “Think Before You Shoot … Talking to Wolfgang Tillmans”, in: Big, no. 19,May 1998 Thompson, Charles: “Reaction”, in: Citizen K International, Nr. 7 Summer 1998, p. 17, p. 19 Tiedemann, Holger: “Burg”, in: Photonews, no. 12/1, 1998, p. 21 Wakefield, Neville: “Concorde”, in: Parkett, September 1998, pp. 104–109 Weber, Martin: “Gut geguckt, Hirsch”, in: Kölner Stadt-Anzeiger, 21/22 November 1998, p. 7 Wellershoff, Marianne: “Stilleben mit Hinterhalt”, in: Spiegel Kultur Extra, September 1998, p. 3, pp. 6–11
1999 Aletti, Vince: “Photo”, in: The Village Voice, 28 September 1999, p. 75 Casati, Rebecca: “Erhabener geht’s ja wohl nicht!”, in: Süddeutsche Zeitung Magazin, no. 29, July 1999, p. 32 (interview) Hainley, Bruce: “Culture and Kleenex”, in: Frieze, no. 44 January/February 1999, pp. 44–45 Löffler, Petra: „Look Army!“, in: springerin Juni/August 1999, pp. 38-39 Matsui, Midori: “Composite”, Hogado, Tokyo, no. 11, August 1999, p. 133 McFarland, Dale: “Beautiful Things”, in: Frieze, Nr. 48, September/October 1999, cover and pp. 78–83 Miles, Christopher: “Wolfgang Tillmans”, in: Flaunt, November 1999, pp. 46–48 Sergl, Anton: “Zuendgenarrt: Auf Tillmans Burg”, in: Our Munich, January 1999, p. 14 Slocombe, Steve: “Wolfgang Tillmans – The All-Seeing Eye”, in: Flash Art, Vol. 32, no. 209, November/December 1999, pp. 92–95 (interview) Werneburg, Brigitte: “Zeitschriften sind Originale”, in: die tageszeitung, 16/17January 1999, pp. 13–14 “Wolfgang Tillmans”, Bijutsu Gaho, Seiun-sha, Tokyo, no. 22, August 1999, p. 281
2000 Buck, Louisa: “Wolfgang Tillmans”, in: The Art Newspaper, no. 106, September 2000, p. 73 Cork, Richard: “Farewell Then, Britart. Say Hello to the World”, in: The Times, 25 October 2000 Cypriano, Fabio: “Mostra em Berlin destaca Wolfgang Tillmans”, in: O Estado de São Paulo, 11 February 2000, p. 10 Dusini, Matthias: “Moss muss nicht aufs Klo”, in: Falter, Nr. 14 (2000), p. 65 Eshun, Kodwo: “Under the Flightpath”, in: i-D, no. 203, November 2000, pp. 104–116 Graham-Dixon, Andrew, in: The Sunday Telegraph Magazine, 8 October 2000, pp. 34–37 Kernan, Nathan: “Moments of Being”, in: Apocalypse. Beauty and Horror in Contemporary Art, Catalogue Royal Academy of Art, London, 2000, pp. 132–135 Kimura, Midori: “Wolfgang Tillmans”, Bijutsu Techo, Tokyo, no. 782, January 2000, p. 46 Maurer, Simon: “Man sollte die Kamera ganz vergessen”, in: Tagesanzeiger, 27 November 2000 Müller, Silke: “Geliebter Feind”, in: Art, no. 11, November 2000, pp. 86–95 Ratnam, Niru S.: “Bodies at Rest and in Motion”, in: The Independent, 19 September 2000, p. 12 Rauterberg, Hanno: “Perfektionist des Hingeschleuderten”, in: Die Zeit, no. 44, 20 Oct. 2000, p. 47 Searle, Adrian: “Beauty to Make Spirit Soar, Rubbish to Make the Heart Sink”, in: The Guardian, 24 October 2000, pp. 12–13 Searle, Adrian: “Foreign Creativity Pierces Britart Bubble”, in: The Guardian, 15 June 2000, p. 9 Searle, Adrian: “The End of the World as We Know It”, in: The Guardian, 21 Sept. 2000, p. 13 Slocombe, Steve: “Lieber Turner”, in: Sleazenation, 2000, pp. 40–41, 132–141 Slocombe, Steve: “Some Parts of This World”, in: Catalogue Helsinki Photography Festival, 2000, pp. 5, 26–27 Sonna, Birgit: “Die Faszination der Fensterbank”, in: Süddeutsche Zeitung, 17 February 2000, p. 22 “Very New Art 2000”, in: BT magazine, Vol. 52, no. 782, January 2000, pp. 44–49 Verzotti, Giorgio: “Art in the Age of AIDS”, in: Gail Cochrane et. al.: Art in the Age of AIDS, Catalogue Promotrice delle belle arti, Milan and Turin 2000, pp. 37–38, 94–97 Grammel, Søren: Wolfgang Tillmans: Soldiers, in: Frankfurter Kunstverein Hefte, no. 1, 2000, pp. 40–44
2001 Aletti, Vince, “Wolfgang Tillmans”, in: Artforum, no. 6, February 2001, p. 129 Brudna, Denis: “Wolfgang Tillmans”, in: Photonews, December 2001/January 2002, pp. 20–21 De Potter, Pete, “Fan”, in: i-D, no. 206, February, 2001, p. 174 Egan, Maura: “Prize Matters”, in: details, January/February 2001, pp. 124–131 Gardner, Belinda Grace: “Die Hand umklammert den Haltegriff”, in: Frankfurter Allgemeine Zeitung, 19 October 2001, p. 54 Herstatt, Claudia: “Elizabeth Peyton, Wolfgang Tillmans, The Contemporary Face”, in: Kunstforum International Bd. 157, Nov./Dec. 2001, pp. 292–294 Jantschek, Thorsten: “Linienmuster des Alltags”, Die Welt, 24 October 2001 Jocks, Heinz-Norbert: “Von der Zerbrechlichkeit der Nacktheit und der unerschrockenen Suche nach Glück”, in: Kunstforum International, April/May 2001 (interview) Keil, Frank: “Hochkultur meets Subkultur”, in: Frankfurter Rundschau, 1 October 2001 Kernan, Nathan: “What They Are. A Conversation with Wolfgang Tillmans”, in: Art on Paper, May/June 2001 Krajewski, Michael: “Science Fiction /Hier und jetzt zufrieden sein – Utopische Horizonte”, in: AC: Isa Genzken / Wolfgang Tillmans, 2001, p. 8 Liebs, Holger: “Die dunkle Kammer Welt”, in: Süddeutsche Zeitung, 29/30 September 2001, p. 15 Mayer, Sebastian: “re:minded”, in: Spex, December 2001, p. 49 Rodrigues, Julian: “Tillmans for all Seasons”, in: Photo District News, March 2001, p. 36 Ruthe, Ingeborg: “Die akzeptable Oberfläche”, Berliner Zeitung, 13 October 2001 Schmitz, Edgar: “So weit die Wände reichen”, in: Texte zur Kunst, Nr. 41, March 2001 Shimizu, Minoru: “Wolfgang Tillmans: I WAR, TILLMANS”, Ryuko Tsushin, June 2001, p. 120–123 Stewart, Christabel: “Wolfgang Tillmans, week 30, August 2000 ”, in: fig-1 catalogue, London (interview)
2002 “Exhibitions: See this!”, The Guardian Guide, 6–12 April 2002, p. 42 “Strange Tail of New Pet Shop Boys Video”, in: New Musical Express, 12 January 2002, p. 5 “Wolfgang’s gaze”, in: Out, April 2002, pp. 40–41 Aidin, Rose: “Shooting from the hip”, in: The Times Magazine, 9 March 2002, pp. 42–45 Bellel, Zeva: “face to face”, in: Dutch, no. 38, March/April 2002, pp. 78–79 Bush, Kate: “Best of 2002 – Wolfgang Tillmans (Palais de Tokyo, Paris)”, in: Artforum, December 2002, p. 121 Eichler, Dominic: “Partnerschaften”, in: frieze 4/2002, p. 96 Eriksen, Peter: “Sokkerne på radiatoren”, in: Lousiana Magasin, no. 7, November 2002, pp. 6–12 Goto, Shigeo: “Wolfgang Tillmans Long Interview”, in: Esquire Magazine Japan, no. 3, March 2003, pp. 38–42 (interview) Graham-Dixon, Andrew: “Shooting Star”, in: Vogue London, 3/2002, p. 342 Guerrin, Michel: “Wolfgang Tillmans, les poils et les étoiles”, in: Le Monde, 8 June 2002, p. 32 Gundlach, F.C.: “Wie kommt Bedeutung in das Blatt Papier”, in: reality-check, 2. Triennale der Photographie, Hamburg 2002, pp. 24–31 (interview) Jahn, Wolf: “Wolfgang Tillmans, Deichtorhallen, Hamburg”, in: Artforum, March 2002, p. 149 Jonkers, Gert: “De statigheid van een muis in een kartonnen doosje”, in: de Volkskrant, 24 July 2002, p. 14 Koerner von Gustorf, Oliver:“Befleckte Idyllen”, in: taz, 6 February 2002 Koether, Jutta: “Zeug aus einer besonderen Zeit”, Neuendorff, Torsten: “Wenn man geliebt wird, will man verstanden warden – but then you still want to be loved”, Nakas, Kassandra: “Empathie und Distanz. Zu den Werken von Jochen Klein”, Wagner, Frank: “Fährten und Verbindungslinien”, in: Partnerschaften, Neue Gesellschaft für Bildende Kunst, Berlin, 2002, pp. 41–46, 49–51, 53–56, 105–113 Mortensen, Anders S.: “Normal Utilpassethed”, in: Panbladet, no. 1, February 2002, pp. 20–25 (interview) Nickas, Bob: “Best of 2002 – Wolfgang Tillmans (Palais de Tokyo, Paris)”, in: Artforum, December 2002, p. 117 Paul, Benjamin: “Wolfgang Tillmans: Still Life”, in: Wolfgang Tillmans: Still Life, Harvard University Art Museums, Cambridge, 2002, pp. 11–18 Pieper, Cornelia: “Bester Zeitgeist”, in: Frankfurter Allgemeine Sonntagszeitung, no. 38, 22 September 2002, p. 28 Roth, Claudia: “Bestes Engagement”, in: Frankfurter Allgemeine Sonntagszeitung, no. 38, 22 September 2002, p. 28 Schwenk, Bernhart: “…etwas menschliches herübertragen”, in: Aidsmemorial, Revolver Verlag, Frankfurt, July 2002, pp. 14–17 and pp. 36–37 (interview) Shimizu, Minoru: “Bijutsu Techo”, in: Bijutsu Shuppan-sha, Tokyo, no. 782, April 2002, pp. 82–87 Sonna, Birgit: “Aus Zeit und Raum gerissen”, in: Süddeutsche Zeitung, 17 July 2002 Troncy, Eric: “Portrait of the Artist as a Young Man”, in: Numéro 34, June 2002, pp. 33–37 and pp. VII–XI Turner, Jim: “Wolfgang Tillmans”, in: Flaunt, no. 31, 2002, pp. 74–75 Vendrame, Simona: “Wolfgang Tillmans”, in: tema celeste 91, May/June 2002, pp. 46–51 (interview) Wood, Catherine: “Wolfgang Tillmans”, in: Art Monthly, no. 256, May 2002, pp. 37–38 Zahm, Olivier: “Dans le vide des apparences”, in: Vogue Paris, 6/2002, p. 22
2003 Barber, Lynn: “The Joy of Socks”, in: The Observer Magazine, 5 January 2003, cover story, pp. 14–22 Aletti, Vince: “World Beat”, in: The Village Voice, 24 September, 2003 Brudna, Denis: “Wolfgang Tillmans – If one thing matters, everything matters”, in: Photonews, no. 7–8, July/August 2003, p. 19 Durden, Mark: “Wolfgang Tillmans. Uninhibited Looking”, in: Portfolio, 2003, pp. 29–30 Evans, Jason: “Review, Wolfgang Tillmans”, in: Photoworks, Autumn/Winter 2003 Heidenreich, Stefan: Wolfgang Tillmans: “We are not going back”, in: DE:BUG, no. 32, June 2003, p. 32 Herbert, Martin: “Wolfgang Tillmans – Tate Britain”, in: Artforum, October 2003, p. 167 Hohmann, Silke: “Die außerirdische Königin”, in: Frankfurter Rundschau, 27 June 2003, p. 13 Holert, Tom: “Zwischen Ästhetisierung und Ikonografie”, Catalogue Mars. Kunst und Krieg, Hatje Cantz Verlag/Neue Galerie Graz, 2003, pp. 290–303 Hubbard, Sue: “All things must pass”, in: The Independent Review, 10 June 2003, pp. 14–16 Imdahl, Georg: “Dieses unstillbare Interesse an der Oberfläche”, in: Frankfurter Allgemeine Zeitung, 20 September 2003, p. 45 Jongbloed, Marjorie; Oetker, Brigitte, Schneider, Christiane: Jahresring 50 – Jahrbuch für moderne Kunst, Oktagon Verlag, Cologne, pp. 208–213 Kiehl, Annette: “Wahrheitssuche”, in: Westfälischer Anzeiger, 14 August 2003 Lehnartz, Sascha: “Der Maler des modernen Lebens”, in: Frankfurter Allgemeine Sonntagszeitung, 12 January 2003, p. 47 Leopold, Jörg: “Lights (Body)”, in: Fast Forward, Catalogue, Sammlung Goetz, Karlsruhe, pp. 376–377 Liebs, Holger: “Paare, Passanten”, in: Süddeutsche Zeitung, 6 June 2003, p. 15 Maestri, Tony; King, Alex: “I had a camera and wanted to change my life”, eye sore productions, pp. 18–20 Morton, Tom: “Wolfgang Tillmans. Tate Britain”, in: frieze, no. 80, October 2003, p. 113 Hernert, Martin: “Wolfgang Tillmans”, in: Artforum, October 2003, p. 167 Pitman, Joanna: “In a World of his own”, in: The Times, 9 June 2003, p. 16 Pye, Harry: “Interview”, in: Untitled, no. 30, June/July 2003, pp. 4–7 (interview) Sagner, Karin: “Anti-homeless device”, in: Architektur der Obdachlosigkeit, DuMont, Cologne, 2003, pp. 20–21 (interview), pp. 22–27 (photography) Schütte, Christoph: “Künstler ohne Wäschespinne ”, in: Frankfurter Allgemeine Zeitung, 27 June, p. 56 Searle, Adrian: “The joy of socks”, in: The Guardian, 10 June 2003, p. 12 Siedenberg, Sven: “Wolfgang Tillmans über Werte”, in: Süddeutsche Zeitung, Wochenende, 5/6 July 2003, p. VIII Smith, Caroline: “Rebel rebel”, in: Attitude, July 2003, pp. 63–65 (interview) Tyrrel, Rebecca: “The Big Picture Show”, in: Sunday Telegraph Magazine, 1 June 2003, p. 79 Weston, Alannah: “Wolfgang Tillmans. If one thing matters, everything matters”, in: HotShoe International, June 2003, pp. 5, 40–42 2004 Danicke, Sandra: “Wie es sich anfühlt, lebendig zu sein”, in: art kaleidoscope, 2/04 (interview) Kedves, Jan; Tittel, Cornelius: “Ich versuche nur, das Richtige zu tun”, in: Zoo 3/2004, pp. 36ff. Penelas, Seve: “Wolfgang Tillmans. Abstraction”, in: EXIT 14, p. 76–81 Schuman, Aaron: “Master of the universal”, in: ARTReview, July/August 2004, cover and pp. 48–57 (interview) Blank, Gil: “The Portraiture of Wolfgang Tillmans”, in: Influence, Issue # 2, Autumn 2004 Iida, Shihoko:“Wolfgang Tillmans: Spirit of the Freischwimmer”, in: “Freischwimmer”, Tokyo 2004, pp. 104–109 Shimizu, Minoru: “Wolfgang Tillmans: The Art of Equivalence”, in: “Freischwimmer”, Tokyo 2004, pp. 110–115 Shimizu, Minoru: “Hihyo no Fuzai, Shashin no Kajo”, Shiro to Kuro to de – Shashin to …, Gendaishichosha, Tokyo, 2004, pp. 151–167 Urae, Yumiko: “Wolfgang Tillmans” (interview), BRUTUS, Tokyo, no. 553, August 2004, cover and pp. 20–29 Shimizu, Minoru: “intoxicate”, NMNL, Tokyo, vol. 52, Oct. 2004, pp. 6–7 Nagashima, Yurie: “Switch”, Switch Publishing, Tokyo, Dec. 2004, pp. 122–125 Iizawa, Kotaro: “Wolfgang Tillmans”, Geijutsu Shincho, Shincho-sha, Tokyo, Dec. 2004, pp. 86–95 Kawachi, Taka, Iizawa, Kotaro. and Kadota, Junichi. “Conversation on Photography”, Studio Voice, Infas Publications, Tokyo, no. 337, January 2004, pp. 52–53, 72–73 Wiedemann, Christoph: “Annäherung an das Abbild”, in: Süddeutsche Zeitung, no. 17, 2004, p. 4 Goto, Shigeo: “Wolfgang Tillmans” “, in: Hi-Fashion, Bunka Publishing, no. 299, Oct. 2004, p. 160 Matsushita, Yukiko: “Luca”, in: Esquire Magazine Japan, no. 7, Oct. 2004, p. 175 Ito, Toyoko: “Studio Voice”, in: Tokyo, November 2004, pp. 118–123 Shimizu, Minoru and Goto, Shigeo (conversation), Ichihara Kentaro, Tsuchiya Seiichi, Bijutsu Techo (Special Issue of Wolfgang Tillmans / Larry Clark), Bijutsu Shuppan-sha, Tokyo, no. 857, November 2004, pp.11–31 (plates), 32–48, 49–54, 55–61, 62–64 (Selected Book Guide) Kojima, Yayoi: “Esquire Japan”, in: Esquire Magazine Japan, Tokyo, December 2004, pp. 266–267 Ribbat, Christoph: “Smoke gets in your eyes”, in: Kunstforum International, no. 172, September/October 2004, pp. 38–43 and cover Wood, Catherine: “Let me entertain you”, in: Afterall, no. 9, 2004, pp. 43–44 Müller, Silke: “Es dreht sich jetzt nur noch um gute Kunst”, in: art, no. 8, August 2004, pp. 72–74 Ollier, Brigitte: “L’excellence Tillmans”, in: Libération, 13 November 2004 Kedves, Jan; Tittel, Cornelius: “ Es geht mir um Wahrheit”, in: die tageszeitung, 6 July 2004, p. 25 Rauterberg, Hanno: “Wie viel Moral braucht die Kunst”, in: Die Zeit, no. 39, 16 September 2004
2005 Barton, Laura: „Joy Boy“, in: The Guardian/G2, September 23, 2005, pp. 14-17 von Brauchitsch, Boris: „Der Körper als Thema“, in: Du&Ich, October 4, 2005, pp. 3-5 Bodtländer, Bernd, and Nicolaus, Frank: “Eine Schule für den Wahnsinn”, in: art DAS KUNSTMAGAZIN, Nº.10, October 2005, pp. 70-77 Bright, Susan: “Wolfgang Tillmans”, (interview) in: Art Photography Now, Thames and Hudson, London, 2005 Burg, Dominique von: “Alltägliche Schizophrenie, Kunst und Pressebild von Warhol bis Tillmans” in: NZZ Online, July 2005 Chavez, Brenda: “Wolfgang Tillmans, Contra Indiferencia”, in: El Pais, October 7, 2005, pp. 18-19 De Witt, Amy: “Wolfgang Tillmans, Maureen Paley”, in: Time Out London, Nº.1813, September 21-28, 2005, p. 57 Diez, Georg: “Wie Sieht Die Welt aus?”, in: Tagesanzeiger, Das Magazin, Nº40, October 14, 2005, pp. 22-34 Doustaly, Thomas: „Wolfgang Tillmans s’assombrit“, in: Tetu (France), October 1, 2005 DP: “Wolfgang Tillmans truth study center”, in: Digital Phottographer, November 2005 Erik Frank, Lars, “Entreprenøren Fra Kreuzberg” (portraits), in: Panbladet, Nº.5, June 2005, pp. 6-7 and front cover Fel, Loïc: “truth study center, L’équivalenc visuell”, in: www.photosapiens.com, September 26, 2005 Hakim, Jamie: “The truth is out” (interview), in: attitude, October 2005, pp. 88-91 Hakkarainen, Anna-Kaari: “Totuus on tuolla jossain”, in: muoto, May 2005, p. 69 Heidenreich, Stefan: “Wolfgang Tillmans, truth study center, 2005”, in: DEBUG, October 27, 2005 Hilpold, Stephan: “Spiritualität im Sex-Club”, (interview), in: Rondo, Der Standard, Nº.338, 30 September, 2005, pp. 4-5 Hofer, Sebastian: „‘Ein schwuler Kuss ist hochgradig politisch‘“, in: Profil (A), September 12, 2005 Honnef, Klaus: „Details des Universums“, in: Die Welt, September 7, 2005, p. 29 Iida, Shihoko: “Bijutsu Gaho”, Art Communication Co., Ltd., Tokyo, January 2005, pp. 290–291 Illies, Florian: „Der sinnliche Protestant“, in: Monopol, October 1, 2005 Jung, Irene: „Die Schönheit der Venus und die Zufälle des Lebens“, in: Hamburger Abendblatt, September 17, 2005 Lazimbat, Sascha: “Faltenwürfe und Wellenverläufe”, in: Groove, Nº. 97, November-December 2005, p. 14 Leaver-Yap, Isla: “Wolfgang Tillmans: truth study center”, in: Map Magazine, November, 2005 Leliévre, Marie-Dominique: „Les yeux au ciel“, in: Liberation (F), October 18, 2005 Liebs, Holger: „Der billigste, für alle zugängliche Zauber“, in: Süddeutsche Zeitung, September 7, 2005, p. 15 Lübbke-Tidow, Maren: „Wolfgang Tillmans: Truth Study Center“, in: Camera Austria, 92/2005, pp. 91-92 Obricht, Hans Ullrich: „The Tillmans show (Wolfgang Tillmans in conversation with H.-U. Obricht and Rem Kohlhaas)“, in: NUMERO (France), October 1, 2005 Polzer, Britta: “Covering the real. Kunst und Pressebild, von Warhol bis Tillmans im Kunstmuseum”, in:Kunst Bulletin, July – August 2005, p53. Preuss, Sebastian: “Arena of Passion”, in: 032c, no. 9, Summer 2005, pp. 94–96 Rench, Nigel: interview on: BBC Radio 4, September 8, 2005 Reber, Simone: “Wolfgang Tillmans truth study center”, in: rbb Kulturradio, 16.45, September 9, 2005 Rehberg, Peter: „Von den Socken“, in: Siegessäule, October 1, 2005 Rubira, Sergio: “Wolfgang Tillmans” in: EXIT Express, Nº9, February 2005, pp. 3, 19 Schock, Axel: “Die Wahrheit des Augenblicks, Neue Fotografien von Wolfgang Tillmans” Hinnerk, November 4, 2005 Seidl, Claudius: „Der Zauberkünstler“, in: Frankfurter Allgemeine Sonntagszeitung, August 21, 2005, p 27 Swift, Simon: “My work isn’t just about cocks” in: Pink Paper, Issue 882, September 1, 2005, p. 20 Thomas, Tobias: „Das Ungeklärte in der Wertigkeit der Dinge“ (interview), in: Spex XXV, 25 Jahre Jubiläumsheft, pp. 50-54 Vitorelli, Rita: “Gespräch mit Wolfgang Tillmans“, in: spike no.06, winter 2005, pp. 38-49 Walder, Martin: “Äusserst geschärfte Wahrnehmung”, in: Neue Zürcher Zeitung, May 1, 2005, p 65 Waldron. Glen: „From stargazing to people-watching“, in: i-D, November 2005, pp. 84-93 „La ciudad” (photography), in: EXIT, Nº17, February-April 2005, pp. 24-37 “L’equilibriste” (portrait) in: Numéro, Nº.63, May 2005, pp. 52-53 „Who Do You Love. Isa Genzken in conversation with Wolfgang Tillmans“, in: Artforum, November 2005, pp. 226-229 “Wolfgang Tillmans, Art of living people”, in: Esquire JAPAN, Volume 19, Nº.1, January 2005, p 33 “Wolfgang Tillmans” (photography and text) in: EXIT, Nº18, May-July 2005, pp. 70-79 2006 Aletti, Vince. “Critic’s Notebook: Abstract Thinking.” The New Yorker, (April 3), p. 18 Aletti, Vince. “Photography: To Blessed to be Depressed.” Modern Painters, (May), pp. 46-48 Artner, Alan G. “King Tut returns; year of firsts.” Chicago Tribune, (January 1) Artner, Alan G. “Treasure amid the trivial.” Chicago Tribune, (May 25) Ault, Julie. "The Subject is Exhibition." Wolfgang Tillmans. Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 118-137 Bentley, Kyle. “Chicago: Wolfgang Tillmans.” Artforum, vol. XLIV, no. 9 (May), p. 118 Beshty, Walead. “Wolfgang Tillmans at the Hammer Museum Los Angeles and The Museum of Contemporary Art Chicago.” Texte zur Kunst, (December) Birnbaum, Daniel. "A New Visual Register for our Perceptual Apparatus." Wolfgang Tillmans. Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 14-33 Bonham-Carter, Charlotte. “David Wojnarowicz.” Art Review, no. 2 (August), pp. 135 Campbell, Clayton. “Spotlight: Wolfgang Tillmans.” Flash Art (November/ December), p. 113 Falconer, Morgan. “never a Hirst. Is it?. The Times, (August 1) Ferguson, Russell. "Faces in the crowd." Wolfgang Tillmans. MCA Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 64-83 Finkel, Jori. “Wolfgang Tillmans In the Studio.” Art+Auction, (May), pp. 48-54 FNB. “Fotografier av Tillmans på Helsingfors festspel.” Vasabladet, (August 20) FNB, Från. “Fotografier av Tillmans på Konsthallen.” Jakobstads Tidning, (August 20) Francis, Sean. “From the Sublime to the Obscene.” Chicago Reader, (July 7) Fricke, Harald. “Me and Mr. Jones.” Das Achte Feld, Ludwig Museum, Hatje Cantz, pp. 250-251 Genocchio, Benjamin. “From Coast to Coast, What to See.” New York Times, (March 29) Graham-Dixon, Andrew. “ Beyond Formaldehyde.” Seven, (July 30), pp. 26-27 Gray, Louise. “Between Bridges.” deutsche-bank-art.com/art/2006/3/e/1/431.php Hackworth, Nick. “Gut feeling in the gallery.” Evening Standard, (August 2) p. 36 Haikala, Eeva-Mari. “Elämän raadollisuus ja kauneus.” Etelä-Saimaa, (August 24) Halmetoja, Veikko. “Aikalaiskuvaaja ei tyydy dokumentointiin.” Aamulehti, (August 22) Halle, Howard. “5 Things to See This June.” O, (June) Halle, Howard. “Abstract thinking.” Time Out New York, no. 542 (February 16-22), pp. 26-27 Hensher, Phillip. “That’s a Hirst? It’ll never sell…” The Independent, (August 4) Hetfleisch, Patricio. "Fotos." Observer, Neue Zeitung für Tirol (February 7), pp. 50-51 Howgate, Sarah and Nairne, Sandy. “The Portrait Now.” National Portrait Gallery Publications, London, p. 107 Hübner, Katja. “Museum of Contemporary Art, Chicago, Wolfgang Tillmans.” LFI Magazine, (April) Hunt, Ian. “David Wojnarowicz.” Art Monthly, no. 297 (June), pp. 23-24 Jäämeri, Hannele. “Oma Tapa Katsoa.” Suomen Kuvalehti, p.62 Jones, Laura K. “Openings.” Sunday Telegraph Magazine (April 30), p. 8 Jury, Louise. “Exhibition paints major artists in a fresh light.” The Independent (August 10) Kataja, Marika. “Mediasukupolven kasvatin hiljainen poliittisuus.” Forssan Lehti, (August 21) Kataja, Marika. “Mediasukupolven kasvatin hiljainen poliittisuus.” Itä-Häme, (August 22) Kataja, Marika. “Sulkupolvensa tulkki esillä.” Kainuun Sanomat, (August 19) Kataja, Marika. “Sulkupolvensa tulkki esillä.” Keskipohjanmaa, (August 20) M, A. “Between Bridges.” Flash Art, no. 249 (July-September), p. 61 Milevska, Suzana. “News: Skopje.” Contemporary, no. 78, pp. 18-19 Molon, Dominic. “A Pulse within the System: Wolfgang Tillmans and Photoconceptualism." Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 34-54 Myers, Holly. “After Arbus.” Los Angeles Times: LA Weekly, (October 18), p. 52 Myers, Terry R. “Wolfgang Tillmans: Hammer Museum Los Angeles.” Art Review, (December), p. 149 Nance, Kevin. “Photography exhibit at MCA: Beautiful, but where’s the editor?” Chicago Sun-Times, (May 25) Nelson, Samantha. “Photo exhibit features youth and counterculture.” Medhill News Service, (May 23) Nelson, Samantha. “Photographer focuses on youth, counterculture in MCA exhibit,” Daily Herald, (June 9) Nelson, Samantha. “Photographer’s work on display at city museum.” Lansing Times, (June 1) Nemitz, Barbara. (editor), “Pink – The Exposed Colour in Contemporary Art and Culture.” Hatje Cantz Nickas, Bob. “Pictures to Perceive the World.” Freedom From The Known. New York and Göttingen, Germany: PS1 and Steidl Verlag Nickas, Bob. “Wolfgang Tillmans.” Stnd Magazine, vol. 1, no. 1 (May) Ollman, Leah. “Tillmans’ touch: Image as installation Palmore, Rebecca. “The Time is Right.” Chicago Tribune, (June 4) Pierini, Marco. “Good Vibrations – Visual Arts and Rock Culture.” Palazzo delle Papesse, Siena, Italy and Giunti, pp. 48-49 Richer, Francesca, and Rosenzweig, Matthew. “No. 1: First Works of 362 Artists.” Distributed Art Publishers Relyea, Lane. "Photography's Everyday Life and the Ends of Abstraction." Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 88-105 Scherf, Martina. "Jedes Bild ein inszenierter Zufall." SZ Extra, (January 26-February 1), p. 4 Shihoko, Lida. “Floating Forms – Abstract Art Now.” Krebber, pp. 64-67 Siltavuori, Emilia. “”Tillmans bjuder på det enkla i det vardagliga.” Hufvudstadsbladet, (September 9) Stevens, Isabel. “Wolfgang Tillmans: truth study center.” Contemporary, no. 78, p. 55 Stillpass, Zoe, “Wolfgang Tillmans documents friends, loves in an eye-opening exhibit.” Chicago Maroon, (May 26) Taidehalli, Helsingin. “Tekisit jotain, Wolfgang!” Savon Sanomat, (August 19) Tedorczuk, Tom. “The pig and the penguin: ICA trots out genius of youth.” Evening Standard, p. 23 Teir, Philip. “Inget är för obetydligt för Tillmans.” Hufvudstadsbladet, (August 19) Terracciano, Emilia. “On Now, On Soon.” Flash Art, vol. XXXIX, no. 247 (March-April), p. 50 Therond, Eve. “Super Mario Reloaded.” Whitewall, no. 2, pp. 48-49 Thomas, Tobias. “Das Ungeklärte in der Wertigkeit der Dinge.” (interview) Spex XXV, 25 Jahre Jubiläumsheft, no. 1, pp. 50–54 Tikkinen, Hannele. “Tekisit jotain, Wolfgang!” Karjalainen, (August 20) Tikkinen, Hannele. “Tekisit jotain, Wolfgang!” Keskisuomalainen, (August 19) Timberg, Scott. “Mix and match photographs.” Los Angeles Times, (September 16), p. 20 Väliranta, Eija. “Sukupolvensa silmä.” Apu, no. 33 Vekkeli, Pirkko. “Wolfgang Tillmans, sukupolvensa silmä.” Gloria Syyskuu, pp. 64-67 Wagner, Frank. “The Eighth Square.” Das Achte Feld, Museum Ludwig, Hatje Cantz, pp. 38-39 Waldron, Glenn. “Wolfgang parade.” Nylon, (June) Weinstein, Michael. “The Remix: Wolfgang Tillmans spins Experimental Photography for a Cause.” Newcity, (May 25) Wigley, Marc. “The Space of Exposure." "Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 144-156 West, Esme, (ed). New Art on View, Scala, p. 38, 98§ Williams, Eliza. “Top 50 Summer Highlights.” Art Review, (June), pp. 70-77 Wolinski, Natacha. "Wolfgang Tillmans - Objet photographique non identifié." Beaux Arts, (April), pp. 76-81 Wood, Catherine. “David Wojnarowicz.” Frieze, no. 100 (June-August), p. 260 Zwecker, Bill. “David Schwimmer visits MCA to see Tillmans.” Chicago Sun-Times (June 14) “Five things to see this June.” O (Oprah), (June) “German Photographer Tillmans’ work on display.” Hammond Times, (June 1) “Hot List.” Harper’s Bazaar, (May) “Kohtaamiset.” Suomen Kuvalehti, p. 61 “Kuvakulma.” Aamulehti, (August 19) “La espontaneidad de la artificialidad.” Masdearte.com, (May 25) “London Openings.” Art Monthly, no. 297 (June), p. 16 “News & Around, Wolfgang Tillmans.” Tema Celeste, p. 103 “Sukupolvi X:n tulkki.” Kauppalahti Presso, (August 19) “Surprise, Surprise.” The Guardian Guide, (July 29) “US tour for Tillmans.” The Art Newspaper, (May 16) “Valokuvan kultti-hahmo Juhlaviikoilla.” Kirkkonummen Sanomat, (August 10) “Wolfgang Tillmans.” Art Price, Korea, (June) “Wolfgang Tillmans.” Chicago Social, (May) “Wolfgang Tillmans.” Dwell, (June) “Wolfgang Tillmans.” newcitychicago.com “Wolfgang Tillmans.” Surprise Surprise, Institute of Contemporary Arts, London “Wolfgang Tillmans.” Visuell, p. 88, 217 The Art Newspaper, March “Wolfgang Tillmans Deutscher Top Künstler aus London Fickt Keyboard Player von Bronski Beat” (interview), Butt, (Autumn), pp. 24-31 “Wolfgang Tillmans vangitsee nykyhetken ilmiöitä.” Uutiset.stt.fi, (August 21) 2007 Alvarez, D-L: “The Fountain of Youth: after a photo by Wolfgang Tillmans.” Basso Magazin, (November) App, Volkhard. “Subversiver Lifestyle als Konsumhaltung.” Dradio.de (February 15) Buhr, Elke. “Die Wahrheit des Bildes.” Frankfurter Rundschau (February 28), p. 15 Barth, Siegfried. “Zwei Künstler untersuchen den Zustand der Welt.” Neue Presse (February 16), p. 24 Cimorelli, Silvana (editor), Numerica, Palazzo Delle Papesse Centro Arte Contemporanea, pp. 36-37 Coomer, Martin: “Essential Shows.” Time Out (May 2), p. 16 Di Blasi, Johanna. “Auf dem Drachen reiten.” Hannoversche Allgemeine Zeitung (February 16), p. 5 Eckmann, Sabine. “Reality Bites: Making Avant-Garde Art in Post-Wall Germany.” Hatje Cantz, pp. 122-123, 144-146, 153. Eichler, Dominic: “The Secret Public.” Frieze (March), p. 187 Ellis, Patricia: “Collecting Overview: Anita Zabludowicz.” Flash Art (October), pp. 80-1 Florian, Illies. “Ohne Zweifel kann ich nicht nach vorne gehen.” (interview) Monopol, February Fortunato, Patrizia. “Wolfgang Tillmans: All The Time / Timed.” Teknemedia.net, (November 18) Goetz, Rainald. “Facharbeiterflicken.” www.vanityfair.de (February 28) Gopnick, Blake: Tillmans Touch“, in: The Washington Post (May 13) Hauffen, Michael: „Wolfgang Tillmans ‚Beugung’“, in: Springerin XIII Heft 4, Herbst 2007, p. 69 Higgins, Charlotte: “Who’s Shocking Now?” The Guardian Weekend (September 8), p. 32 Hoch, Jenny: “Ich kann über das Älterwerden nur Lachen.” www.spiegel.de, (June 2) Hoffmans, Christiane. “Die Welt in fremdem Licht sehen.” Welt am Sonntag (January 7), p. 67 Julia, Princess: “Turner Prize: A Retrospective.” I-D (December), p. 172 Kedves, Jan and Tittel, Cornelius. “ Ich versuche nur das Richtige zu tun.” (interview) Zoo Magazine, pp. 376-57 LeFeuvre, Lisa. „Searching for Doubt“, in: foam (winter 2007 / # 13), pp. 072-074 Lorch, Catrin. “Am Ende ein Gong.” Frankfurter Allgemeine Zeitung (April 20), p. 36 Lorch, Catrin. “Studienzentrum: Wolfgang Tillmans bei Buchholz in Köln.” Frankfurter Allgemeine Zeitung (February 3) Meixner, Christiane. “Lasst Tische sprechen.” Welt am Sonntag (February 25), p. 66 Meixner, Christiane. “Tillmans lässt Tische sprechen.” Welt.de (February 24) Peitz, Dirk. “Man fotografiert, was man liebt.” (interview) Süddeutsche Zeitung (February 20), p. 13 Preuss, Sebastian, “Aurataisch: Eine Archäologie von Tillmans’ Oberflächenbegriff in München”, in: Monopol, #9, p. 123 Prinzhorn, Martin: „Kunst in der Schwebe, Wolfgang Tillmans: Manual“, in: Camera Austria, # 98 (June 2007), pp. 96-97 Prückler, Andreas: “Visuelle Spannung an der Oberfläche.” Kleine Zeitung, (July 6), p. 80. “Power 100: 74, Maureen Paley.” Art Review (November), p. 149 Rehberg, Peter: „Kunst vom Grabbeltisch“, in: Männer Aktuell, 04/07, pp. 86-87 Relyea, Lane: „Strolling the Wolfgang Tillmans Salon“, in: Afterall, Spring Summer pp. 106-117 “Remember Grenville Davey?” London Lite (October 3), p. 25 Scheuermann, Barbara J. “ Start 2007: Actuelle Januar – Ausstellungen.” Koeln-galerien.de (January 29) Schulz, Tom R. “Der Wahrheit Fallen Stellen.” Die Welt, (February 28), p. 29 Schwabsky, Barry: “Turner Prize: A Retrospective 1984-2006.” Artforum (January), p. 277 Sheets, Hillary M.: „Shooting from the Hip“, Artnews (Cover) (October), pp. 171-173 Siemes, Christof, “Atelierbesuch Wolfgang Tillmans”, Zeit Magazin (May 31), pp. 47-8 Smarelli, Marcello: “Wolfgang Tillmans, S.A.L.E.S.” Flash Art (December), p. 120 Staple, Polly: “Flights of Fancy.” Frieze (June), pp. 33-4 “The Big Picture”, Metro (September 6), p. 40 Thomas, Tobias. “Wolfgang Tillmans: Coming Home.” Spex, (February 1), p. 11 Tillack, Anna: “Fotograf Wolfgang Tillmans über die Bösen, den Generationenkonflikt und Ecstasy” www.jetzt.de, (June 1) Tilmann, Christina. “In Geiselhaft.” Der Tagesspiegel, (February 22), p. 22 Tumarkin Goodman, Susan. “dateline: Israel: New Photography and Video Art.” The Jewish Museum, New York/ Yale University Press, pp. 38-41 Weskott, Hanne, “Vom Zufall und der Schönheit eines Regentropfens”, Süddeutsche Zeitung SZ Extra, (May 31), p. 4 Williams, Eliza: “Vanessa Branson: A Wonderful Fund”, Flash Art (October), pp. 82-83 Wilson, Andrew: “Artists’ Books: Wolfgang Tillmans”, Art Monthly (December), p. 38 Zeitung SZ Extra, (May 31), p. 4 “Freund der Dinge”, Quest, (January), p. 22 “Wahre Grösse: Zu Gros Für Jede Schublade”, Prinz (January), p.115 “Wolgang Tillmans”, Monopol, (June), p. 119. “Things as they are”, World Press Photo, pp. 282-3 “Das Tillmans-Feuilleton”, Die Zeit, (May 24), p. 4 2008 Basciano, Oliver. “New Names and Beautiful Nights at The Berlin Biennial.” www.artinfo.com (April 12) Bellenbaum, Rainer: „Dispositiv-Wechsel IV“, in: Camera Austria 102/2008, pp. 74-75 Bisky, Jens: „Wo das Auge sich verirrt“, in: Süddeutsche Zeitung (May 29/30), p. 15 Blay, Zandile. “East End Glitterati Gather for Wolfgang Tillmans Opening at Maureen Paley.” www.papermag.com (May 29) Bonz, Jochen: „Vom Leben kaum zu unterscheiden“, in: Groove Nr. 113 (July/August), p. 55 Comer, Stuart: “What to see this month.” Art Review (May), p. 36 Copeland, Mathieu: “Work of Art: Wolfgang Tillmans.” Pluk issue 35 (spring), pp. 65-71 Dyer, Geoff: “The Lure of the Street.” Guardian: Review (May 31) Ebner, Jörn: „Randtier und Zentrumsfigur“, in: Frankfurter Allgemeine Zeitung (June 28), p. 50 Gavin, Francesca: “Abstract eye.” Dazed & Confused (June), pp. 190-191. Gavin, Francesca: “Wolfgang Tillmans on the art of observation.” www.ponystep.com (May 22) Goetz, Rainald & Frenzel, Sebastian: „Die Überschätzung der Freude“ (interview), in: Vanity Fair Nr. 13 (March 20), pp. 100-103 Harris, Gareth: “Scene & Herd: Ground Plan.” www.artforum.com (April 6) Herbert, Martin: “Wolfgang Tillmans.” Time Out (June 26), p. 61 Holtom, Helen & Wyatt, Kieran: “Wolfgang Tillmans.” www.flavorpill.com (May 27) Honigman, Ana Finel: “Wolfgang Tillmans Holds a Grunge.” www.style.com (May 27) Hruska, Jordan: “Art Fair.” Out Magazine (June), p.126 Jeffreys, Tom: “Art Monitor: Wolfgang Tillmans at Maureen Paley.” www.spoonfed.co.uk (June 6) Kramer, Birgit: „Das Leben ist leicht“, in: Siegessäule (August), p. 32 Lapp. Axel: „Wolfgang Tillmans: Lighter“, in: Art Review:, Issue 23 (June), p. 156 Le Feuvre, Lisa: “Lighter / Manual.” Foam (Winter), pp. 55-74 Lösel, Anja: „Die Wahrheit des Wolfgang Tillmans“, in: Stern, (March 28) Martin, Penny: “Wolfgang Tillmans at Maureen Paley.” www.showstudio.com (May 28) Moltoni, Anotonio: “Wolfgang Tilmans.” The/End (September), pp. 94-97 Morgan, Jessica: “Peripheral Visions.” Artforum (Summer), pp. 169-170 Mortimer, Richard. “Wolfgang Tillmans Private View.” www.ponystep.com (May 28) Nedo, Kito: „Ein ungewöhnlicher Tillmans“, in: art, (April 1) (only internet) Pernet, Diane: “Maureen Paley Presents Wolfgang Tillmans.” www.dianepernet.typepad.com (May) Richter, Peter: „Auf der anderen Seite der Bilder“, in: Frankfurter Allgemeine Zeitung (April 7), p. 41 Schwabsky, Barry: “Turner Prize: A Retrospective 1984-2006.” Artforum (January), p. 277 Searle, Adrian: “Clocking off.” Guardian G2 (February 26), pp. 23-25 Siemes, Christoph: „Der Junge, der von den Sternen lernte“, in: Die Zeit (March 27), p. 54 Smarelli, Marcello: „Wolfgang Tillmans, S.A.L.E.S.“, in: Flash Art 12/07, 01/08, p. 120 Stephinson, Anthony: “Wolfgang Tillmans.” www.twoseelife.blogspot.com (April 21) Stewart, Christabel: “Find the Gap: Wolfgang Tillmans’ studio space salutes forgotten greats.” Tank volume 5, Issue 3, pp. 82-87 Stange, Raimar: „Wolfgang Tillmans im Hamburger Bahnhof“, in: Kunst-Bulletin, 5/08, p. 79 “Street & Studio: An Urban History of Photography.” Pluk (Summer), pp. 30-31 Turvey, Lisa: „Wolfgang Tillmans, Andrea Rosen Gallery“, in: Artforum (January), p. 278 Völzke, Daniel: „Wer die Wahrheit sucht, träumt“ (interview), in: Tagesspiegel (March 22) Walde, Gabriela: „Ein Fotograf erfindet sich neu“, in: Berliner Morgenpost, (March 26) Werneburg, Brigitte: „Wo Ambient war, wird Ambition“, in: taz, (March 24) Wood, Catherine. “Looking Back: Emerging Artists.” Frieze (January), p. 139 “Sheffield biennial lights up city.” Art World (February), p. 10 2009 Buhr, Elke. “Wir sind Mittäter.” Monopol (June), pp. 44-48 Campagnola, Sonia. “Live From L.A.” Flash Art (January), p. 56 Cooke, Lynne. “Venice ‘09: Play Grounds.” Artforum (September), pp. 232-237 Craig, Jonnie. “Books you should own.” Huhmagazine.co.uk (November 12). Crow, Thomas. “Venice ’09: Acting the Part.” Artforum (September), pp. 226-231 & p. 316. Dawes, Marcus, and Coburn, Tyler. “On the town: Whitechapel Reopening, London.” Art Review (Summer), pp. 156-157 David, Evans. “Review: Lighter.” Extra (Summer), pp. 54-61 De Carlo, Massimo. “A Fair Conversation.” (excerpt), Mousse (November/December), pp. 99-102 Diederichsen, Diedrich. “Venice ’09: When Worlds Elide.” Artforum (September), pp. 240-245. Fisher, Alice. “Maureen.” Fantastic Man (Autumn/Winter), pp. 148-155 Genzlinger, Neil. “Movie review: If One Thing Matters, A Portrait of a photographer.” The New York Times (October 17) G, L. “Geschenk!” Taz Mag, (April 4), p. 12 Griffin, Tim, In conversation with Birnbaum, Daniel. “New Beginnings.” Artforum (May), pp. 162-165 Gioni, Massimiliano & Mah, Sergio. “Looking Back: Solo Show.” Frieze (January). p. 107 Heimann, Jim. & Starr, Kevin. “Los Angeles: Portrait of a City.” Taschen, Cologne, p. 2 Lebovici, Elisabeth. “Wolfgang Tillmans, Galerie Chantal Crousel, Paris.” Frog (Spring), cover & pp. 46-53 Miller, Ken. “Shoot: Photography of the Moment.” Rizzoli, New York Perra, Daniele. “Wolfgang Tillmans.” Kult Magazine (April), pp. 38-43 Polyviou, Natasha. “Small wonders.” Time Out (March 12), pp. 34-35 Robecchi, Michele. “Making Worlds: 53rd Venice Biennale.” Flash Art (October), pp. 33-34 Shaw, Amy. “Wolfgang Tillmans: Photograping the ripple effect.” The Art Newspaper (October 16) “Silenci?”, Actar, Catalunya, Spain, pp. 168-169 “The 53rd Venice Biennale: Best of the rest: Wolfgang Tillmans.” Art World (August/September), p. 109 van der Heide, Bart. “Between Bridges London: Three-Year Anniversary.” Portfolio, pp. 65-66 Verhagen, Marcus. “53rd International Art Exhibition: Making Worlds.”Art Review (September), pp. 120-121
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