| 1968 | Geboren in Remscheid |
| 1987–1990 | Lebt und arbeitet in Hamburg |
| 1990–1992 | Studium am Bournemouth and Poole College of Art and Design, Bournemouth |
| 1992–1994 | Lebt und arbeitet in London |
| 1994–1995 | Lebt und arbeitet in New York |
| 1995 | Ars Viva Prize, Germany |
| | Kunstpreis der Böttcherstraße, Bremen |
| 1996-2007 | Lebt und arbeitet in London |
| 1998–1999 | Gastprofessur an der Hochschule für bildende Künste, Hamburg |
| 2000 | Turner Prize, Tate Britain, London |
| 2001 | Honorary Fellowship, The Arts Institute at Bournemouth |
| Seit 2003 | Professor an der Städelschule, Frankfurt a.M. |
| Seit 2006 | Ausstellungsraum „Between Bridges“, London |
| Seit / since 2007 | Lebt und arbeitet in London und Berlin |
| | |
| Einzelausstellungen | top |
| K = Katalog oder Künstlerbuch |
| 1988 | Approaches, Café Gnosa, Hamburg |
| | Blutsturz, Front, Hamburg |
| | Approaches, Fabrik – Foto – Forum, Hamburg, and Stadtbücherei Remscheid |
| 1989 | Café Gnosa, Hamburg |
| 1991 | Grauwert Galerie, Hamburg |
| 1992 | Diptychen, 1990–1992, PPS. Galerie F.C. Gundlach, Hamburg |
| 1993 | Daniel Buchholz – Buchholz & Buchholz, Cologne |
| | L.A. Galerie, Frankfurt a.M. |
| | arsFutura Galerie, Zurich |
| | Interim Art, London |
| 1994 | Galerie Thaddaeus Ropac, Paris |
| | Andrea Rosen Gallery, New York |
| | Daniel Buchholz, Cologne |
| 1995 | neugerriemschneider, Berlin |
| | Kunsthalle Zurich (K) |
| | Stills Gallery, Edinburgh |
| | Portikus, Frankfurt a.M. (K) |
| | Regen Projects, Los Angeles |
| | Interim Art, London |
| 1996 | Faltenwürfe, Galerie Daniel Buchholz, Cologne |
| | Kunstverein Elsterpark, Leipzig |
| | arsFutura Galerie, Zurich |
| | Galleri Nicolai Wallner, Copenhagen |
| | Andrea Rosen Gallery, New York |
| | Wer Liebe wagt lebt morgen, Kunstmuseum Wolfsburg (K) |
| 1997 | Galleria Sales, Rome |
| | I didn’t inhale, Chisenhale Gallery, London |
| | hale-Bopp, Galerie Daniel Buchholz, Art Cologne, Cologne |
| 1998 | Café Gnosa, Hamburg |
| | Fruiciones, Museo Nacional Reina Sofia, Espacio Uno, Madrid (K) |
| | Andrea Rosen Gallery, New York |
| 1999 | neugerriemschneider, Berlin |
| | Saros, Galerie Daniel Buchholz, Cologne (K) |
| | Eins ist sicher: Es kommt immer ganz anders als man denkt, Städtische Galerie, Remscheid |
| | Soldiers, Neuer Aachener Kunstverein |
| | Wako Works of Art, Tokyo (K) |
| | Space between Two Buildings / Soldiers – The Nineties, Maureen Paley/Interim Art, London |
| | Soldiers – The Nineties, Andrea Rosen Gallery, New York (K) |
| | Regen Projects, Los Angeles |
| | Galleria Sales, Rome |
| | sommercontemporaryart, Tel Aviv |
| | Soldiers – The Nineties, arsFutura Galerie, Zurich |
| 2000 | Blushes, fig–1, London |
| | Galerie Meyer Kainer (with Jochen Klein), Vienna |
| | Galerie Rüdiger Schöttle (with Thomas Ruff), Munich |
| 2001 | Andrea Rosen Gallery, New York |
| | Wako Works of Art, Tokyo (K) |
| | Super Collider, Galerie Daniel Buchholz, Cologne |
| | Aufsicht, Deichtorhallen Hamburg (K) |
| | Science Fiction/hier und jetzt zufrieden sein, AC: Isa Genzken / Wolfgang Tillmans, Museum Ludwig, Cologne (K) |
| 2002 | Veduta dall’ alto, Castello di Rivoli – Museo d’arte contemporanea, Rivoli, Turin (K) |
| | Vue d’en Haut, Palais de Tokyo, Paris (K) |
| | Regen Projects, Los Angeles |
| | Lights (Body), Galerie Sales, Rome |
| | Maureen Paley, Interim Art, London |
| | Partnerschaften (with Jochen Klein), NGBK, Berlin (K) |
| | Lights (Body), Andrea Rosen Gallery, New York |
| | sommercontemporaryart, Tel Aviv |
| | Wolfgang Tillmans – still lives, Fogg Art Gallery, Busch Reisinger Museum, Harvard, Cambridge, MA (K) |
| 2003 | View From Above, Louisiana – Museum Of Modern Art, Humlebœk, Denmark (K) |
| | if one thing matters, everything matters, Tate Britain, London (K) |
| | Galerie Daniel Buchholz, Cologne |
| | Frans Hals Museum, Haarlem, Netherlands |
| | Andrea Rosen Gallery, New York |
| 2004 | Freischwimmer, neugerriemschneider, Berlin |
| | Regen Projects, Los Angeles |
| | Freischwimmer, Tokyo Opera City Art Gallery, Tokyo (K) |
| | Wako Works of Art, Tokyo (K) |
| | Panoramabar, Berlin (permanent installation) |
| 2005 | 2005, Galería Juana de Aizpuru, Madrid |
| | Truth Study Center, Maureen Paley, London |
| | Press To Exit Project Space, Skopje, Macedonia |
| | Markt, Galerie Meerrettich, Berlin |
| 2006 | Freedom from the Known, PS1 Contemporary Art Center/MoMA, New York (K) |
| | Wolfgang Tillmans, Museum of Contemporary Art, Chicago (K), traveled to Hammer Museum, Los Angeles, Hirshhorn Museum, Washington D.C. (2007), Museo Tamayo Arte Contemporanea, Mexico City (2008) |
| | Pinakothek der Moderne (permanent collection), München |
| | Helsinki-Festival, Taidehalli, Helsinki |
| | Sprengel Museum, Hannover (permanent collection), Hannover |
| 2007 | paper drop, Galerie Daniel Buchholz, Köln |
| | Bibliographie, Buchhandlung Walter König, Cologne |
| | Faltung, Camera Austria, Graz |
| | Bali, Kestner-Gesellschaft, Hannover |
| | Beugung, Kunstverein München |
| | Richard Branson, White Cubicle Gallery, George&Dragon, London |
| | Atair, Andrea Rosen Gallery, New York |
| | All The Time / Time, Galleria S.A.L.E.S., Rome |
| | Carciofo – Still Lifes (curated by Werner Krüger), Oroom Gallery, Seoul, Korea (K) |
| 2008 | Strings, Galerie Chantal Crousel, Paris, France |
| | Lighter, Hamburger Bahnhof, Museum für Gegenwart, Berlin (K) |
| | Galerie Juana de Aizpuru, Madrid, Spain |
| | Maureen Paley, London |
| | Museum Kunstpalast (permanent collection), Düsseldorf (K) |
| | Museo Tamayo, Mexico City, Mexico |
| | Neugeriemschneider, Berlin, Germany |
| | Regen Projects, Los Angeles, USA |
| | Tate Britain (permanent collection), London |
| | Tegenwoordigheid van Geest, Stedelijk Museum, Amsterdam |
| | Wako Works of Art, Tokyo (K) |
| | |
| Gruppenausstellungen | top |
| 1989 | Die Hamburg Schachtel, Museum für Kunst und Gewerbe, Hamburg (K) |
| 1991 | Icons of a Mutinous Age, Three Photographers, Bournemouth & Poole College of Art & Design, Bournemouth |
| 1992 | We Haven’t Stopped Dancing Yet, PPS. Galerie F.C. Gundlach, Hamburg |
| | i-D Now, Pitti Imagine, Palazzo Corsini, Florence |
| 1993 | Christmasshop, Air de Paris, Paris |
| | Belcher, Höller, General Idea, Tillmans, Odenbach, Galerie Daniel Buchholz, Cologne |
| | Phenylovethylamour, Unfair 1993, Cologne, (Galerie Daniel Buchholz ) |
| | November Television, Videoprojekt Remscheid, Esther Schipper, Cologne |
| | Fuck the System, Villa Rossi, Lucca |
| | Atelier, collaboration with Isa Genzken; Daniel Buchholz, Cologne; Wilma Tolksdorf, Hamburg |
| | June, Galerie Thaddaeus Ropac, Paris |
| 1994 | Streetstyle, Victoria & Albert Museum, London (K) |
| | 100 Umkleidekabinen, Bad zur Sonne, Graz (K) |
| | The Winter of Love, P.S. 1 Contemporary Art Center, Long Island |
| | Soggetto Soggetto, Castello di Rivoli – Museo d’arte contemporanea, Rivoli, Turin (K) |
| | Rien à signaler, Galerie Analix, Geneva (K) |
| | Mechanical Reproduction, AP, Amsterdam (K) |
| | Les Dimanches de l’amour, Ecole des Beaux-Arts de Rennes |
| | Sonne München, Galerie Daniel Buchholz, Cologne |
| | Dinos and Jake Chapman, Georgina Starr, Wolfgang Tillmans, Andrea Rosen Gallery, New York |
| | L’Hiver de l’amour, Musée d’art moderne de la ville de Paris (K) |
| | Homegrown, Lotus Club, Cologne |
| 1995 | Kunstpreis der Böttcherstraße in Bremen, Kunsthalle Bremen (K) |
| | ars viva 95/96 Photographie, Anhaltische Gemäldegalerie Dessau; Frankfurter Kunstverein; Kunsthalle Nürnberg (K) |
| | The Enthusiast, Gavin Brown’s Enterprise, New York |
| | Photographies, Galerie Rodolphe Janssen, Brussels |
| | Mondo Nova, Le Case d’Arte, Milan (K) |
| | Human Nature, New Museum of Contemporary Art, New York |
| | Every Time I See You, Galleri Nicolai Wallner, Malmö; galleri index, Stockholm |
| | Take Me (I’m Yours), Serpentine Gallery, London; Kunsthalle Nürnberg (K) |
| 1996 | New Photography # 12, The Museum of Modern Art, New York |
| | a/drift: Scenes from the Penetrable Culture, Bard College Center for Curatorial Studies, Annandale-on- Hudson |
| | Shift, Haus der Kulturen der Welt, Berlin, organized by Neue Gesellschaft für Bildende Kunst (K) |
| | Visitors’ Voices: Recomposing the Collection, Walker Art Center, Minneapolis |
| | Pictures of Modern Life, Galerie Rodolphe Janssen, Brussels; Ecole régionale des Beaux-Arts de Tours |
| | Das deutsche Auge, Deichtorhallen Hamburg |
| | Prospect ’96 – Fotografie in der Gegenwartskunst, Frankfurter Kunstverein und Schirn Kunsthalle, Frankfurt a.M. (K) |
| | Urgence, Capc Musée d’art contemporain, Bordeaux (K) |
| | Traffic, Capc Musée d’art contemporain, Bordeaux |
| | By Night, La Fondation Cartier pour l’art contemporain, Paris (K) |
| | Nudo y Crudo: Sensitive Body, Visible Body, Claudia Gian Ferrari Arte Contemporanea, Milan (K) |
| | Everything that’s Interesting is New, The Dakis Joannou Collection, Athens |
| | Art academy, Athens; Arken Museum for moderne kunst, Copenhagen (K) |
| | Le Plaisir et les ombres, Fondation pour l’Architecture, Brussels |
| | Glockengeschrei nach Deutz, Galerie Daniel Buchholz, Cologne (K) |
| 1997 | We Gotta Get out of this Place, Cubitt, London |
| | Kunst … Arbeit, Forum der Südwest LB, Stuttgart (K) |
| | Positionen künstlerischer Photographie in Deutschland von 1945–1995, Berlinische Galerie, Martin-Gropius-Bau, Berlin (K) |
| | The 90s: A Family of Man?, Casino Luxembourg – Forum d’art contemporain, Luxembourg (K) |
| | The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, Institute of Contemporary Art, Maine College of Art, Portland |
| | Projects, Irish Museum of Modern Art, Dublin (K) |
| | Sous le Manteau, Galerie Thaddaeus Ropac, Paris (K) |
| | Absolute Landscape – Between Illusion and Reality, Yokohama Museum of Art (K) |
| | Zeitgeist Becomes Form – German Fashion Photography 1945–1995, Pat Hearn Gallery, New York; Morris Healy Gallery, New York |
| | Die Kunsthalle Bremen zu Gast in Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (K) |
| 1998 | Veronica’s Revenge, Lambert Collection, Geneva; Centre d’art contemporain, Geneva; Deichtorhallen Hamburg (K) |
| | Berlin/Berlin, Berlin Biennale |
| | La Sphère de l’intime, Le Printemps de Cahors Festival, Saint-Cloud |
| | The DG Bank Collection, Hara Museum of Contemporary Art, Tokyo (K) |
| | Stretch, Tensta Konsthall, Stockholm (K) |
| | The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, The Institute of Contemporary Art, Boston |
| | From the Corner of the Eye, Stedelijk Museum Amsterdam (K) |
| | Galerie Daniel Buchholz, Cologne |
| | Portrait – Human Figure, Galerie Peter Kilchmann, Zurich |
| | Fast Forward Image, Hamburger Kunstverein (K) |
| | The Sound of One Hand: The Collection of Côllier Schorr, Apex Art, New York |
| | Still Life: 1900–1998, Marlborough Graphics, Marlborough Gallery Inc., New York |
| | Kunsthalle Bremen |
| | Galerie Ghislaine Hussenot, Paris |
| | Sunday by Matthew Higgs, Cabinet Gallery, London |
| | Collection, Un autre regard, Capc Musée d’art contemporain, Bordeaux |
| 1999 | Can You Hear Me?, 2nd Ars Baltica Triennial of Photographic Art, Stadtgalerie im Sophienhof, Kiel |
| | Kunsthalle Rostock |
| | How Will We Behave?, Robert Prime, London |
| | Macht und Fürsorge – Das Bild der Mutter in der zeitgenössischen Kunst, Trinitatis church, Cologne, Siemens Kulturprogramm, Cologne (K) |
| | Vision of the Body: Fashion or Invisible Corset, Kyoto Museum of Modern Art; Museum of Contemporary Art, Tokyo (K) |
| | Hypertronix, Espai d’Art Contemporani de Castelló, Castelló (K) |
| | Wohin kein Auge reicht – Von der Entdeckung des Unsichtbaren, Deichtorhallen Hamburg (K) |
| | The Image of the Other, Fòrum Universal de les Cultures, Barcelona (K) |
| | … om det sublima/ … on the sublime, Rooseum, Malmö (K) |
| | Flashes – Contemporary Trends, Fondation Cartier pour l’art contemporain |
| | Centro Cultural de Belèm, Lissabon; Fondacio Miró, Barcelona; Centro Arte |
| | Contemporanea Palazzo delle Papesse, Siena (K) |
| | Zoom, Württembergischer Kunstverein Stuttgart; Museum Abteiberg, Mönchengladbach |
| 2000 | Turner Prize, Tate Britain, London |
| | AutoWerke, Deichtorhallen Hamburg (K) |
| | Apocalypse, Royal Academy of Arts, London |
| | Protest and Survive, Whitechapel Art Gallery, London |
| | Vanishing Points, Groupe Première Heure, Saint-Cloud |
| | Eine Munition unter anderen, Frankfurter Kunstverein (K) |
| | Complicity, Australian Centre for Photography, Sydney |
| | The Sea & the Sky, The Royal Hibernian Academy, Philadelphia (K) |
| | Dire AIDS. Art in the Age of Aids, Promotrice della Bella Arte, Turin (K) |
| | 90 60 90, Museo Jacobo Borges, Caracas (K) |
| | Deep Distance. Die Entfernung der Fotografie, Kunsthalle Basel (K) |
| | Présumés innocents, Capc Musée d’art contemporain, Bordeaux (K) |
| | The British Art Show 5, organised by the Hayward Gallery, London, for The Arts Council of England; travelled to Edinburgh, Southhampton, Cardiff, Birmingham (K) |
| | The Oldest Possible Memory, Collection Hauser and Wirth, Lokremise St. Gallen |
| | Some Parts of this World, Helsinki Photography Festival, Helsinki (K) |
| | Lost, Ikon Gallery, Birmingham (K) |
| | Quotidiana. The Continuity of the Everyday in 20th Century Art, Castello di Rivoli – Museo d’Arte Contemporanea, Rivoli, Turin (K) |
| | Landscape, organised by The British Council, Weimar, Moscow, St. Petersburg, Rome, Madrid, Rio de Janeiro, São Paulo (K) |
| 2001 | Open City – Street Photography 1950–2000, Museum of Modern Art, Oxford (K), travelled to Hirshhorn Museum, Washington DC |
| | Neue Welt, Frankfurter Kunstverein (K) |
| | Zero Gravity, Kunstverein der Rheinlande und Westfalen, Kunsthalle Düsseldorf (K) |
| | Contemporary Utopia, Latvian Centre for Contemporary Art, Riga (K) |
| | Century City: Art and Culture in the Modern Metropolis, Tate Modern, London (K) |
| | Uniforms, Order and Disorder, Pitti Immagine, Florence; P.S. 1 Contemporary Art Center, New York (K) |
| | La natura della natura morta, Galleria D’Arte Moderna Bologna (K) |
| | Sex – Vom Wissen und Wünschen, Hygienemuseum Dresden (K) |
| | Un mundo feliz / Brave new world, OMR, Mexico City |
| | Museum unserer Wünsche, Museum Ludwig, Cologne |
| | Record Collection, VTO gallery, London/International 3, Manchester / Forde |
| | Espace d’Art Contemporain, Geneva |
| | “Why bother?” The Burger King Exhibition, 90 Whitechapel High Street, London |
| | Club Club Club, Le Confort Moderne, Poitiers |
| | Transform the world 2002, Wako Works of Art, Tokyo |
| | Shopping, Schirn Kunsthalle, Frankfurt a.M., travelled to Tate, Liverpool |
| 2002 | Hossa – Arte Alemàn del 2000, Centro Cultural Andratx, Mallorca |
| | Remix: Contemporary Art & Pop, Tate Liverpool (K) |
| | Moving Pictures, Solomon R. Guggenheim Museum, New York; travelled to Guggenheim, Bilbao |
| | Sensationen des Alltags, Kunstmuseum Wolfsburg |
| 2003 | M_ARS – Kunst und Krieg, Neue Galerie Graz (K) |
| | Painting Pictures, Kunstmuseum Wolfsburg (K) |
| | Attack – Kunst und Krieg im Zeitalter der Medien, Kunsthalle Vienna (K) |
| | Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art, Contemporary Arts Center, Cincinatti/Ohio |
| | Anniversary Exhibition, Gavin Brown’s Enterprise, New York |
| | Sex, Karyn Lovegrove Gallery, Los Angeles |
| | Abstraction in Photography, Von Lintel Gallery, New York |
| | Mixtapes, California College of Arts and Crafts, San Francisco |
| | The Society for Contemporary Art Selection, The Art Institute Chicago |
| | Looking in – Looking Out, Kunstmuseum Basel |
| | 20th Anniversary Show, Galerie Monika Sprüth & Philomene Magers, Cologne |
| | actionbutton, Nationalgalerie Hamburger Bahnhof, Berlin (K) |
| | Architektur der Obdachlosigkeit, Neue Pinakothek, Munich (K) |
| | öffentlich/privat, Gesellschaft für zeitgenössische Kunst, Leipzig (K) |
| | Berlin/Moskau, Martin-Gropius-Bau, Berlin (K) |
| | Saint Sebastian, Kunsthalle Vienna (K) |
| | outlook, cultural olympiade, Athens (K) |
| | Warum!, Martin-Gropius-Bau, Berlin (K) |
| | Auto-nom, NRW-Forum Kultur und Wirtschaft, Düsseldorf |
| | Deutsche Fotografie im 20. Jahrhundert, Deutsches Historisches Museum, Berlin |
| | After the Observatory, Paula Cooper Gallery, New York |
| | Fast Forward, Sammlung Goetz, ZKM, Karlsruhe (K) |
| | Montagna, Arte, Scienza, mito, Museo d’Arte di Trento e Rovereto, Rovereto |
| 2004 | BISS – Architektur der Obdachlosigkeit, Museum der Arbeit, Hamburg (K) |
| | Enthüllt, Städtische Museen Heilbronn (K) |
| | The Flower as Image, Louisiana Museum, DK (K), Fondation Beyeler, Riehen (K) |
| | Jetzt und zehn Jahre davor, Kunstwerke, Berlin (K) |
| | Likeness: Portraits of artists by other artists, Wattis Institute for Contemporary Arts, San Francisco (K) |
| | Monument to Now, The Dakis Joannou Collection, Athens (K) |
| | Rose C’est la Vie, Tel Aviv Museum of Art, Tel Aviv, Israel |
| | 21st Century Museum for Contemporary Art, Kanazawa, Japan |
| | Werke aus der Sammlung Boros, Museum für Neue Kunst ZKM, Karlsruhe (K) |
| | Inventory, Scott King, Donald Urquhart, Portikus, Frankfurt (curated by Wolfgang Tillmans) |
| | Im Rausch der Dinge, Fotomuseum Schweiz, Winterthur |
| | Atmosphere, Museum of Contemporary Art, Chicago |
| | Encounters in the 21st Century, 21st Century Museum of Contemporary Art, Kanazawa |
| | Landscape 2, Tower Art Gallery, Eastbourne |
| | Il Nudo, Galleria d’Arte Moderna, Bologna (K) |
| | Friedrich Christian Flick Collection, Hamburger Bahnhof, Berlin (K) |
| | Galerie Rüdiger Schöttle, München |
| | Colección Taschen, Museo Reina Sofia, Madrid |
| 2005 | Shadowplay – A Homage to H.C. Andersen, Kunsthallen Brandts Klaedefabrik, Kunsthalle zu Kiel, Landesgalerie Linz (K) |
| | Superstar. Das Prinzip Prominenz in der Kunst, Kunsthalle und Kunstforum , Vienna (K) |
| | Coolhunters, ZKM Karlsruhe (K) |
| | Migration, Kölnischer Kunstverein, Cologne (K) |
| | Weltbilder, Helmhaus, Zürich (K) |
| | Growing Up Absurd, Herbert Read Gallery, Canterbury |
| | Extreme Abstraction, Albright Knox Gallery, Buffalo, USA |
| | Covering the Real, Kunstmuseum, Basel (K) |
| | Ill Teatro dell’Arte, Villa Manin, Passariano |
| | Always a Little Further, 51st International Art Exhibition, Biennale, Venice |
| | Oktobarski Salon, Belgrad (K) |
| | Helga de Alvear Coll., MEIAC Museum, Badajoz |
| | Arbeit an der Wirklichkeit, The National Museum of Modern Art, Tokyo (K) |
| | Motor Blues, Museum der bildenden Künste Leipzig |
| | Thank you for the Music, Monika Sprüth/Philomene Magers, München |
| | Nischen – von der Architketur und Landschaft bis zur „Szene“, Galerie der Stadt Tuttlingen |
| 2006 | Frankfurter Positionen, "Gut ist, was gefällt", Klasse Wolfgang Tillmans, Museum für Moderne Kunst, Frankfurt am Main, Germany |
| | Gut ist was gefällt - Versuche über die zeitgenössische Urteilskraft, mit Hans-Peter Feldmann, Lucien Samaha, Wolfgang Tillmans und Klasse, How Queer Everything is Today, Queer Festival, Råhuset |
| | The Sublime is Now!, Museum Franz Gertsch, Burgdorf, Switzerland (K) |
| | Click Double Click, Haus Der Kunst, Munich, Germany; Bozar Expo, Brussels, Belgium (K) |
| | An Ongoing Low-Grade Mystery, Paula Cooper, New York, USA |
| | Y Ahora Sin Ti…, Galería Juana De Aizpuru, Madrid, Spain |
| | Abstract art now – floating forms, Wilhelm-Hack-Museum, Ludwigshafen, Germany (K) |
| | Deckchair dreams, London’s Royal Parks, London, UK |
| | Galerie Daniel Buchholz at Metro Pictures, New York, USA |
| | Thank you for the music (London Beat), Sprüth Magers Lee, London, UK |
| | It’s not a photo, Chelsea Art Museum, New York, USA |
| | Landscapes, Wako Works of Art, Tokyo, Japan |
| | Good Vibrations – Visual arts and Rock music, Palazzo delle Papesse, Siena, Italy (K) |
| | Toutes Compositions Florales, Counter Gallery, London, UK |
| | As if by Magic, The Bethlehem Peace Centre, Palestine |
| | Surprise Surprise, Institute of Contemporary Arts, London, UK |
| | Das Achte Feld—Geschlecter, Leben und Begehren in der bildenden Kunst seit 1960, Museum Ludwig, Cologne, Germany (K) |
| | The Starry Messenger: Visions of the Universe, Compton Verney, Warwickshire, UK |
| | Faster! Bigger! Better!, ZKM / Museum für Neue Kunst, Germany |
| | The Secret Public: The last days of the British underground 1978 - 1988, Kunstverein München, Germany |
| | In the Face of History: European Photographers in the 20th Century, Barbican Art Gallery, London, UK (K) |
| | The Gold Standard, P.S.1, New York, USA |
| | The Secret Public: The last days of the British underground 1978 - 1988, Kunstverein München, Germany; Institute of Contemporary Arts, London (2007) |
| | Institute of Contemporary Arts, London, UK (2007) |
| | Halmtorvet, Copenhagen, Denmark |
| | The Studio, Dublin City Gallery The Hugh Lane, Dublin, Ireland (K) |
| | Peace Camp, The Brick Lane Gallery, London, UK |
| 2007 | Rebecca Camhi Gallery, Athens |
| | Dateline Israel: New Photography and Video Art, The Jewish Museum, New York, USA |
| | No Such Thing as Society, Hayward Touring Exhibitions, UK |
| | Reality Bites: Making Avant-Garde Art in Post-Wall Germany, Mildred Lane Kemper Art Museum, St. Louis, USA |
| | Hava Boşluğu - Air Pocket, galerist, Istanbul, Turkey |
| | The Droste Effect, Esther Schipper, Berlin, Germany |
| | What Does the Jellyfish Want, Museum Ludwig, Cologne, Germany |
| | Visit(e), Palast der schönen Künste (Bozar), Brüssel (K) traveled to Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (2008) (K) |
| | Depth of Field: Modern Photography at the Metropolitan, Metropolitan Museum of Art, New York, USA |
| | Numerica, Palazzo Delle Papesse Centro Arte Contemporanea, Siena, Italy (K) |
| | Into Me / Out of Me, MACRO Museo d'Arte Contemporanea, Rome, Italy |
| | Edit! Photography and Film in the Ellipse Collection, Centro de Artes Visuais, Coimbra, Portugal |
| | The Turner Prize: A Retrospective, Tate Britain, London, UK |
| | The Naked Portrait, Compton Verney, Warwickshire, UK |
| | Stardust or the Last Frontier, Musée d´art contemporain du Val-de-Marne, France, (K) |
| | At Home, Yvon Lambert, New York |
| | Seeing Things, Dorsky Gallery, Long Island City, USA |
| | Garten Eden – Der Garten in der Kunst seit 1900, Kunsthalle Emden (K), Germany |
| | Getroffen. Otto Dix und die Kunst des Portraits, Kunstmuseum Stuttgart (K), Germany |
| | Pop am Rhein, Stadtmuseum, Cologne, Germany (K) |
| | MODE:BILDER - Fotografien aus der Sammlung F.C. Gundlach , NRW-Forum Kultur und Wirtschaft, Düsseldorf, Germany |
| 2008 | 3 A.M. Eternal, Alexandre Pollazzon Ltd, London, UK |
| | 50 Moons, Turin Triennial, Turin, Italy |
| | Accademia Tedesca di Villa Massimo, Rome, Italy |
| | Darkside, Fotomuseum Winterthur, Winterthur, Switzerland (K) |
| | De Collectie van Hans Kemna, Museum de Hallen, Haarlem, Netherlands (K) |
| | Folding, Haus Lange, Krefeld, Germany (K) |
| | Hans Kemna Collection, Frans Hals Museum, Haarlem, Netherlands (K) |
| | History in the Making: A Retrospective of the Turner Prize, Mori Art Museum, Tokyo, Japan |
| | History Keeps Me Awake at Night: A Genealogy of Wojnarowicz work related to Wojnarowicz, PPOW Gallery, New York, USA |
| | Just Different, Cobra Museum, Amsterdam, The Netherlands |
| | Life on Mars: Carnegie International 2008, Carnegie Museum of Art, Pittsburgh, USA (K) |
| | Ludlow 38, New York |
| | Noli Me Legere, Michael Lett, Auckland, New Zealand |
| | Other People: Portraits from Grunwald and Hammer Collections, Hammer Museum, Los Angeles |
| | Peter Saville, Accessories to an artwork, Paul Stopler, London |
| | When it’s a Photograph, Bolksy Gallery, Otis College of Art & Design, Los Angeles |
| | Schöner wohnen, Neugerriemschneider, Berlin, Germany |
| | Städel Museum, Frankfurt, Germany (K) |
| | Street & Studio, Tate Modern, London, traveled to Museum Folkwang, Essen, Germany (K) |
| | Summer Show, Wako Works of Art, Tokyo |
| | The Possible Document, Herald St, London, UK |
| | Untitled (Vicarious) Photographing The Constructed Object, Gagosian, New York |
| | Yes, No & Other Options, Art Sheffield 08, Sheffield, UK |
| | Wako Works of Art: 15 Years/ Part III (with Christopher Williams), Wako Works of Art, Tokyo, Japan |
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| 2009 | Form and Photo, The Museum of Contemporary Art, Los Angeles, USA |